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Author: Ariella Aïsha Azoulay
Publisher: Verso Books
ISBN: 1804293113
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
A deeply personal exploration of family, empire, art and identity - from the author of Potential History Can we return to worlds destroyed by colonial violence? In a series of letters to her father, her great-grandmothers, and her children—and to thinkers such as Frantz Fanon and Hannah Arendt—Ariella Aïsha Azoulay examines the disruption of Jewish Muslim life in Algeria and broadly in the Maghreb and the Middle East by two colonial projects: French rule and the Zionist colonization of Palestine, which provoked the departure of Jews from these areas. Jewelry making was a profession that marked the Algerian Jews’ place in the world they shared in the ummah, the borderless community of Muslims. The objects they crafted continue to unsettle the clear-cut separation of Jews from Muslims and of Jews from Algeria. In this jewelry, and in the history of those who made, wore, and sold it, Azoulay finds a path to reviving the lost wisdom of her ancestors. Emptying Africa of its Jews is a tragedy which Azoulay refuses to accept. In these letters, she reintroduces Muslim Jews to the violence of colonization and traces anticolonial pathways to rebuild the rich world of the jewelers of the ummah.
Author: Ariella Aïsha Azoulay
Publisher: Verso Books
ISBN: 1804293113
Category : Biography & Autobiography
Languages : en
Pages : 657
Get Book Here
Book Description
A deeply personal exploration of family, empire, art and identity - from the author of Potential History Can we return to worlds destroyed by colonial violence? In a series of letters to her father, her great-grandmothers, and her children—and to thinkers such as Frantz Fanon and Hannah Arendt—Ariella Aïsha Azoulay examines the disruption of Jewish Muslim life in Algeria and broadly in the Maghreb and the Middle East by two colonial projects: French rule and the Zionist colonization of Palestine, which provoked the departure of Jews from these areas. Jewelry making was a profession that marked the Algerian Jews’ place in the world they shared in the ummah, the borderless community of Muslims. The objects they crafted continue to unsettle the clear-cut separation of Jews from Muslims and of Jews from Algeria. In this jewelry, and in the history of those who made, wore, and sold it, Azoulay finds a path to reviving the lost wisdom of her ancestors. Emptying Africa of its Jews is a tragedy which Azoulay refuses to accept. In these letters, she reintroduces Muslim Jews to the violence of colonization and traces anticolonial pathways to rebuild the rich world of the jewelers of the ummah.
Author: Ariella Aïsha Azoulay
Publisher: Verso Books
ISBN: 1804292591
Category : Art
Languages : en
Pages : 305
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Book Description
"This remarkable book enhances Ariella Azoulay’s position as the most compelling theorist of photography writing today." –Jonathan Crary, author of Scorched Earth A groundbreaking work on the power of photography as a vehicle for civil protest Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the “civil” must be distinguished from the “political” as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay’s book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship—inevitable partners in a reality they are invited to imagine anew and to reconstruct. Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power.
Author: Ariella Aïsha Azoulay
Publisher: Verso Books
ISBN: 1788735730
Category : Political Science
Languages : en
Pages : 657
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Book Description
A passionately urgent call for all of us to unlearn imperialism and repair the violent world we share, from one of our most compelling political theorists In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences. Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while it tries to destroy what came before, and voraciously seeks out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the original imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas at the moment of conquest to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions—an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums—to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as “past” and making the repair of torn worlds the substance of politics.
Author: Raphael Greenberg
Publisher: Cambridge University Press
ISBN: 1009160230
Category : History
Languages : en
Pages : 235
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Book Description
Grounded in decades of research, this book covers contemporary matters such as the entanglement of race and nationalism with archaeology.
Author: Hazel V. Carby
Publisher: Verso Books
ISBN: 1788735110
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.
Author: Carolyn J. Dean
Publisher: Cornell University Press
ISBN: 150173508X
Category : History
Languages : en
Pages : 199
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Book Description
The Moral Witness is the first cultural history of the "witness to genocide" in the West. Carolyn J. Dean shows how the witness became a protagonist of twentieth-century moral culture by tracing the emergence of this figure in courtroom battles from the 1920s to the 1960s—covering the Armenian genocide, the Ukrainian pogroms, the Soviet Gulag, and the trial of Adolf Eichmann. In these trials, witness testimonies differentiated the crime of genocide from war crimes and began to form our understanding of modern political and cultural murder. By the turn of the twentieth century, the "witness to genocide" became a pervasive icon of suffering humanity and a symbol of western moral conscience. Dean sheds new light on the recent global focus on survivors' trauma. Only by placing the moral witness in a longer historical trajectory, she demonstrates, can we understand how the stories we tell about survivor testimony have shaped both our past and contemporary moral culture.
Author: Al-Jibaly
Publisher: El-Farouq.Org
ISBN: 9781643542058
Category :
Languages : en
Pages : 190
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Book Description
This book covers various aspects of marriage according to the authentic Sunnah. Marriage plays a most central role in the human life, and has been largely discussed by the scholars of Islam through the ages, resulting in numerous writings and treatises. This unique title covers a number of different aspects in marriage, including human sexuality, Islamic etiquettes of intimacy, prohibited acts of intimacy, ghusl, the 'awrah, zina', birth control, indecent acts, and more.
Author: David A. Stearns
Publisher: David A. Stearns Publishing
ISBN: 1734520205
Category : Fiction
Languages : en
Pages : 620
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Book Description
A thrilling novel of financial and political suspense and intrigue, The HAWALADAR recounts one man's ill-conceived attempt to meld the highly regulated culture of modern commercial banking with that of the parallel, underground netherworld of Hawala, a world-wide network of shadowy money-movers whose services are ideally suited to the needs of such nefarious clientele as organized crime, drug cartels, rogue governments and modern-day terrorist organizations. Tariq Nasir, is a brilliant, dynamic Pakistani-American who is amassing significant wealth via a fast-growing international business empire, structured to commingle modern business systems and technology with the highly secretive commercial practices of the old world and Hawala. The attempted assimilation of controlling interest in a highly regulated U.S. financial institution, however, ushers in the gradual unraveling of a family business plan conceived in Pakistan years prior to Mr. Nasir's birth. Logan Hart, is a man who is no stranger to financial or international intrigue. He is hired as number two executive at the Nasir-controlled Global United Bank of Chicago to assist in morphing the once local community bank into the kind of international banking organization conceived by the Nasir plan. The recently widowed, career banker and former special military operator begins to question the advisability of having accepted his new position when a series of strange events start happening shortly after his arrival. Doubt begins with the death of a much-beloved old regulator from the Office of the Comptroller of the Currency, who is murdered while examining the bank. Partnered with Cassandra Price, the federal official assigned by the OCC to investigate the circumstances of the untimely death of her associate, Hart finds himself unexpectedly attracted to the senior regulator, as the two help uncover an insidious plot by an Islamic fundamentalist terror group, who are planning a coordinated attack on several American cities with a biological weapon of mass destruction. The pair find themselves at the forward edge of the battle area in the War on Terror as they work with the FBI and agencies of the Department of Homeland Security in a race against time to avert a disaster of epic proportions.
Author: Kandiyoti Deniz Kandiyoti
Publisher: Edinburgh University Press
ISBN: 1474455441
Category : Political Science
Languages : en
Pages : 305
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Book Description
Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.The volume charts the shifts in academic discourse and global development practice that shape our understanding of gender both as an object of policy and as a terrain for activism. Nine individual case studies systematically explore how struggles for political control and legitimacy determine both the ways in which dominant gender orders are safeguarded and the diverse forms of resistance against them.
Author: Kevin Coleman
Publisher: Verso Books
ISBN: 1839760826
Category : Photography
Languages : en
Pages : 337
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Book Description
A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture. Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
