Author: Dale Chapman
Publisher: Univ of California Press
ISBN: 0520279379
Category : Business & Economics
Languages : en
Pages : 296
Get Book Here
Book Description
Introduction : banks, bonds, and blues -- "Controlled freedom" : jazz, risk, and political economy -- "Homecoming" : Dexter Gordon and the 1970s fiscal crisis in New York City -- Selling the songbook: the political economy of Verve Records (1956-1990) -- Bronfman's bauble: the corporate history of the Verve Music Group (1990-2005) -- Jazz and the right to the city : jazz venues and the legacy of urban redevelopment in California -- "The Yoshi's effect" : jazz, speculative urbanism, and urban redevelopment in contemporary San Francisco
Author: Dale Chapman
Publisher: Univ of California Press
ISBN: 0520968212
Category : Music
Languages : en
Pages : 296
Get Book Here
Book Description
Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies.
Author: Alan Goldsher
Publisher: Hal Leonard Corporation
ISBN: 9780634037931
Category : Music
Languages : en
Pages : 228
Get Book Here
Book Description
Art Blakey and the Jazz Messengers was one of the most enduring, popular, reliable and vital small bands in modern jazz history. Blakey was not only a distinguished, inventive and powerful drummer, but along with Duke Ellington and Miles Davis, he was one of jazz's foremost talent scouts. The musicians who flowed seamlessly in and out of this constantly evolving collective during its 36-year run were among the most important artists not just of their eras, but of any era. Though their respective innovations were vital to the evolution of bebop, hard bop and neo bop, the recorded work of the Messengers sidemen has never been properly analyzed. Until now. Hard Bop Academy: The Sidemen of Art Blakey's Jazz Messengers critically examines the multitude of gifted artists who populated the many editions of the Jazz Messengers. In addition to dissecting the sidemen's most consequential work with Blakey's band, jazz musician and acclaimed novelist Alan Goldsher offers up engaging profiles of everyone from Wynton Marsalis to Terence Blanchard to Hank Mobley to Wayne Shorter to Horace Silver to Keith Jarrett to Curtis Fuller to Steve Davis. And that's only the beginning. Goldsher conducted over 30 interviews with surviving graduates of Blakey's Hard Bop Academy, many of whom spoke at length of their tenure with the legendary "Buhaina" for the first time. Alan Goldsher is a bassist who has recorded with Janet Jackson, Digable Planets, Cypress Hill and Naughty By Nature. His writing has been published in Bass Player, Tower Pulse, Sport and BasketBull: Chicago Bulls Magazine. Goldsher's debut novel, Jam, was published in 2002 by Permanent Press. He lives in Chicago. Hardcover.
Author: Henry Osborne Osgood
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 304
Get Book Here
Book Description
Author: Mary Morris
Publisher: Anchor
ISBN: 1101872861
Category : Fiction
Languages : en
Pages : 258
Get Book Here
Book Description
Winner of the Anisfield-Wolf Book Award Boomtown Chicago, 1920s—a world of gangsters, musicians, and clubs. Young Benny Lehrman, born into a Jewish hat-making family, is expected to take over his father’s business, but his true passion is piano—especially jazz. After dark, he sneaks down to the South Side to hear the bands play. One night he is asked to sit in with a group. His playing is first-rate. The trumpeter, a black man named Napoleon, becomes Benny’s friend and musical collaborator. They are asked to play at a saloon Napoleon has christened The Jazz Palace. But Napoleon’s main gig is at a mob establishment, which doesn’t take kindly to their musicians freelancing . As Benny and Napoleon navigate the highs and the lows of the Jazz Age, a bond is forged between them that is as memorable as it is lasting. Morris brilliantly captures the dynamic atmosphere and dazzling music of an exceptional era.
Author: Clifford J. Doerksen
Publisher: University of Pennsylvania Press
ISBN: 0812201760
Category : Business & Economics
Languages : en
Pages : 171
Get Book Here
Book Description
When American radio broadcasting began in the early 1920s there was a consensus among middle-class opinion makers that the airwaves must never be used for advertising. Even the national advertising industry agreed that the miraculous new medium was destined for higher cultural purposes. And yet, within a decade American broadcasting had become commercialized and has remained so ever since. Much recent scholarship treats this unsought commercialization as a coup, imposed from above by mercenary corporations indifferent to higher public ideals. Such research has focused primarily on metropolitan stations operated by the likes of AT&T, Westinghouse, and General Electric. In American Babel, Clifford J. Doerksen provides a colorful alternative social history centered on an overlooked class of pioneer broadcaster—the independent radio stations. Doerksen reveals that these "little" stations often commanded large and loyal working-class audiences who did not share the middle-class aversion to broadcast advertising. In urban settings, the independent stations broadcast jazz and burlesque entertainment and plugged popular songs for Tin Pan Alley publishers. In the countryside, independent stations known as "farmer stations" broadcast "hillbilly music" and old-time religion. All were unabashed in their promotional practices and paved the way toward commercialization with their innovations in programming, on-air style, advertising methods, and direct appeal to target audiences. Corporate broadcasters, who aspired to cultural gentility, were initially hostile to the populist style of the independents but ultimately followed suit in the 1930s. Drawing on a rich array of archives and contemporary print sources, each chapter of American Babel looks at a particular station and the personalities behind the microphone. Doerksen presents this group of independents as an intensely colorful, perpetually interesting lot and weaves their stories into an expansive social and cultural narrative to explain more fully the rise of the commercial network system of the 1930s.
Author: Donald L. Miller
Publisher: Simon and Schuster
ISBN: 1416550208
Category : History
Languages : en
Pages : 784
Get Book Here
Book Description
An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment --
Author: Lisa Wheeler
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152025229
Category : Juvenile Fiction
Languages : en
Pages : 40
Get Book Here
Book Description
Baby and his family make some jazzy music.
Author: Jonathan O. Wipplinger
Publisher: University of Michigan Press
ISBN: 047205340X
Category : History
Languages : en
Pages : 325
Get Book Here
Book Description
Reveals the wide-ranging influence of American jazz on German discussions of music, race, and culture in the early twentieth century
Author: Whitney Balliett
Publisher: Macmillan
ISBN: 9780312270087
Category : Music
Languages : en
Pages : 892
Get Book Here
Book Description
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz."
