Psychoanalysis and Cinema: the Imaginary Signifier

Psychoanalysis and Cinema: the Imaginary Signifier PDF Author: Christian Metz
Publisher: Palgrave Macmillan
ISBN: 9780333366400
Category : Social Science
Languages : en
Pages : 336

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Book Description

Psychoanalysis and Cinema: the Imaginary Signifier

Psychoanalysis and Cinema: the Imaginary Signifier PDF Author: Christian Metz
Publisher: Palgrave Macmillan
ISBN: 9780333366400
Category : Social Science
Languages : en
Pages : 336

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Book Description


The Imaginary Signifier

The Imaginary Signifier PDF Author: Christian Metz
Publisher: Indiana University Press
ISBN: 9780253203809
Category : Performing Arts
Languages : en
Pages : 344

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Book Description
"... less about film than about the psychology of the viewing experience." --American Film Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.

The Signifier Pointing at the Moon

The Signifier Pointing at the Moon PDF Author: Raul Moncayo
Publisher: Routledge
ISBN: 0429907958
Category : Psychology
Languages : en
Pages : 272

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Book Description
Within the context of a careful review of the psychology of religion and prior non-Lacanian literature on the subject, Raul Moncayo builds a bridge between Lacanian psychoanalysis and Zen Buddhism that steers clear of reducing one to the other or creating a simplistic synthesis between the two. Instead, by making a purposeful "One-mistake" of "unknown knowing", this book remains consistent with the analytic unconscious and continues in the splendid tradition of Bodhidharma who did not know "Who" he was and told Emperor Wu that there was no merit in building temples for Buddhism. Both traditions converge on the teaching that "true subject is no ego", or on the realisation that a new subject requires the symbolic death or deconstruction of imaginary ego-identifications. Although Lacanian psychoanalysis is known for its focus on language and Zen is considered a form of transmission outside the scriptures, Zen is not without words while Lacanian psychoanalysis stresses the senseless letter of the Real or of a jouissance written on and with the body.

The Photoplay

The Photoplay PDF Author: Hugo Münsterberg
Publisher:
ISBN:
Category : Film criticism
Languages : en
Pages : 252

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Book Description


Conversations with Christian Metz

Conversations with Christian Metz PDF Author: Warren Buckland
Publisher:
ISBN: 9789089648259
Category : Film criticism
Languages : en
Pages : 0

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Book Description
This volume offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film.

Questions of Cinema

Questions of Cinema PDF Author: Stephen Heath
Publisher:
ISBN: 9780253159137
Category : Performing Arts
Languages : en
Pages : 272

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Book Description
"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.

Christian Metz and the Codes of Cinema

Christian Metz and the Codes of Cinema PDF Author: Margrit Tröhler
Publisher: Film Theory in Media History
ISBN: 9789089648921
Category : Film criticism
Languages : en
Pages : 0

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Book Description
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.

Impersonal Enunciation, Or the Place of Film

Impersonal Enunciation, Or the Place of Film PDF Author: Christian Metz
Publisher:
ISBN: 9780231173667
Category : Motion pictures
Languages : en
Pages : 0

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Book Description
The late work of an avant-garde theorist adds clarity to the phenomenology of new media.

Film Language

Film Language PDF Author: Christian Metz
Publisher: University of Chicago Press
ISBN: 9780226521305
Category : Performing Arts
Languages : en
Pages : 290

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Book Description
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

The Routledge Encyclopedia of Film Theory

The Routledge Encyclopedia of Film Theory PDF Author: Edward Branigan
Publisher: Routledge
ISBN: 1136472630
Category : Performing Arts
Languages : en
Pages : 567

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Book Description
The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.