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Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855845725
Category : Religion
Languages : en
Pages : 156
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Book Description
Many will be familiar with the notion that a person at the point of death sees their life flash before them. Rudolf Steiner describes that when the spiritual bodies separate from the physical body, the etheric body of the dying person is revealed, giving a panoramic overview of their earthly life. This etheric body contains everything we have experienced in our consciousness and kept in memory. The etheric not only generates and sustains all life, but encompasses the life forces out of which we shape our existence. Although the revelation of the life tableau belongs to the early period after death, it can also emerge as a result of meditation. Rudolf Steiner speaks of this – through the first level of spiritual experience known as ‘imagination’ – as a conscious self-perception of the soul, taking place in the world of images. Here we are confronted with the harrowing knowledge of our doppelgänger – but we also experience the cosmic forces of childhood that are present in all our life processes. These same forces are described in psychology as the ‘inner child’. In this highly-original anthology of Steiner’s work we are led to a therapeutic, meditative approach that – through working with the imaginative life tableau – can strengthen and heal body, soul and spirit. Chapters include: ‘Experiencing the Inner Child as the Starting Point for a New Philosophy’; ‘Experiencing Life before Birth’; ‘Pain and Sadness When Reliving the Life Tableau’; ‘Intensive Backward Thinking’; ‘Feelings of Happiness When Experiencing the Life Tableau’; ‘Re-experiencing the Inner Child’; ‘Through the Forces of Childhood to the Higher Self and the Christ Experience’.
Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855845725
Category : Religion
Languages : en
Pages : 156
Get Book Here
Book Description
Many will be familiar with the notion that a person at the point of death sees their life flash before them. Rudolf Steiner describes that when the spiritual bodies separate from the physical body, the etheric body of the dying person is revealed, giving a panoramic overview of their earthly life. This etheric body contains everything we have experienced in our consciousness and kept in memory. The etheric not only generates and sustains all life, but encompasses the life forces out of which we shape our existence. Although the revelation of the life tableau belongs to the early period after death, it can also emerge as a result of meditation. Rudolf Steiner speaks of this – through the first level of spiritual experience known as ‘imagination’ – as a conscious self-perception of the soul, taking place in the world of images. Here we are confronted with the harrowing knowledge of our doppelgänger – but we also experience the cosmic forces of childhood that are present in all our life processes. These same forces are described in psychology as the ‘inner child’. In this highly-original anthology of Steiner’s work we are led to a therapeutic, meditative approach that – through working with the imaginative life tableau – can strengthen and heal body, soul and spirit. Chapters include: ‘Experiencing the Inner Child as the Starting Point for a New Philosophy’; ‘Experiencing Life before Birth’; ‘Pain and Sadness When Reliving the Life Tableau’; ‘Intensive Backward Thinking’; ‘Feelings of Happiness When Experiencing the Life Tableau’; ‘Re-experiencing the Inner Child’; ‘Through the Forces of Childhood to the Higher Self and the Christ Experience’.
Author: Rudolf Steiner
Publisher: Rudolf Steiner Press
ISBN: 1855845741
Category : Religion
Languages : en
Pages : 256
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Book Description
What is the meaning of memory in the information age? When all knowledge is seemingly digitised and available for reference at any time, do we actually need human memory? One consequence of the proliferation of digitization is the deterioration of our capacity to remember – a symptom that is apparent in a steady increase in dementia within contemporary society. Rudolf Steiner indicates that memory is the determining factor in awareness of oneself. Even a partial loss of memory leads to loss of self-consciousness and the sense of our ‘I’. Thus, memory is crucial for the development of I-consciousness – not only for the individual, but for humanity as a whole. Rudolf Steiner’s research on memory, recollection and forgetting has many implications for the way we learn, for inner development and spiritual growth. This unique selection of passages from his works offers insights into how consciousness can remain autonomous and creative in a digital environment. It also provides ideas for improving education and emphasizes the importance of life-long learning. Chapters include: ‘The Development of Memory Throughout Human History’; ‘The Formation of Memory, Remembering and Forgetting in the Human Individual’; ‘Remembering and Forgetting in Connection with Education’; ‘How Remembering and Forgetting are Transformed by the Schooling Path – Imagination and Inspiration’; ‘Remembering Backwards (Rückschau) and Memory Exercises’; ‘Subconscious Memories of the Pre-birth Period and of Life Between Death and a New Birth’; ‘Memory and Remembering after Death’; ‘The Development of Memory in the Future’.
Author: Richard Leviton
Publisher: SteinerBooks
ISBN: 9780880103794
Category : Body, Mind & Spirit
Languages : en
Pages : 468
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Book Description
Carlo Pietzner speaks, out of his own ego-directed, inner experiences, about several motifs inherent to inner striving: the problem of self in relationship to the world, the disintegration of the three soul forces, the transition from sense perception to spiritual perception, the reality of evil, the condition of loneliness, and more.
Author: Bernd Huppauf
Publisher: Routledge
ISBN: 1136603603
Category : Art
Languages : en
Pages : 374
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Book Description
In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.
Author: Peter Boxall
Publisher: Cambridge University Press
ISBN: 1108872646
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
In The Prosthetic Imagination, leading critic Peter Boxall argues that we are now entering an artificial age, in which our given bodies enter into new conjunctions with our prosthetic extensions. This new age requires us to reimagine our relation to our bodies, and to our environments, and Boxall suggests that the novel as a form can guide us in this imaginative task. Across a dazzling range of prose fictions, from Thomas More's Utopia to Margaret Atwood's Oryx and Crake, Boxall shows how the novel has played a central role in forging the bodies in which we extend ourselves into the world. But if the novel has helped to give our world a human shape, it also contains forms of life that elude our existing human architectures: new amalgams of the living and the non-living that are the hidden province of the novel imagination. These latent conjunctions, Boxall argues, are preserved in the novel form, and offer us images of embodied being that can help us orient ourselves to our new prosthetic condition.
Author: Peter Brooks
Publisher: Yale University Press
ISBN: 9780300065534
Category : Psychology
Languages : en
Pages : 260
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Book Description
In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.
Author: University of Toronto
Publisher:
ISBN:
Category :
Languages : en
Pages : 1202
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Book Description
Author: Manav Ratti
Publisher: Routledge
ISBN: 1135096899
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
The Postsecular Imagination presents a rich, interdisciplinary study of postsecularism as an affirmational political possibility emerging through the potentials and limits of both secular and religious thought. While secularism and religion can foster inspiration and creativity, they also can be linked with violence, civil war, partition, majoritarianism, and communalism, especially within the framework of the nation-state. Through close readings of novels that engage with animism, Buddhism, Christianity, Hinduism, Islam, and Sikhism, Manav Ratti examines how questions of ethics and the need for faith, awe, wonder, and enchantment can find expression and significance in the wake of such crises. While focusing on Michael Ondaatje and Salman Rushdie, Ratti addresses the work of several other writers as well, including Shauna Singh Baldwin, Mahasweta Devi, Amitav Ghosh, and Allan Sealy. Ratti shows the extent of courage and risk involved in the radical imagination of these postsecular works, examining how writers experiment with and gesture toward the compelling paradoxes of a non-secular secularism and a non-religious religion. Drawing on South Asian Anglophone literatures and postcolonial theory, and situating itself within the most provocative contemporary debates in secularism and religion, The Postsecular Imagination will be important for readers interested in the relations among culture, literature, theory, and politics.
Author: Carol T. Christ
Publisher: Univ of California Press
ISBN: 0520311167
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995.
Author: Patricia Meyer Spacks
Publisher: Taylor & Francis
ISBN: 1000653145
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too.
