The Invention of Printing in China and Its Spread Westward PDF Download
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Author: Thomas Francis Carter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
Studies the history of printing in China from the invention of paper, through block printing, through paper's journey to Europe, to printing with movable type.
Author: Thomas Francis Carter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368
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Book Description
Studies the history of printing in China from the invention of paper, through block printing, through paper's journey to Europe, to printing with movable type.
Author: Endymion Porter Wilkinson
Publisher: Harvard Univ Asia Center
ISBN: 9780674002494
Category : History
Languages : en
Pages : 1220
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Book Description
Endymion Wilkinson's bestselling manual of Chinese history has long been an indispensable guide to all those interested in the civilization and history of China. In this latest edition, now in a bigger format, its scope has been dramatically enlarged by the addition of one million words of new text. Twelve years in the making, the new manual introduces students to different types of transmitted, excavated, and artifactual sources from prehistory to the twentieth century. It also examines the context in which the sources were produced, preserved, and received, the problems of research and interpretation associated with them, and the best, most up-to-date secondary works. Because the writing of history has always played a central role in Chinese politics and culture, special attention is devoted to the strengths and weaknesses of Chinese historiography.
Author: Geoffrey Roper
Publisher: BRILL
ISBN: 9004255974
Category : History
Languages : en
Pages : 340
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Book Description
Print culture, in both its material and cognitive aspects, has been a somewhat neglected field of Middle Eastern intellectual and social history. The essays in this volume aim to make significant contributions to remedying this neglect, by advancing our knowledge and understanding of how and why the development of printing both affected, and was affected by, historical, social and intellectual currents in the areas considered. These range geographically from Iran to Latin America, via Kurdistan, Turkey, Egypt, the Maghrib and Germany, temporally from the 10th to the 20th centuries CE, and linguistically through Arabic, Judæo-Arabic, Syriac, Ottoman Turkish, Kurdish and Persian.
Author:
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 148
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Book Description
Author: Wallace Johnson
Publisher: Princeton University Press
ISBN: 0691198977
Category : History
Languages : en
Pages : 338
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Book Description
Contents include: Preface Abbreviations Weights and Measures Part One: Introduction Chapter I: Background Chapter II: General Prniciples of The T'ang Code Chapter III: The Text of the T'ang Code Part Two: The T'ang Code: General Principles, Chapters I-VI Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Appendix Glossary Bibliography Index Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Tsuen-hsuin Tsien
Publisher: Chinese University Press
ISBN: 9629964228
Category : Drama
Languages : en
Pages : 474
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Book Description
Focuses on such topics as Chinese documents, Chinese paper, ink-making, printing, cultural exchange, libraries, and biographies
Author: Andrea Bachner
Publisher: Columbia University Press
ISBN: 0231164521
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
New communication and information technologies remain challenging for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, both within China and different parts of the West. Approaching this history from alternative theoretical perspectives, this volume pinpoints the phenomena binding languages, scripts, and medial expressions to cultural and national identity. Through a complex study of intercultural representations, exchanges, and tensions, the text focuses on the concrete “scripting” of identity and alterity, advancing a new understanding of the links between identity and medium and a new critique of articulations that rely on single, monolithic, and univocal definitions of writing.
Author: Henry H. Wiggins
Publisher: Columbia University Press
ISBN: 9780231057547
Category : New York (N.Y.)
Languages : en
Pages : 92
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Book Description
The summation of more than two thousand years of one of the world's most august literary traditions, this volume also represents the achievements of four hundred years of Western scholarship on China. The selections include poetry, drama, fiction, songs, biographies, and works of early Chinese philosophy and history rendered in English by the most renowned translators of classical Chinese literature: Arthur Waley, Ezra Pound, David Hawkes, James Legge, Burton Watson, Stephen Owen, Cyril Birch, A. C. Graham, Witter Bynner, Kenneth Rexroth, and others. Arranged chronologically and by genre, each chapter is introduced by definitive quotes and brief introductions chosen from classic Western sinological treatises. Beginning with discussions of the origins of the Chinese writing system and selections from the earliest "genre" of Chinese literature -- the Oracle Bone inscriptions -- the book then proceeds with selections from: • early myths and legends; • the earliest anthology of Chinese poetry, the Book of Songs; • early narrative and philosophy, including the I Ching, Tao-te Ching, and the Analects of Confucius; • rhapsodies, historical writings, magical biographies, ballads, poetry, and miscellaneous prose from the Han and Six Dynasties period; • the court poetry of the Southern Dynasties; • the finest gems of Tang poetry; and • lyrics, stories, and tales of the Sui, Tang, and Five Dynasties eras. Special highlights include individual chapters covering each of the luminaries of Tang poetry: Wang Wei, Li Bo, Du Fu, and Bo Juyi; early literary criticism; women poets from the first to the tenth century C.E.; and the poetry of Zen and the Tao. Bibliographies, explanatory notes, copious illustrations, a chronology of major dynasties, and two-way romanization tables coordinating the Wade-Giles and pinyin transliteration systems provide helpful tools to aid students, teachers, and general readers in exploring this rich tradition of world literature.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 612
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Book Description
Author: Walter J. Ong
Publisher: Yale University Press
ISBN: 9780300099737
Category : Language Arts & Disciplines
Languages : en
Pages : 828
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Book Description
This provocative exploration of the nature and history of the word in some of its social, psychological, literary, phenomenological, and religious dimensions argues that the word is initially aural and in the last analysis always remains sound; it cannot be reduced to any other category. Father Ong contends that sound is essentially an event manifesting power and personal presence, and his descriptive analysis of the development of the media of verbal expression, from their oral sources through the laborious transfer to the visual world and then to contemporary means of electronic communication, shows that the predicament of the human word is the predicament of man himself. Examining the close alliance of the spoken word with the sense of the sacred, particularly in the Hebreo-Christian tradition, he reveals that in a world where presence has penetrated time and space as never before, modern man must find the God who has given himself in the Word which brings man more into the world of sound than of sight.
