Author: Henry Sturmey
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 388
Book Description
The "indispensable Handbook" to the Optical Lantern
Author: Henry Sturmey
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 388
Book Description
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 388
Book Description
The Art of Projection and Complete Magic Lantern Manual
Author: Expert
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 214
Book Description
The Art of Projection and Complete Magic Lantern Manual
Author:
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category : Lantern projection
Languages : en
Pages : 216
Book Description
The Encyclopaedia of Photography
Author: Walter E. Woodbury
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 768
Book Description
Materia Photographica
Author: Clement J. Leaper
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 298
Book Description
Collotype and Photo-lithography
Author: Julius Schnauss
Publisher:
ISBN:
Category : Collotype
Languages : en
Pages : 194
Book Description
Publisher:
ISBN:
Category : Collotype
Languages : en
Pages : 194
Book Description
Hints and Wrinkles on Sea Fishing
Author: Ichthyosaurus (pseud.)
Publisher:
ISBN:
Category : Fishing
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Fishing
Languages : en
Pages : 144
Book Description
Showing and Telling: Film heritage institutes and their performance of public accountability
Author: Nico de Klerk
Publisher: Vernon Press
ISBN: 1622736524
Category : Art
Languages : en
Pages : 328
Book Description
'Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author’s experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes’ gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories.
Publisher: Vernon Press
ISBN: 1622736524
Category : Art
Languages : en
Pages : 328
Book Description
'Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author’s experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes’ gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories.
Ruins in the Literary and Cultural Imagination
Author: Efterpi Mitsi
Publisher: Springer Nature
ISBN: 3030269051
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This book focuses on literal and metaphorical ruins, as they are appropriated and imagined in different forms of writing. Examining British and American literature and culture in the nineteenth and twentieth centuries, the book begins in the era of industrial modernity with studies of Charles Dickens, Thomas Hardy, Henry James and Daphne Du Maurier. It then moves on to the significance of ruins in the twentieth century, against the backdrop of conflict, waste and destruction, analyzing authors such as Beckett and Pinter, Kurt Vonnegut, Robert Lowell, Anne Sexton and Leonard Cohen. The collection concludes with current debates on ruins, through discussions of Walter Benjamin and Bertolt Brecht, as well as reflections on the refugee crisis that take the ruin beyond the text, offering new perspectives on its diverse legacies and conceptual resources.
Publisher: Springer Nature
ISBN: 3030269051
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
This book focuses on literal and metaphorical ruins, as they are appropriated and imagined in different forms of writing. Examining British and American literature and culture in the nineteenth and twentieth centuries, the book begins in the era of industrial modernity with studies of Charles Dickens, Thomas Hardy, Henry James and Daphne Du Maurier. It then moves on to the significance of ruins in the twentieth century, against the backdrop of conflict, waste and destruction, analyzing authors such as Beckett and Pinter, Kurt Vonnegut, Robert Lowell, Anne Sexton and Leonard Cohen. The collection concludes with current debates on ruins, through discussions of Walter Benjamin and Bertolt Brecht, as well as reflections on the refugee crisis that take the ruin beyond the text, offering new perspectives on its diverse legacies and conceptual resources.
British Journal of Photography Annual
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 476
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 476
Book Description