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Author: Anthony Boden
Publisher: Routledge
ISBN: 1351539175
Category : Music
Languages : en
Pages : 388
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Book Description
Thomas Tomkins (1572-1656), a major figure of the Golden Age of British music, was arguably the greatest of all Welsh-born composers. Living through one of the most revolutionary periods in British history, his professional life was spent in the service of the Crown and the Church at both the Chapel Royal and Worcester Cathedral. Surviving the Civil War, the suppression of the music of the English Church, the closure of the Chapel Royal, the destruction of his organ at Worcester and the devastation of the city, Tomkins was able to find the strength and inspiration to continue composing secular music of fine quality. Much of Tomkins's output has survived, including his collection of music for the Anglican rite, Musica Deo Sacra, published posthumously in 1668. His work embraced both sacred and secular vocal music, pieces for keyboard and for viol consort, thereby proving him to be one of the most versatile figures of English Renaissance music. The first part of the book provides an absorbing biography of Tomkins, setting his life into fascinating historical context. The second and third parts include major essays on Tomkins by Denis Stevens, Bernard Rose, Peter James and David Evans, all authorities on the music of the period with each providing perceptive insights into Tomkins's music. The result is a successful piece of collective work that properly places Tomkins and his achievements in his time and enables readers to reassess him properly in relation to his elders and contemporaries. Tomkins has still not reached the 'household name' status of his great teacher, William Byrd, or of his close friend and colleague, Orlando Gibbons, but he is undoubtedly worthy of much greater recognition. The book complements the increasing number of live performances and recordings of Tomkins's music, both sacred and secular, and such a comprehensive account of the man and his work should appeal to early music scholars, performers and music lovers alike.
Author: Anthony Boden
Publisher: Routledge
ISBN: 1351539175
Category : Music
Languages : en
Pages : 388
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Book Description
Thomas Tomkins (1572-1656), a major figure of the Golden Age of British music, was arguably the greatest of all Welsh-born composers. Living through one of the most revolutionary periods in British history, his professional life was spent in the service of the Crown and the Church at both the Chapel Royal and Worcester Cathedral. Surviving the Civil War, the suppression of the music of the English Church, the closure of the Chapel Royal, the destruction of his organ at Worcester and the devastation of the city, Tomkins was able to find the strength and inspiration to continue composing secular music of fine quality. Much of Tomkins's output has survived, including his collection of music for the Anglican rite, Musica Deo Sacra, published posthumously in 1668. His work embraced both sacred and secular vocal music, pieces for keyboard and for viol consort, thereby proving him to be one of the most versatile figures of English Renaissance music. The first part of the book provides an absorbing biography of Tomkins, setting his life into fascinating historical context. The second and third parts include major essays on Tomkins by Denis Stevens, Bernard Rose, Peter James and David Evans, all authorities on the music of the period with each providing perceptive insights into Tomkins's music. The result is a successful piece of collective work that properly places Tomkins and his achievements in his time and enables readers to reassess him properly in relation to his elders and contemporaries. Tomkins has still not reached the 'household name' status of his great teacher, William Byrd, or of his close friend and colleague, Orlando Gibbons, but he is undoubtedly worthy of much greater recognition. The book complements the increasing number of live performances and recordings of Tomkins's music, both sacred and secular, and such a comprehensive account of the man and his work should appeal to early music scholars, performers and music lovers alike.
Author: Dr Andrew Woolley
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409464288
Category : Music
Languages : en
Pages : 464
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Peter Williams
Publisher: Oxford University Press
ISBN: 9780198165637
Category : Language Arts & Disciplines
Languages : en
Pages : 278
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Book Description
The "Chromatic Fourth" is a musical pattern of six notes moving by step up or down the scale. In this essentially practical study Peter Williams draws on his extensive knowledge of the music of four centuries to investigate and analyze over 200 examples taken from composers ranging from Bach to Bart k, and from Schubert to Shostakovich.
Author: David J. Smith
Publisher: Routledge
ISBN: 1317088808
Category : Music
Languages : en
Pages : 362
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Book Description
Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.
Author: David Smith
Publisher: Routledge
ISBN: 1351613871
Category : Music
Languages : en
Pages : 273
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Book Description
English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
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Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Author: Andrew Woolley
Publisher: Routledge
ISBN: 1317113551
Category : Music
Languages : en
Pages : 334
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Book Description
Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.
Author: Alexander Silbiger
Publisher: Routledge
ISBN: 1135924236
Category : Music
Languages : en
Pages : 421
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Book Description
Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 566
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Book Description
Author: Arthur Jacobs
Publisher: Routledge
ISBN: 1351534874
Category : Music
Languages : en
Pages : 418
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Book Description
What is a fugue? What is the difference between a saxophone and a saxhorn? Who besides Puccini wrote an opera called La Boheme? In what year, was the National Broadcasting Company Orchestra formed under Arturo Toscanini's direction? These and thousands of similar questions are answered in this comprehensive dictionary that remains unrivaled as a single-volume summary. A New Dictionary of Music is a basic reference work for anyone interested in music, whether performer or layman.It covers orchestral, solo, choral and chamber music, opera, and (in its musical aspects) the ballet. There are entries for composers (with biographies and details of compositions); works well known by their titles, such as operas and symphonic poems; orchestras, performers and conductors of importance today; musical instruments (including those of the dance and brass bands); and, technical terms. English names and terms are used whenever possible, but foreign terms in general use are cross-referenced. Particular importance has been attached to bringing the reader abreast of new musical developments.The composers and musical works chosen were those most likely to be encountered. Where an opera is given an entry, a brief explanation of the title follows. Similarly explication is provided for other works bearing literary or otherwise allusive titles. Among performers and conductors, only the following are included: those who, although dead, continue to be prominent through recorded performances (e.g. Gigli); the highest-ranking international artists of today, plus a very few apparently on the verge of attaining that rank; and, a few who, though not necessarily at the very head of their profession, are closely associated with composers in bringing out new works, or are conductors in charge of important orchestras.
