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Author: Lee Tanner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Covering six decades of performers - from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis - this collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them - Herman Leonard, Bob Willoughby and others.
Author: Lee Tanner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Covering six decades of performers - from Louis Armstrong and Duke Ellington to John Coltrane and Miles Davis - this collection is as much a comprehensive catalogue of jazz greats as it is a salute to the photographers who captured them - Herman Leonard, Bob Willoughby and others.
Author: Lee Tanner
Publisher: Harry N. Abrams
ISBN: 9780810957497
Category : Music
Languages : en
Pages : 176
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Book Description
"The Jazz Image: Masters of Jazz Photography" has been carefully culled by Lee Tanner, the leading authority on jazz photography and photographers, and covers more than four decades of performers. If music is an international language, then jazz is the unofficial American ambassador to the world. These incredible images are both historical documents and cultural artifacts, as they are simultaneously records of a period and works of art unto themselves. The photos Tanner has selected are iconic, candid, explosive and intimate - together the book gives readers a unique look at jazz, photography and America, from 1935-65. Table of contents
Author: K. Heather Pinson
Publisher: Univ. Press of Mississippi
ISBN: 1604734957
Category : Music
Languages : en
Pages : 253
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Book Description
Typically, a photograph of a jazz musician has several formal prerequisites: black-and-white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That's the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music. Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there emerged a generalized composite of how mainstream jazz looked and sounded. Pinson evaluates representations of jazz musicians from 1945 to 1959, concentrating on the seminal role played by Herman Leonard (b. 1923). Leonard's photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music's neoclassical sound today. To discover how the image of the musician affected mainstream jazz, Pinson examines readings from critics, musicians, and educators, as well as interviews, musical scores, recordings, transcriptions, liner notes, and oral narratives.
Author: Herman Leonard
Publisher: Scala Arts Publishers Incorporated
ISBN:
Category : Art
Languages : en
Pages : 248
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Book Description
With a camera as his backstage pass, Herman Leonard has photographed the giants of jazz in their golden age, movie stars on set and on their travels to exotic places, the fashion world of Paris in the 1960s, and the inner sanctums of his beloved New Orle
Author: Benjamin Cawthra
Publisher: University of Chicago Press
ISBN: 9780226100746
Category : Music
Languages : en
Pages : 0
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Book Description
Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the ’60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth century’s most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographers—including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton—and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible.
Author: Roxane Orgill
Publisher: Candlewick Press
ISBN: 0763669547
Category : Juvenile Nonfiction
Languages : en
Pages : 61
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Book Description
A collection of poems recounts the efforts of Esquire magazine graphic designer Art Kane to photograph a group of famous jazz artists in front of a Harlem brownstone.
Author: Michael Cuscuna
Publisher: Rizzoli Universe Promotional Books
ISBN: 9780789313652
Category : Jazz
Languages : en
Pages : 0
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Book Description
The Blue Note Years presents for the first time many of Francis Wolff's previously unpublished photographs, capturing such jazz legends as John Coltrane, Freddie Hubbard, Joe Henderson, Miles Davis, Donald Byrd, Clifford Brown, and Ornette Coleman, among others. 195 duotone photos.
Author: Sean J. O'Connell
Publisher: Arcadia Publishing
ISBN: 146713130X
Category : History
Languages : en
Pages : 128
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Book Description
From the late 1910s until the early 1950s, a series of aggressive segregation policies toward Los Angeles's rapidly expanding African American community inadvertently led to one of the most culturally rich avenues in the United States. From Downtown Los Angeles to the largely undeveloped city of Watts to the south, Central Avenue became the center of the West Coast jazz scene, nurturing homegrown talents like Charles Mingus, Dexter Gordon, and Buddy Collette while also hosting countless touring jazz legends such as Duke Ellington, Louis Armstrong, and Billie Holiday. Twenty-four hours a day, the sound of live jazz wafted out of nightclubs, restaurants, hotel lobbies, music schools, and anywhere else a jazz combo could squeeze in its instruments for nearly 50 years, helping to advance and define the sound of America's greatest musical contribution.
Author: Ted Williams
Publisher:
ISBN: 9781788840545
Category : Music
Languages : en
Pages : 352
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Book Description
* A monumental publication, Jazz is the definitive look at nearly thirty years of jazz from a man and his camera, who enjoyed unique access as the history of jazz unfolded "This is the best, most comprehensive jazz book I've ever seen - and I've bought them all." -Terry O'Neill"In these photographs... the music plays on, never dated, always right on time." - John Leland, New York Times"Williams was an important part of jazz history, and this book belongs in the collection of anyone interested in the history of America's greatest art form." - DownBeatFrom the smoky backstage dressing rooms of New York and Chicago's pioneering jazz clubs to the acclaimed Jazz festivals that flourished to enthrall legions of fans, Ted Williams' camera captured the intimacy and the wizardry of Jazz's greats as they perfected their art over more than three decades from the 1940s-1970s. From his unique access and perspective, Williams diligently accumulated a unique and largely unseen archive that documented some of the greatest musicians of the 20th century, the jazz and blues musicians who themselves not only inspired the greats such as Frank Sinatra but fired the aspirations and tastes of a new generation; The Beatles, The Rolling Stones, Bob Dylan and Eric Clapton among them. Williams caught them in the act of exploring and defining their careers and music - while ensuring impassioned audiences and atmospheric venues remained inseparable from the iconic history he was chronicling. From Miles Davis to Duke Ellington, Dizzy Gillespie to Stan Getz and Sarah Vaughan, Williams' camera witnessed genius at work, rest and play, with an honesty and clarity that few photographers could replicate.When Williams died in 2009 at the age of 84, he left nearly 100,000 prints and negatives behind - many of which have never been seen before. Jazz, the first book dedicated to the jazz photography of Ted Williams, will highlight hundreds of these unseen jazz images and will be captioned throughout by his own memories along with commentary from some of the leading jazz historians and journalists working today.Artists include Dizzy Gillespie, Miles Davis, John Coltrane, Ray Charles, Charlie Parker, Sarah Vaughan, Thelonious Monk, Dinah Washington, Duke Ellington, Count Bassie, Billie Holiday, Ella Fitzgerald, Louis Armstrong, Tony Bennett, Mahalia Jackson, Buddy Rich, Julian "Cannonball" Adderly, Art Blakey, Benny Goodman, Charles Mingus, Quincy Jones, Sonny Rollins, Muddy Waters, Max Roach, Woody Herman and Wynton Marsalis
Author: Jonathan O. Wipplinger
Publisher: University of Michigan Press
ISBN: 0472900811
Category : Music
Languages : en
Pages : 325
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Book Description
The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture. By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s. Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.
