Author: Robert Katz
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781586637521
Category : Art
Languages : en
Pages : 264
Book Description
The two authors, who are both knowledgable writers with extensive background in the study of art and art history, write engagingly about the history of impressionism and the life and works of Pissarro, Manet, Degas, Monet, Renoir, and Sisley. At 7x8.5", the book is compact, but the format is large enough to accommodate decent reproductions of many of the paintings under consideration. This is a thoughtfully prepared, well written treatment of the subject, with none of the ponderousness that "handbook" might imply. It was originally published in 1991 by Bookmart Ltd., UK. Annotation copyrighted by Book News, Inc., Portland, OR.
The Impressionists Handbook
Author: Robert Katz
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781586637521
Category : Art
Languages : en
Pages : 264
Book Description
The two authors, who are both knowledgable writers with extensive background in the study of art and art history, write engagingly about the history of impressionism and the life and works of Pissarro, Manet, Degas, Monet, Renoir, and Sisley. At 7x8.5", the book is compact, but the format is large enough to accommodate decent reproductions of many of the paintings under consideration. This is a thoughtfully prepared, well written treatment of the subject, with none of the ponderousness that "handbook" might imply. It was originally published in 1991 by Bookmart Ltd., UK. Annotation copyrighted by Book News, Inc., Portland, OR.
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781586637521
Category : Art
Languages : en
Pages : 264
Book Description
The two authors, who are both knowledgable writers with extensive background in the study of art and art history, write engagingly about the history of impressionism and the life and works of Pissarro, Manet, Degas, Monet, Renoir, and Sisley. At 7x8.5", the book is compact, but the format is large enough to accommodate decent reproductions of many of the paintings under consideration. This is a thoughtfully prepared, well written treatment of the subject, with none of the ponderousness that "handbook" might imply. It was originally published in 1991 by Bookmart Ltd., UK. Annotation copyrighted by Book News, Inc., Portland, OR.
The Impressionists Handbook
Author: Robert Katz
Publisher:
ISBN: 9781861470461
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Publisher:
ISBN: 9781861470461
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Guide to Impressionist Paris
Author: Patty Lurie
Publisher:
ISBN: 9781901167009
Category : France
Languages : en
Pages : 179
Book Description
Discover the beauty of Paris while following in the footsteps of well-known Impressionist painters with 9 walking tours of 80 famous painting sites. Museum-quality reproductions of historical paintings are paired with color photographs of the locations as they appear today, allowing the reader to compare the actual scene with the artist's rendering of it. Easy-to-follow tour directions and maps, information about the paintings and the artists, and Paris history are included.
Publisher:
ISBN: 9781901167009
Category : France
Languages : en
Pages : 179
Book Description
Discover the beauty of Paris while following in the footsteps of well-known Impressionist painters with 9 walking tours of 80 famous painting sites. Museum-quality reproductions of historical paintings are paired with color photographs of the locations as they appear today, allowing the reader to compare the actual scene with the artist's rendering of it. Easy-to-follow tour directions and maps, information about the paintings and the artists, and Paris history are included.
The Impressionists Handbook
Author:
Publisher:
ISBN: 9781861472267
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Publisher:
ISBN: 9781861472267
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Impressionism in Perspective
Author: Barbara Ehrlich White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Presents interpretive essays of the Impressionist movement and Impressionist artists.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
Book Description
Presents interpretive essays of the Impressionist movement and Impressionist artists.
The Impressionists Handbook
Author: Robert Katz
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 256
Book Description
The Costume Designer's Handbook
Author: Rosemary Ingham
Publisher: Waveland Press
ISBN: 1478652802
Category : Performing Arts
Languages : en
Pages : 302
Book Description
The Costume Designer's Handbook is the definitive guide for both aspiring and seasoned costume designers, blending the art and business of theatrical costume design since its inception in 1983. Rosemary Ingham and Liz Covey offer deep insights into play analysis, historical research, collaboration techniques, drafting, and setting up an effective workspace. The book addresses the practicalities of the industry, including job market navigation, freelancing, contracts, and taxes. With over 150 illustrations, an 8-page color insert, and a comprehensive reference section for resources, this handbook encapsulates the essence of costume design, making it an indispensable resource for professionals in the field.
Publisher: Waveland Press
ISBN: 1478652802
Category : Performing Arts
Languages : en
Pages : 302
Book Description
The Costume Designer's Handbook is the definitive guide for both aspiring and seasoned costume designers, blending the art and business of theatrical costume design since its inception in 1983. Rosemary Ingham and Liz Covey offer deep insights into play analysis, historical research, collaboration techniques, drafting, and setting up an effective workspace. The book addresses the practicalities of the industry, including job market navigation, freelancing, contracts, and taxes. With over 150 illustrations, an 8-page color insert, and a comprehensive reference section for resources, this handbook encapsulates the essence of costume design, making it an indispensable resource for professionals in the field.
Impressionist Still Life
Author: Eliza E. Rathbone
Publisher: Harry N. Abrams
ISBN: 0810906139
Category : Art
Languages : en
Pages : 240
Book Description
Captures the art of still life painting with reproductions of masterworks by such Impressionist artists as Van Gogh, Renoir, Cezanne, Gaughin, Monet, and Manet.
Publisher: Harry N. Abrams
ISBN: 0810906139
Category : Art
Languages : en
Pages : 240
Book Description
Captures the art of still life painting with reproductions of masterworks by such Impressionist artists as Van Gogh, Renoir, Cezanne, Gaughin, Monet, and Manet.
A Companion to Impressionism
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
The Oxford Handbook of Creative Industries
Author: Candace Jones
Publisher: Oxford University Press
ISBN: 0191062286
Category : Business & Economics
Languages : en
Pages : 655
Book Description
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies, and psychology. Creative industries research has become a regular theme in academic journals and conferences across these subjects and is also an important agenda for governments throughout the world, while business people from established companies and entrepreneurs revaluate and innovate their models in creative industries. The Handbook is organized into four parts: Following the editors' introduction, Part One on Creativity includes individual creativity and how this scales up to teams, social networks, cities, and labour markets. Part Two addresses Generating and Appropriating Value from Creativity, as achieved by agents and organizations, such as entrepreneurs, stars and markets for symbolic goods, and considers how performance is measured in the creative industries. Part Three covers the mechanics of Managing and Organizing Creative Industries, with chapters on the role of brokerage and mediation in creative industry networks, disintermediation and glocalisation due to digital technology, the management of project-based organzations in creative industries, organizing events in creative fields, project ecologies, Global Production Networks, genres and classification and sunk costs and dynamics of creative industries. Part Four on Creative Industries, Culture and the Economy offers chapters on cultural change and entrepreneurship, on development, on copyright, economic spillovers and government policy. This authoritative collection is the most comprehensive source of the state of knowledge in the increasingly important field of creative industries research. Covering emerging economies and new technologies, it will be of interest to scholars and students of the arts, business, innovation, and policy.
Publisher: Oxford University Press
ISBN: 0191062286
Category : Business & Economics
Languages : en
Pages : 655
Book Description
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies, and psychology. Creative industries research has become a regular theme in academic journals and conferences across these subjects and is also an important agenda for governments throughout the world, while business people from established companies and entrepreneurs revaluate and innovate their models in creative industries. The Handbook is organized into four parts: Following the editors' introduction, Part One on Creativity includes individual creativity and how this scales up to teams, social networks, cities, and labour markets. Part Two addresses Generating and Appropriating Value from Creativity, as achieved by agents and organizations, such as entrepreneurs, stars and markets for symbolic goods, and considers how performance is measured in the creative industries. Part Three covers the mechanics of Managing and Organizing Creative Industries, with chapters on the role of brokerage and mediation in creative industry networks, disintermediation and glocalisation due to digital technology, the management of project-based organzations in creative industries, organizing events in creative fields, project ecologies, Global Production Networks, genres and classification and sunk costs and dynamics of creative industries. Part Four on Creative Industries, Culture and the Economy offers chapters on cultural change and entrepreneurship, on development, on copyright, economic spillovers and government policy. This authoritative collection is the most comprehensive source of the state of knowledge in the increasingly important field of creative industries research. Covering emerging economies and new technologies, it will be of interest to scholars and students of the arts, business, innovation, and policy.