Author: George Dunlop Leslie
Publisher: London, J. Murray
ISBN:
Category : London
Languages : en
Pages : 338

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Author: Holger Hoock
Publisher: Clarendon Press
ISBN: 9780191556104
Category : Art
Languages : en
Pages : 396

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Book Description
This is the story of the forging of a national cultural institution in late eighteenth- and early nineteenth-century Britain. The Royal Academy of Arts was the dominant art school and exhibition society in London and a model for art societies across the British Isles and North America. This is the first study of its early years, re-evaluating the Academy's significance in national cultural life and its profile in an international context. Holger Hoock reassesses royal and state patronage of the arts and explores the concepts and practices of cultural patriotism and the politicization of art during the American and French Revolutions. By demonstrating how the Academy shaped the notions of an English and British school of art and influenced the emergence of the British cultural state, he illuminates the politics of national culture and the character of British public life in an age of war, revolution, and reform.

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 394

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Author:
Publisher:
ISBN:
Category : Industrial arts
Languages : en
Pages : 1072

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Author: Cristina Berna
Publisher: BOD GmbH DE
ISBN: 841174650X
Category : Art
Languages : en
Pages : 224

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Book Description
During our research about the Spanish painter Joaquín Sorolla (born in Valencia 1863 - died in Cercedilla 1923) we came across a wonderful painting of his wife with a cat and a dog, Clotilde y gato y perro, from 1910. As animal lovers the idea arose to see, how cats were portrayed in painting around the period of Sorolla. Earlier painters had struggled with getting the proportions right, especially the faces but there was a huge development of talent in Europe in the 19th century. It proved to be a very rewarding tour of both Europe, Asia and USA. Cats is a great subject and it is impossible to cover Cats in Art in just one short volume. It would make a great exhibition! Nevertheless, we hope that you will enjoy the selection and the masterful skills and talent of these great artists!

Author: Juliet McMaster
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015529
Category : Art
Languages : en
Pages : 260

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Book Description
Though his father had faced bankruptcy, James Clarke Hook (1819–1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea. James Clarke Hook, Juliet McMaster’s lively biography of the brilliant but underappreciated Victorian painter, brings the reader through Hook’s rigorous training at the Royal Academy Schools, his travelling studentship in Florence and Venice, and his work as a historical painter, to the discovery of his métier as a painter of contemporary rural and coastal scenes. Part of the secret of Hook’s success was his resolution to paint the final large canvas of his seascapes onsite, braving wind and weather – for which he invented an easel that was adaptable to uneven terrain. McMaster’s research led her to retrace the painter’s footsteps to the rocky headlands and sheltered bays where, over a hundred years ago, Hook had set up his easel to capture the tang of sea. McMaster connects Hook, an academician for half a century, with the major figures and movements of Victorian art – including the Pre-Raphaelites John Everett Millais and Holman Hunt, the etcher Samuel Palmer, and the painter and sculptor G.F. Watts. James Clarke Hook worked alongside the fishermen and rural families who populate and enliven his canvases; this book reinvigorates our understanding of his artistic process and unique sense of place.

Author:
Publisher:
ISBN:
Category : Times (London, England)
Languages : en
Pages : 1000

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Author: Ian Pace
Publisher: Routledge
ISBN: 135103152X
Category : Music
Languages : en
Pages : 425

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Book Description
The composer and pianist Michael Finnissy (b. 1946) is an unmistakeable presence in the British and international new music scene, both for his immeasurable generosity as prolific composer for many different types of musicians, major advocate for the works of others, and performer and conductor who has also been a driving force behind ensembles; he was also President of the International Society for Contemporary Music from 1990 to 1996. His vast and enormously varied output confounds those who seek easy categorisations: once associated strongly with the ‘new complexity’, Finnissy is equally known as composer regularly engaged with many different folk musics, for working with amateur and community musicians, for a long-term engagement with sacred music, or as an advocate of Anglo-American ‘experimental’ music. Twenty years ago, a large-scale volume entitled Uncommon Ground: The Music of Michael Finnissy gave the first major overview of the output of any ‘complex’ composer. This new volume brings a greater plurality of perspectives and critical sensibility to bear upon an output which is almost twice as large as it was when the earlier book was published. A range of leading contributors – musicologists, composers, performers and others – each grapple with particular questions relating to Finnissy’s music, often in ways which raise questions relating more widely to new music, and provide theoretical foundations for further of study both of Finnissy and other composers.

Author: Jo Devereux
Publisher: McFarland
ISBN: 1476626049
Category : Art
Languages : en
Pages : 265

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Book Description
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.

Author: William Swan Sonnenschein
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 844

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Book Description