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Author: Lyn Pykett
Publisher: Psychology Press
ISBN: 0415049288
Category : English fiction
Languages : en
Pages : 250
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Book Description
The first comparative study of the women's sensation novel of the 1860s and the New Woman fiction of the 1890s, two genres which undermined the ideal of the `proper feminine' and dangerously put female sexuality on the literary agenda.
Author: Lyn Pykett
Publisher: Psychology Press
ISBN: 0415049288
Category : English fiction
Languages : en
Pages : 250
Get Book Here
Book Description
The first comparative study of the women's sensation novel of the 1860s and the New Woman fiction of the 1890s, two genres which undermined the ideal of the `proper feminine' and dangerously put female sexuality on the literary agenda.
Author: Lyn Pykett
Publisher:
ISBN: 9780203375969
Category : English fiction
Languages : en
Pages : 249
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Book Description
The women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' F.
Author:
Publisher: UM Libraries
ISBN:
Category :
Languages : en
Pages : 200
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Book Description
Author: Deborah Cartmell
Publisher: Pluto Press
ISBN: 9780745312187
Category : Art
Languages : en
Pages : 220
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Book Description
Sisterhoods concentrates on portrayals of female relationships - communities, friends, lovers, sisters, daughters, mothers and enemies - and examines the positioning of the subject in different media for both male and female consumption.
Author: Christine Bayles Kortsch
Publisher: Routledge
ISBN: 1317148002
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
Author: Peter J. Hutchings
Publisher: Routledge
ISBN: 1317797507
Category : Social Science
Languages : en
Pages : 285
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Book Description
This book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.
Author: Sally Ledger
Publisher: Manchester University Press
ISBN: 9780719040931
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.
Author: Charlotte Brontë
Publisher: Broadview Press
ISBN: 1770485287
Category : Fiction
Languages : en
Pages : 610
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Book Description
Jane Eyre, the story of a young girl and her passage into adulthood, was an immediate commercial success at the time of its original publication in 1847. Its representation of the underside of domestic life and the hypocrisy behind religious enthusiasm drew both praise and bitter criticism, while Charlotte Brontë’s striking exposé of poor living conditions for children in charity schools as well as her poignant portrayal of the limitations faced by women who worked as governesses sparked great controversy and social debate. Jane Eyre, Brontë’s best-known novel, remains an extraordinary coming-of-age narrative and one of the great classics of literature. The second edition has been updated throughout to reflect recent scholarship and includes new appendices on violence against women in Victorian fiction and madness and disability in the Victorian era.
Author: Mary Hammond
Publisher: Routledge
ISBN: 1351906461
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Author: A. Mangham
Publisher: Springer
ISBN: 0230286992
Category : Fiction
Languages : en
Pages : 257
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Book Description
This book explores ideas of violent femininity across generic and disciplinary boundaries during the nineteenth century. It aims to highlight how medical, legal and literary narratives shared notions of the volatile nature of women. Mangham traces intersections between notorious legal trials, theories of female insanity, and sensation novels.
