Author: Benedict Nicolson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
The International Caravaggesque Movement
Author: Benedict Nicolson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Book Description
M
Author: Peter Robb
Publisher: Henry Holt and Company
ISBN: 1466887435
Category : Biography & Autobiography
Languages : en
Pages : 610
Book Description
A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life.
Publisher: Henry Holt and Company
ISBN: 1466887435
Category : Biography & Autobiography
Languages : en
Pages : 610
Book Description
A bold, fresh biography of the world's first modern painter As presented with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological cold war against which, despite all odds and at great cost to their creators, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same."Caravaggio threw out Renaissance dogma to paint with dazzling originality and fierce vitality, qualities that are echoed in Robb's prose. As with Caravaggio's art, M arrests and susps time to reveal what the author calls "the theater of the partly seen." Caravaggio's wild persona leaps through these pages like quicksilver; in Robb's skilled hands, he is an immensely attractive character with an astonishing connection to the glories and brutalities of life.
Art Books
Author: Wolfgang M. Freitag
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Publisher: Routledge
ISBN: 1134830416
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Caravaggio
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538141795
Category : Art
Languages : en
Pages : 285
Book Description
Michelangelo Merisi da Caravaggio’s life was turbulent and short. He was only in his late thirties when he died and yet he managed to achieve tremendous artistic success. A native of Caravaggio, near Milan, he was born in 1571 and moved to Rome after training with Simone Peterzano, a pupil of Titian. In the papal city, his talent was recognized by the influential collector and art connoisseur Cardinal Francesco Maria del Monte, who promoted his art. Within a few years Caravaggio became one of the most sought-after painters in Italy and abroad. His style was so striking and unique that artists from all over adopted it as their own. Caravaggio: A Reference Guide to His Life and Works focuses on his life, his works, and legacy. It features a chronology, an introduction offers a brief account of his life, a cross-referenced dictionary section contains entries on his individual paintings, public commissions his patrons, his followers, and the techniques he used in rendering his works.
Publisher: Rowman & Littlefield
ISBN: 1538141795
Category : Art
Languages : en
Pages : 285
Book Description
Michelangelo Merisi da Caravaggio’s life was turbulent and short. He was only in his late thirties when he died and yet he managed to achieve tremendous artistic success. A native of Caravaggio, near Milan, he was born in 1571 and moved to Rome after training with Simone Peterzano, a pupil of Titian. In the papal city, his talent was recognized by the influential collector and art connoisseur Cardinal Francesco Maria del Monte, who promoted his art. Within a few years Caravaggio became one of the most sought-after painters in Italy and abroad. His style was so striking and unique that artists from all over adopted it as their own. Caravaggio: A Reference Guide to His Life and Works focuses on his life, his works, and legacy. It features a chronology, an introduction offers a brief account of his life, a cross-referenced dictionary section contains entries on his individual paintings, public commissions his patrons, his followers, and the techniques he used in rendering his works.
Italy 1530-1630
Author: Eric Cochrane
Publisher: Routledge
ISBN: 1317872088
Category : History
Languages : en
Pages : 397
Book Description
This book covers one of the more obscure periods of Italian history. What we know of it is presented almost always pejoratively: an unrelieved tale of political absolution, rural refeudalisation, economic crisis, religious repression and cultural decline. But this picture is both incomplete and inaccurate, and in this important new survey Eric Cochrane has at last given the period its due.
Publisher: Routledge
ISBN: 1317872088
Category : History
Languages : en
Pages : 397
Book Description
This book covers one of the more obscure periods of Italian history. What we know of it is presented almost always pejoratively: an unrelieved tale of political absolution, rural refeudalisation, economic crisis, religious repression and cultural decline. But this picture is both incomplete and inaccurate, and in this important new survey Eric Cochrane has at last given the period its due.
The Age of Caravaggio
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993801
Category : Mannerism (Art)
Languages : en
Pages : 369
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870993801
Category : Mannerism (Art)
Languages : en
Pages : 369
Book Description
M: The Caravaggio Enigma
Author: Peter Robb
Publisher: Bloomsbury Publishing
ISBN: 1408819899
Category : Biography & Autobiography
Languages : en
Pages : 585
Book Description
M is the name of an enigma. In his short and violent life, Michaelangelo Merisi, from Caravaggio, changed art for ever. In the process he laid bare his own sexual longing and the brutal realities of his life with shocking frankness. Like no painter before him and few since, M the man appears in his art. As a book about art and life and how they connect, there has never been anything quite like it.
Publisher: Bloomsbury Publishing
ISBN: 1408819899
Category : Biography & Autobiography
Languages : en
Pages : 585
Book Description
M is the name of an enigma. In his short and violent life, Michaelangelo Merisi, from Caravaggio, changed art for ever. In the process he laid bare his own sexual longing and the brutal realities of his life with shocking frankness. Like no painter before him and few since, M the man appears in his art. As a book about art and life and how they connect, there has never been anything quite like it.
Poussin's Paintings
Author: David Carrier
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304
Book Description
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.
Publisher: Penn State Press
ISBN: 9780271041674
Category :
Languages : en
Pages : 304
Book Description
Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.
The Visible World
Author: Thijs Weststeijn
Publisher: Amsterdam University Press
ISBN: 9089640274
Category : Art
Languages : en
Pages : 477
Book Description
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Publisher: Amsterdam University Press
ISBN: 9089640274
Category : Art
Languages : en
Pages : 477
Book Description
How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.
Movements in Painting
Author: Patricia Fride-Carrassat
Publisher: Chambers Harrap Publishers
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
Concise and authoritative guide to the history and development of Western painting from the 15th century to the present day - Covers movements from the Renaissance to the Young British Artists, including Baroque, Orientalism, Action Painting and Graffiti Art - Focuses on the context, style and key practitioners of each movement.
Publisher: Chambers Harrap Publishers
ISBN:
Category : Art
Languages : en
Pages : 252
Book Description
Concise and authoritative guide to the history and development of Western painting from the 15th century to the present day - Covers movements from the Renaissance to the Young British Artists, including Baroque, Orientalism, Action Painting and Graffiti Art - Focuses on the context, style and key practitioners of each movement.