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Author: Sam North
Publisher: Bloomsbury Publishing
ISBN: 1137607513
Category : Language Arts & Disciplines
Languages : en
Pages : 212
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Book Description
What is it that makes humans engage with a dramatic narrative? Is it linked to our primitive selves, contained within our instinctive experience? This innovative text argues that understanding how and why our human instincts are brought into play as we watch screen drama is the key to writing it. Analysing four powerful instincts – willpower, logic, morality and emotion – Sam North explores how they determine our level of involvement in their drama, and how screenwriters can use them to develop their craft. Including a variety of both well-known and less famous examples, from The Shawshank Redemption to Samira Makhmalbaf's The Apple, this book offers a fresh new approach to thinking about, discussing and writing screenplays.
Author: Sam North
Publisher: Bloomsbury Publishing
ISBN: 1137607513
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Get Book Here
Book Description
What is it that makes humans engage with a dramatic narrative? Is it linked to our primitive selves, contained within our instinctive experience? This innovative text argues that understanding how and why our human instincts are brought into play as we watch screen drama is the key to writing it. Analysing four powerful instincts – willpower, logic, morality and emotion – Sam North explores how they determine our level of involvement in their drama, and how screenwriters can use them to develop their craft. Including a variety of both well-known and less famous examples, from The Shawshank Redemption to Samira Makhmalbaf's The Apple, this book offers a fresh new approach to thinking about, discussing and writing screenplays.
Author: Sam North
Publisher: Bloomsbury Publishing
ISBN: 1350309303
Category : Language Arts & Disciplines
Languages : en
Pages : 246
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Book Description
What is it that makes humans engage with a dramatic narrative? Is it linked to our primitive selves, contained within our instinctive experience? This innovative text argues that understanding how and why our human instincts are brought into play as we watch screen drama is the key to writing it. Analysing four powerful instincts – willpower, logic, morality and emotion – Sam North explores how they determine our level of involvement in their drama, and how screenwriters can use them to develop their craft. Including a variety of both well-known and less famous examples, from The Shawshank Redemption to Samira Makhmalbaf's The Apple, this book offers a fresh new approach to thinking about, discussing and writing screenplays.
Author: Lance Lee
Publisher: University of Texas Press
ISBN: 029277804X
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides.
Author: Simon Bacon
Publisher: McFarland
ISBN: 1476643350
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
This book explores vampire narratives that have been expressed across multiple media and new technologies. Stories and characters such as Dracula, Carmilla and even Draculaura from Monster High have been made more "real" through their depictions in narratives produced in and across different platforms. This also allows the consumer to engage on multiple levels with the "vampire world," blurring the boundaries between real and imaginary realms and allowing for different kinds of identity to be created while questioning terms such as "author," "reader," "player" and "consumer." These essays investigate the consequences of such immersion and why the undead world of the transmedia vampire is so well suited to life in the 21st century.
Author: Greg Takoudes
Publisher: Taylor & Francis
ISBN: 1000992527
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Creator of the GoFaSt Model, author Greg Takoudes introduces a comprehensive study of the structural models of screenwriting and provides readers with an adaptive framework for writing successful scripts. With a new approach which reframes discussions and offers alternatives to students and writers who find conventional models creatively constricting, Takoudes draws from both teaching and professional experience to provide a new model of screenwriting that is designed to be adaptive to various types of scripts. The book is structured in three parts. First, it introduces the GoFast Model – allowing for less orthodox writers to keep their unique voices by breaking scripts down into smaller parts and encouraging more flexibility to write in an organized way, without feeling stifled. Second, the book explores several writing scenarios – featuring the practical uses of the model and a step-by-step script structure spanning chapters on a horror, superhero, and heist movie. Third, it concludes with detailed case studies exploring how the GoFaSt Model can be applied to break down scripts including Get Out, The Marvelous Mrs Maisel, and Portrait of a Lady on Fire. It is an ideal text for screenwriting students and aspiring screenwriters interested in learning how working writers put structural models into practice, as well professional screenwriters, producers, and development executives looking for new ways to think about writing, feedback, and development.
Author: Adam Ganz
Publisher: Springer Nature
ISBN: 3030479609
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
Robert De Niro at Work is the first critical study to examine how Robert de Niro, perhaps the finest screen actor of his generation, works with screenplays to imagine, prepare and denote his performance. In categorising the various ways in which De Niro works with a screenplay, this book will re-examine the relationship between actor and text. This book considers the screenplay as above all a working document and a material object, present at every stage of the filmmaking process. The working screenplay goes through various iterations in development and exists in many versions on set, each adapted and personalised for the specific use of the individual and their role. As the archive reveals, nobody works more closely with the script than the actor, and no actor works more on a script than De Niro.
Author: Lee Neville
Publisher: Lee Neville
ISBN:
Category : Performing Arts
Languages : en
Pages : 107
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Book Description
This is the original screenplay to the third Lee Neville Entertainment short film "This Dark Place" that was originally released in 2010. Discover an alternate opening, different dialogue, a deleted sequence, additional insight and an extended ending. Also included is a reflective introduction written by Lee Neville in 2024 that will present a refreshing understanding and appreciation of the film, as well as the complete end credits and list of video content. Added bonus! The unproduced short film script draft "Brilliant".
Author: Bridget Conor
Publisher: Routledge
ISBN: 1136169490
Category : Performing Arts
Languages : en
Pages : 164
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Book Description
Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalities Drawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice. The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
Author: Stephen V. Duncan
Publisher: Bloomsbury Publishing USA
ISBN: 150130593X
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
It's simple: films need to have commercial value for the studios to produce them, distributors to sell them, and theater chains to screen them. While talent definitely plays a part in the writing process, it can be the well-executed formulaic approaches to the popular genres that will first get you noticed in the industry. Genre Screenwriting: How to Write Popular Screenplays That Sell does not attempt to probe in the deepest psyche of screenwriters and directors of famous or seminal films, nor does it attempt to analyze the deep theoretic machinations of films. Duncan's simple goal is to give the reader, the screenwriter, a practical guide to writing each popular film genre. Employing methods as diverse as using fairy tales to illustrate the 'how to' process for each popular genre, and discussing these popular genres in modern television and its relation to its big screen counterpart, Duncan provides a one-stop shop for novices and professionals alike.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
