The Imagery of Writing in the Early Works of Paul Auster PDF Download
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Author: Clara Sarmento
Publisher: Cambridge Scholars Publishing
ISBN: 1443870889
Category : Philosophy
Languages : en
Pages : 155
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Book Description
The early works of Paul Auster convey the loneliness of the individual fully committed to the work of writing, as if he were confined within the book that dominates his life. All through Auster’s poetry, essays and fiction, the work of writing is an actual physical effort, an effective construction, as if the words aligned in the poem-text were stones to place in a row when building a wall or some other structure in stone. This book studies the symbolism of the genetic substance of the world (re)built through the work of writing, inside the walls of the room, closed in space and time, though open to an unlimited mental expansion. Paul Auster’s work is an aesthetic-literary self-reflection about the mission of writing. The writer-character is like an inexperienced God, whose hands may originate either cosmos or chaos, life or death, hence Auster’s recurring meditation on the work and the power of writing, at the same time an autobiography and a self-criticism. The stones, the wall, and the room – the words, the page, and the book – are the ontological structure of the imaginary cosmos generated in Paul Auster’s mind, like a real world born of the magma of words lost in another, interior world.
Author: Clara Sarmento
Publisher: Cambridge Scholars Publishing
ISBN: 1443870889
Category : Philosophy
Languages : en
Pages : 155
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Book Description
The early works of Paul Auster convey the loneliness of the individual fully committed to the work of writing, as if he were confined within the book that dominates his life. All through Auster’s poetry, essays and fiction, the work of writing is an actual physical effort, an effective construction, as if the words aligned in the poem-text were stones to place in a row when building a wall or some other structure in stone. This book studies the symbolism of the genetic substance of the world (re)built through the work of writing, inside the walls of the room, closed in space and time, though open to an unlimited mental expansion. Paul Auster’s work is an aesthetic-literary self-reflection about the mission of writing. The writer-character is like an inexperienced God, whose hands may originate either cosmos or chaos, life or death, hence Auster’s recurring meditation on the work and the power of writing, at the same time an autobiography and a self-criticism. The stones, the wall, and the room – the words, the page, and the book – are the ontological structure of the imaginary cosmos generated in Paul Auster’s mind, like a real world born of the magma of words lost in another, interior world.
Author: Evija Trofimova
Publisher: Bloomsbury Publishing USA
ISBN: 1623568544
Category : Literary Criticism
Languages : en
Pages : 439
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Book Description
Paul Auster is one of the most acclaimed figures in American literature. Known primarily as a novelist, Auster's films and various collaborations are now gaining more recognition. Evija Trofimova offers a radically different approach to the author's wider body of work, unpacking the fascinating web of relationships between his texts and presenting Auster's canon as a rhizomatic facto-fictional network produced by a set of writing tools. Exploring Auster's literal and figurative use of these tools – the typewriter, the cigarette, the doppelgänger figure, the city – Evija Trofimova discovers Auster's “writing machine”, a device that works both as a means to write and as a construct that manifests the emblematic writer-figure. This is a book about assembling texts and textual networks, the writing machines that produce them, and the ways such machines invest them with meaning. Embarking on a scholarly quest that takes her from between the lines of Auster's work to between the streets of his beloved New York and finally to the man himself, Paul Auster's Writing Machine becomes not just a critical investigation but a critical collaboration, raising important questions about the ultimate meaning of Auster's work, and about the relationship between texts, their authors, their readers and their critics.
Author: Paul Auster
Publisher: Henry Holt and Company
ISBN: 1429900059
Category : Fiction
Languages : en
Pages : 196
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Book Description
Meet Mr. Bones, the canine hero of Paul Auster's remarkable new novel, Timbuktu. Mr. Bones is the sidekick and confidant of Willy G. Christmas, the brilliant, troubled, and altogether original poet-saint from Brooklyn. Like Don Quixote and Sancho Panza before them, they sally forth on a last great adventure, heading for Baltimore, Maryland in search of Willy's high school teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who knew him in his previous incarnation as William Gurevitch, the son of Polish war refugees. But is Mrs. Swanson still alive? And if she isn't, what will prevent Willy from vanishing into that other world known as Timbuktu? Mr. Bones is our witness. Although he walks on four legs and cannot speak, he can think, and out of his thoughts Auster has spun one of the richest, most compelling tales in recent American fiction. By turns comic, poignant, and tragic, Timbuktu is above all a love story. Written with a scintillating verbal energy, it takes us into the heart of a singularly pure and passionate character, an unforgettable dog who has much to teach us about our own humanity.
Author: Paul Auster
Publisher: Station Hill Press
ISBN:
Category : Poetry
Languages : en
Pages : 44
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Book Description
From the archives of Libby Scheier (Fonds 130).
Author: Stephen Fredman
Publisher: University Alabama Press
ISBN: 0817359818
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Explores the ways American poetry engages with visual art, music, fiction, spirituality, and performance art Many people think of poetry as a hermetic art, as though poets wrote only about themselves or as if the subject of poetry were finally only poetry—its forms and traditions. Indeed much of what constitutes poetry in the lyric tradition depends on a stringently controlled point of view and aims for a timeless, intransitive utterance. Stephen Fredman’s study proposes a different perspective. American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms—its existential interactions with the outside world. Poetry operating in this vein draws together images, ideas, practices, rituals, and verbal techniques from around the globe, and across time—not to equate them, but to establish dialogue, to invite as many guests as possible to the World Party, which Robert Duncan has called the “symposium of the whole.” Fredman invites new readers into contemporary poetry by providing lucid and nuanced analyses of specific poems and specific interchanges between poets and their surroundings. He explores such topics as poetry’s transactions with spiritual traditions and practices over the course of the twentieth century; the impact of World War II on the poetry of Charles Olson and George Oppen; exchanges between poetry and other art forms including sculpture, performance art, and ambient music; the battle between poetry and prose in the early work of Paul Auster and in Lyn Hejinian’s My Life. The epilogue looks briefly at another crucial transactional occasion: teaching American poetry in the classroom in a way that demonstrates that it is at the center of the arts and at the heart of American culture.
Author: Siri Hustvedt
Publisher: Henry Holt and Company
ISBN: 1466828366
Category : Fiction
Languages : en
Pages : 388
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Book Description
A powerful and heartbreaking novel that chronicles the epic story of two families, two sons, and two marriages Siri Hustvedt's What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo's story, which spans twenty-five years, follows the evolution of the growing involvement between his family and Bill's-an intricate constellation of attachments that includes the two men; their wives, Erica and Violet; and their children, Matthew and Mark. The families live in the same building in New York, share a house in Vermont during the summer, keep up a lively exchange of thoughts and ideas, and find themselves permanently altered by one another. Over the years, they not only enjoy love but endure loss-in one case sudden, incapacitating loss; in another, a different kind, one that is hidden and slow-growing, and which insidiously erodes the fabric of their lives. Intimate in tone and seductive in its complexity, the novel moves seamlessly from inner worlds to outer worlds, from the deeply private to the public, from physical infirmity to cultural illness. Part family novel, part psychological thriller, What I Loved is a beautifully written exploration of love, loss, and betrayal-and of a man's attempt to make sense of the world and go on living.
Author: Andreas Hau
Publisher: BoD – Books on Demand
ISBN: 3839144329
Category : American poetry
Languages : en
Pages : 326
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Book Description
Dissertation im Fachbereich Nordamerikanische Literatur und Kultur der Universität des Saarlandes. The Implosion of Negativity ist die erste Monografie zu Paul Austers Frühwerk. Bis 1980 betätigte sich Auster zehn Jahre lang fast ausschließlich als Lyriker, um danach nie wieder ein Gedicht zu veröffentlichen. The Implosion of Negativity versucht zu ergründen, wie es zu diesem Bruch kam, und analysiert detailliert Austers poetisches Vorleben. Dabei werden bislang unbeachtete Einflüsse wie Martin Buber und Paul Celan zutage gefördert. Die abschließende Untersuchung von The New York Trilogy zeigt exemplarisch, welche neuen interpretatorischen Ansätze die Kenntnis von Austers vergessenem Frühwerk ermöglicht: Der untote Lyriker wird zum Phantom, das unablässig Austers Romane heimsucht - und antreibt. Die Dissertation The Implosion of Negativity ist in englischer Sprache verfasst. Der Anhang enthält eine deutsche Zusammenfassung, eine umfassende Bibliographie und ein persönliches Interview mit Paul Auster. Englischer Klappentext: For most readers and critics Paul Auster's oeuvre begins with The New York Trilogy, yet his major success as a novelist was preceded by a decade of almost obsessive devotion to poetry. The Implosion of Negativity is the first book-length study of Paul Auster's early work. From his dense, intensely lyric sequences of the early 1970s to the more discursive style of Auster's final book of poems, Facing the Music (1980), and on to his experimental prose of the early eighties, The Implosion of Negativity traces a fascinating journey through the author's formative years. Andreas Hau's dissertation begins with a detailed analysis of Auster's early long poem "Unearth", examines overlooked influences such as Paul Celan and Martin Buber, and continues with Auster's exploration of his Jewish heritage in Wall Writing, his rediscovery of the American objectivists in "Disappearances", and his encounters with the visual arts in Fragments from Cold. Subsequent
Author: Regina Rudaitytė
Publisher: Cambridge Scholars Publishing
ISBN: 1443810320
Category : Social Science
Languages : en
Pages : 220
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Book Description
The present collection of academic articles is an attempt to reflect on new openings and recent developments in literature, literary theory and culture which seem to point beyond postmodernism and register a return to traditional concepts, theoretical premises and authorial practices. Interestingly enough, forty years after the publication of John Barth’s seminal essay “The Literature of Exhaustion” (1967), the book is trying to diagnose the exhaustion of postmodernism, which was predicted by David Lodge already two decades ago. It also attempts to trace the signs in contemporary literature indicating that postmodernism is past its heyday, that it is losing or has lost its shine, fascination and attraction and that writers have been turning to the “old” or pre-modern forms, practices and strategies. Herbert Grabes’ comprehensive and illuminating article “From the Postmodern to the Pre-Modern: More Recent Changes in Literature, Art, and Theory” which opens and sets the tone for this collection of essays is a major assessment of new developments in literary culture, focusing on the evolution of the postmodern to the premodern mode; it also highlights the role and current popularity of cultural studies and cultural history – theoretical movements which have been prevailing for some time now after the end of deconstruction. The articles assembled in this collection are on diverse thematics and written from diverse theoretical perspectives; they differ in scope and methodology, and their focus ranges from the postmodern, intertextual aspect to the open questioning of it and to more recent developments in the literary culture. Focusing on literary icons like A.S. Byatt, John Banville, Margaret Atwood, Umberto Eco, Vladimir Nabokov (but also extending into a less-known regions – geographically as well), they invite reconsideration and reconceptualization of such key notions as “truth”, meaning production, textuality and literary interpretation. This book aims at opening fresh discussion, debate and reflection on the new age reaching beyond postmodernism, and the budding literary mode, whatever labels we might stick to it.
Author: Paul Auster
Publisher: Macmillan
ISBN: 0312356587
Category : Historical fiction
Languages : en
Pages : 164
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Book Description
"I am alone in the dark, turning the world around in my head as I struggle through another bout of insomnia, another white night in the great American wilderness." So begins Paul Auster's brilliant, devastating tale about the many realities we inhabit as wars flame all around us. Seventy-two-year-old August Brill is recovering from a car accident in his daughter's house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget ? his wife's recent death and the horrific murder of his granddaughter's boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall, and the 2000 election results led to secession, as state after state pulled away from the union, and a bloody civil war ensued. As the night progresses, Brill's story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus's death. Passionate and shocking, Man in the Dark is a story of our moment, an audiobook that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence.
Author: Paul Auster
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 68
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Book Description
