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Author: Wolfgang Iser
Publisher:
ISBN:
Category :
Languages : en
Pages : 303
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Book Description
Author: Wolfgang Iser
Publisher:
ISBN:
Category :
Languages : en
Pages : 303
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Book Description
Author: Archibald L.H.M. van Wieringen
Publisher: BRILL
ISBN: 900449717X
Category : Religion
Languages : en
Pages : 312
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Book Description
This monograph contains an analysis of the text-internal reader in Isaiah 6-12. For that purpose, two modern literary methods are incorporated in Old Testament Exegesis. First, the research makes use of text-linguistics, so it is explicitly based on the idiom of Biblical Hebrew. Next, the domain analysis provides a means of outlining communicative situations between characters, implied author and implied reader, in accordance with various diagrams. This research shows that the implied reader is involved in the communication evoked by the text. Not only is the implied reader manipulated by the composition of Isa 6-12 as a whole, but he or she is also directly addressed by the implied author. Moreover, he or she is related to the points in time, varying from standing at a certain distance to being involved in the now-moment.
Author: K. Lesnik-Oberstein
Publisher: Springer
ISBN: 0230523773
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Children's Literature: New Approaches is a guide for graduate and upper-level undergraduate students of children's literature. It is structured through critics reading individual texts to bring out wider issues that are current in the field. Includes chronology of key events and publications, a selective guide to further reading and a list of Web-based resources.
Author: Jakob Lothe
Publisher: Rodopi
ISBN: 9401209820
Category : Philosophy
Languages : en
Pages : 320
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Book Description
While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the “ethical turn” in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain’s Huckleberry Finn, J. R. R. Tolkien’s The Lord of the Rings, Vladimir Nabokov’s Lolita, Jonathan Littell’s The Kindly Ones, Ann Radcliffe’s The Italian and Matthew Lewis’s The Monk. Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.
Author: Wayne C. Booth
Publisher: University of Chicago Press
ISBN: 0226065596
Category : Literary Criticism
Languages : en
Pages : 573
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Book Description
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
Author: Wolfgang Iser
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 239
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Book Description
Author: Wolfgang Iser
Publisher: JHU Press
ISBN: 9780801845932
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Reevaluating such time-honored concepts as representation, he sketches out a new play theoryof the text that sees literature as an ongoing enactment of human possibilities.
Author: Jan Alber
Publisher: Walter de Gruyter
ISBN: 3110229048
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
In recent years, the study of unnatural narratives has become an exciting new but still disparate research program in narrative theory. For the first time, this collection of essays presents and discusses the new analytical tools that have so far been developed on the basis of unnatural novels, short stories, and plays and extends these findings through analyses of testimonies, comics, graphic novels, films, and oral narratives. Many narratives do not only mimetically reproduce the world as we know it but confront us with strange narrative worlds which rely on principles that have very little to do with the actual world around us. The essays in this collection develop new narratological tools and modeling systems which are designed to capture the strangeness and extravagance of such anti-realist narratives. Taken together, the essays offer a systematic investigation of anti-mimetic techniques and strategies that relate to different narrative parameters, different media, and different periods within literary history.
Author: Tom Kindt
Publisher: Walter de Gruyter
ISBN: 3110201720
Category : Literary Criticism
Languages : de
Pages : 233
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Book Description
This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth’s “Rhetoric of Fiction” and the discussion of the concept in narratology and in the theory and practice of interpretation. The final chapter develops proposals for clarifying or replacing the concept.
Author: Kimberly Quiogue Andrews
Publisher: JHU Press
ISBN: 142144495X
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
The surprising story of the relationship between experimental poetry and literary studies. In The Academic Avant-Garde, Kimberly Quiogue Andrews makes a provocative case for the radical poetic possibilities of the work of literary scholarship and lays out a foundational theory of literary production in the context of the university. In her examination of the cross-pollination between the analytic humanities and the craft of poetry writing, Andrews tells a bold story about some of today's most innovative literary works. This pathbreaking intervention into contemporary American literature and higher education demonstrates that experimental poetry not only reflects nuanced concern about creative writing as a discipline but also uses the critical techniques of scholarship as a cornerstone of poetic practice. Structured around the concepts of academic labor (such as teaching) and methodological work (such as theorizing), the book traces these practices in the works of authors ranging from Claudia Rankine to John Ashbery, providing fresh readings of some of our era's most celebrated and difficult poets.
