The Influence of the Morality Play on Marlowe's "Doctor Faustus" PDF Download
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Author: Anna Fedorova
Publisher: GRIN Verlag
ISBN: 3638590283
Category : Literary Criticism
Languages : en
Pages : 18
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Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Hannover, course: Christopher Marlowe "Doctor Faustus", language: English, abstract: Marlowe’s Dr. Faustus was published in 1592 and appears to be an example of a Renaissance tragedy. However, many critics argue that Marlowe’sDr. Faustusowes a lot to the medieval dramatic tradition, to be precise, to the morality play tradition. Describing different types of the medieval plays, Philip Tilling claims that “themorality playas a kind of medieval religious play arose alongside the mystery play and was to continue, in modified form, throughout the Elizabethan period,culminating inMarlowe’sFaustus.”1So, Tilling considersDr. Faustusto be “a morality play in a modified form“. In my paper I seeDr. Faustusas a Renaissance tragedy which was to a certain degree influenced by the medieval dramatic tradition and has some characteristic features of the morality play. Proceeding on this assumption, I am going to concentrate on the play, pursuing three following issues: - to describe the characteristic features of the morality play inDr. Faustus- to point out the features which lead me to interpret it as a Renaissance tragedy - to describe the purpose of the morality play structure inDr. Faustus.Pursuing these objectives, I am, first of all, going to summarise the main characteristics of the morality play in order to see, how to apply them to Marlowe’s play. Then I will concentrate on the differences and similarities betweenDr. Faustusand the morality play on structural and thematic levels. In the last chapter of the paper I will focus on the issue of the function of the morality play structure inDr. Faustus.In conclusion I will summarize my arguments which support the thesis that the play should rather be seen as tragedy than as a morality play.
Author: Anna Fedorova
Publisher: GRIN Verlag
ISBN: 3638590283
Category : Literary Criticism
Languages : en
Pages : 18
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Book Description
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Hannover, course: Christopher Marlowe "Doctor Faustus", language: English, abstract: Marlowe’s Dr. Faustus was published in 1592 and appears to be an example of a Renaissance tragedy. However, many critics argue that Marlowe’sDr. Faustusowes a lot to the medieval dramatic tradition, to be precise, to the morality play tradition. Describing different types of the medieval plays, Philip Tilling claims that “themorality playas a kind of medieval religious play arose alongside the mystery play and was to continue, in modified form, throughout the Elizabethan period,culminating inMarlowe’sFaustus.”1So, Tilling considersDr. Faustusto be “a morality play in a modified form“. In my paper I seeDr. Faustusas a Renaissance tragedy which was to a certain degree influenced by the medieval dramatic tradition and has some characteristic features of the morality play. Proceeding on this assumption, I am going to concentrate on the play, pursuing three following issues: - to describe the characteristic features of the morality play inDr. Faustus- to point out the features which lead me to interpret it as a Renaissance tragedy - to describe the purpose of the morality play structure inDr. Faustus.Pursuing these objectives, I am, first of all, going to summarise the main characteristics of the morality play in order to see, how to apply them to Marlowe’s play. Then I will concentrate on the differences and similarities betweenDr. Faustusand the morality play on structural and thematic levels. In the last chapter of the paper I will focus on the issue of the function of the morality play structure inDr. Faustus.In conclusion I will summarize my arguments which support the thesis that the play should rather be seen as tragedy than as a morality play.
Author: Christopher Marlowe
Publisher:
ISBN: 9781543146431
Category :
Languages : en
Pages : 108
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Book Description
The Tragical History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is an Elizabethan tragedy by Christopher Marlowe, based on German stories about the title character Faust, that was first performed sometime between 1588 and Marlowe's death in 1593. Two different versions of the play were published in the Jacobean era, several years later.The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them-that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.
Author: Christopher Marlowe
Publisher: Gildan Media LLC aka G&D Media
ISBN: 1722524804
Category : Fiction
Languages : en
Pages : 80
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Book Description
Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
Author: Edwin Wong
Publisher: FriesenPress
ISBN: 1525537555
Category : Drama
Languages : en
Pages : 363
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Book Description
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
Author: Christopher Marlowe
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 160
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Book Description
Author: John Webster
Publisher: Manchester University Press
ISBN: 9780719043574
Category : Drama
Languages : en
Pages : 196
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Book Description
More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.
Author: Sara Munson Deats
Publisher: Cambridge University Press
ISBN: 110847585X
Category : Drama
Languages : en
Pages : 277
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Book Description
Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.
Author: Christopher Marlowe
Publisher: Broadview Press
ISBN: 1770481184
Category : Drama
Languages : en
Pages : 315
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Book Description
Doctor Faustus is a classic; its imaginative boldness and vertiginous ironies have fascinated readers and playgoers alike. But the fact that this play exists in two early versions, printed in 1604 and 1616, has posed formidable problems for critics. How much of either version was written by Marlowe, and which is the more authentic? Is the play orthodox or radically interrogative? Michael Keefer’s early work helped to establish the current consensus that the 1604 text was censored and revised; the Keefer edition, praised for its lucid introduction and scholarship, was the first to restore two displaced scenes to their correct place. Most competing editions presume that the 1604 text was printed from authorial manuscript, and that the 1616 text is of little substantive value. But in 2006 Keefer’s fresh analysis of the evidence showed that the 1604 quarto’s Marlovian scenes were printed from a corrupted manuscript, and that the 1616 quarto (though indeed censored and revised) preserves some readings earlier than those of the 1604 text. This edition has been updated and revised. Keefer’s critical introduction reconstructs the ideological contexts that shaped and deformed the play, and the text is accompanied by textual and explanatory notes and excerpts from sources.
Author: Katherine Steele Brokaw
Publisher: Cornell University Press
ISBN: 1501705911
Category : Drama
Languages : en
Pages : 293
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Book Description
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England’s long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people’s reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church’s present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe’s Doctor Faustus, Shakespeare’s The Tempest and The Winter’s Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.
Author: Peter F. Mullany
Publisher:
ISBN: 9780671007171
Category : Drama
Languages : en
Pages : 132
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Book Description
