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Author: Various
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 201
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Book Description
"The Dance" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Various
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 201
Get Book Here
Book Description
"The Dance" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author:
Publisher:
ISBN:
Category : Brazil
Languages : en
Pages : 600
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Book Description
Author: Adrian Wright
Publisher: Troubador Publishing Ltd
ISBN: 1789016363
Category : Fiction
Languages : en
Pages : 264
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Book Description
The new book in the Francis and Gordon Jones mysteries set in 1950’s NorfolkA witty spoof of the classic boy’s detective stories. Following on from The Voice of Doom (ISBN: 97817893285) There is something freshly appealing and charming about the Francis and Gordon Jones mysteries, compared by some to the works of E F Benson, with inevitable nods to Dorothy Sayers and Conan Doyle. The second in the series of their detective adventures, The Coming Day, has five new intriguing cases for the intrepid investigators to solve. A missing girl in a Cornish seaside town … the mysterious death of a man dressed as a woman in a fleapit cinema … the unravelling of an old murder trial… the arrival of a foreign doctor coinciding with communal disaster … the search for a missing photograph. With its host of regular characters in the little Norfolk village of Branlingham, including the Revd. Challis, Mrs Jones of Bramley apple pie and curious corset-making fame, the terrifyingly autocratic Lady Darting, the snooping postmistress Miss Simms and ravishingly handsome actor Rufus Wolfe, Wright has created what the Bookhound calls ‘a literary delight … Brilliantly funny, deliciously wicked and thoroughly enjoyable’. Inspired by Anthony Wilson’s famous 1950s radio characters Norman and Henry Bones, these are sunny stories with an irresistible mingling of comedy and, sometimes unexpectedly, deeper themes. In the current glut of crime writing, they are unlike anything else.
Author: Peter Abbs
Publisher: Routledge
ISBN: 1136495177
Category : Education
Languages : en
Pages : 250
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Book Description
When originally published this was the first book to offer a collective history of all the arts – Art, Drama, Dance, Music, Literature and Film – in the curriculum. It also offers a coherent framework for the teaching of arts which is in line with the best current trends since the Gulbenkian Report of 1982. It insists that the arts, seen together should be an essential part of the national curriculum.
Author: Sarah Yuill McCleave
Publisher: University Rochester Press
ISBN: 1580464203
Category : Music
Languages : en
Pages : 282
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Book Description
Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart. George Frideric Handel set himself apart from his contemporaries by employing choreographed instrumental music to complement and reinforce the emotional impact of his operas. Of his fifty-three operas, no fewer than fourteen -- including ten written for the London stage -- feature dances. Dance in Handel's London Operas explores the relationship between music, drama, and dance in these London works, dispelling the notion that dance was a largely peripheral element in Italian-language operas prior to those of Gluck. Taking a chronological approach, Sarah McCleave examines operas written throughout various periods in Handel's life, beginning with his early London operas, including his time at the Royal Music Academy and the "Sallé" operas of the 1730s, and concluding with his unstaged dramatic opera Alceste (1750). In considering the various influences on Handel (particularly the London stage), McCleave blends analysis of information from eighteenth-century treatises with that found in more modern studies, offering an informed and imaginative understanding of the role dance played in the work of this major figure --one who remained responsive throughout his career to the vital and innovative theatrical environment in which he worked. Sarah McCleave is a lecturer at The School of Creative Arts at Queen's University Belfast.
Author: Pallabi Chakravorty
Publisher: Routledge
ISBN: 1136516131
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various frameworks: global, national, and local/indigenous for studying these diverse performance contexts, using dance as a critical lens to analyse current debates on nationalism, transnationalism, gender and sexuality, and postcolonial politics. At the performace level, some articles question the accepted divisions of Indian dance (‘classical’, ‘folk’, and ‘popular’) and critique the dominant values associated with classical dance forms. Finally, the book brings together both experiential and objective dimensions of bodily knowledge through dance.
Author: Suzanne Walther
Publisher: Routledge
ISBN: 1135305641
Category : Performing Arts
Languages : en
Pages : 116
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Ellen K. Feder
Publisher: Psychology Press
ISBN: 9780415909174
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Belinda Edmondson
Publisher: University of Virginia Press
ISBN: 9780813918228
Category : History
Languages : en
Pages : 244
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Book Description
Ten young scholars from a variety of disciplines explore how the concept of romance, initially constructed in the imperial imagination of Europe and America, is employed within contemporary Caribbean popular culture and literature to idealize the newly independent, postcolonial societies of the region. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Vida L. Midgelow
Publisher: Oxford University Press
ISBN: 0199397007
Category : Performing Arts
Languages : en
Pages : 833
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Book Description
From the dance floor of a tango club to group therapy classes, from ballet to community theatre, improvised dance is everywhere. For some dance artists, improvisation is one of many approaches within the choreographic process. For others, it is a performance form in its own right. And while it has long been practiced, it is only within the last twenty years that dance improvisation has become a topic of critical inquiry. With The Oxford Handbook of Improvisation in Dance, dancer, teacher, and editor Vida L. Midgelow provides a cutting-edge volume on dance improvisation in all its facets. Expanding beyond conventional dance frameworks, this handbook looks at the ways that dance improvisation practices reflect our ability to adapt, communicate, and respond to our environment. Throughout the handbook, case studies from a variety of disciplines showcase the role of individual agency and collective relationships in improvisation, not just to dancers but to people of all backgrounds and abilities. In doing so, chapters celebrate all forms of improvisation, and unravel the ways that this kind of movement informs understandings of history, socio-cultural conditions, lived experience, cognition, and technologies.
