Author: David Bindman
Publisher:
ISBN: 9780674052604
Category : Black people in art
Languages : en
Pages : 0
Book Description
The Image of the Black in Western Art
Author: David Bindman
Publisher:
ISBN: 9780674052604
Category : Black people in art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780674052604
Category : Black people in art
Languages : en
Pages : 0
Book Description
Humanities Index
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 1504
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 1504
Book Description
Book Review Digest
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 2284
Book Description
Excerpts from and citations to reviews of more than 8,000 books each year, drawn from coverage of 109 publications. Book Review Digest provides citations to and excerpts of reviews of current juvenile and adult fiction and nonfiction in the English language. Reviews of the following types of books are excluded: government publications, textbooks, and technical books in the sciences and law. Reviews of books on science for the general reader, however, are included. The reviews originate in a group of selected periodicals in the humanities, social sciences, and general science published in the United States, Canada, and Great Britain. - Publisher.
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 2284
Book Description
Excerpts from and citations to reviews of more than 8,000 books each year, drawn from coverage of 109 publications. Book Review Digest provides citations to and excerpts of reviews of current juvenile and adult fiction and nonfiction in the English language. Reviews of the following types of books are excluded: government publications, textbooks, and technical books in the sciences and law. Reviews of books on science for the general reader, however, are included. The reviews originate in a group of selected periodicals in the humanities, social sciences, and general science published in the United States, Canada, and Great Britain. - Publisher.
The Image of the Black in Western Art: From the "Age of Discovery" to the Age of Abolition : artists of the Renaissance and Baroque
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Portraits of a People
Author: Gwendolyn DuBois Shaw
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 188
Book Description
Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.
Publisher: University of Washington Press
ISBN:
Category : Architecture
Languages : en
Pages : 188
Book Description
Recently, a number of cutting edge African American artists have investigated issues of race and American identity in their work, relying on the use of historical source material and the subversion of archaic media. This scrutiny of little known, yet uncannily familiar, racialized imagery by contemporary artists has created a renewed interest in the politics of nineteenth-century American art and the role of race in the visual discourse. Portraits of a People looks critically at images made of and by African Americans, extending back to the late 1700s when a portrait of African-born poet Phillis Wheatley was drawn by her friend, the slave Scipio Moorhead. From the American Revolution until the Civil War and on into the Gilded Age, American artists created dynamic images of black sitters. In their effort to create enduring symbols of self-possessed identity, many of these portraits provide a window into cultural stereotypes and practices. For example, while some of these pictures were undoubtedly of distinct, named individuals, many are now known by titles that reference only generalized types, such as Joshua Johnston's painting Portrait of a Man, c. 1805–10, or the silhouette inscribed "Mr. Shaw's blackman," cut around 1802 by the manumitted slave Moses Williams. By the middle of the nineteenth century, photography began to offer black sitters an affordable and accessible way to fashion an individual identity and sometimes obtain financial support, as in the case of the numerous cartes-de-visites produced during the 1860s and '70s that bear the image of the feminist activist Sojourner Truth above the text, "I Sell the Shadow to Support the Substance." Portraits of a People features colour reproductions of over 100 important portraits in various media, ranging from paintings, photographs, and silhouettes to book frontispieces and popular prints. Essays by Gwendolyn DuBois Shaw consider silhouettes and African American identity in the early republic, photography and the black presence in the public sphere after the Civil War, and portrait painting and social fluidity among middle-class African American artists and sitters. This landmark publication will change the way that we view the images of blacks in the nineteenth century.
Forthcoming Books
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1896
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1896
Book Description
The Image of the Black in Western Art
Author: David Bindman
Publisher: Harvard University Press
ISBN: 9780674052567
Category : Art
Languages : en
Pages : 344
Book Description
A history of the representation of African people & people of African descent in Classical & Western art, these new editions update the magisterial project begun by Dominique de Menil.
Publisher: Harvard University Press
ISBN: 9780674052567
Category : Art
Languages : en
Pages : 344
Book Description
A history of the representation of African people & people of African descent in Classical & Western art, these new editions update the magisterial project begun by Dominique de Menil.
Arts of Africa
Author: Grimaldi Forum (Monaco, Monaco)
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 414
Book Description
"This beautifully illustrated volume highlights all the rich diversity of African cultures through a meaningful selection of masterpieces of traditional African art."--Global Books in Print.
Publisher:
ISBN:
Category : Art
Languages : it
Pages : 414
Book Description
"This beautifully illustrated volume highlights all the rich diversity of African cultures through a meaningful selection of masterpieces of traditional African art."--Global Books in Print.
Whitaker's Book List
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1784
Book Description
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1784
Book Description
Freedom Dreams
Author: Robin D.G. Kelley
Publisher: Beacon Press
ISBN: 0807009784
Category : Social Science
Languages : en
Pages : 264
Book Description
Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.
Publisher: Beacon Press
ISBN: 0807009784
Category : Social Science
Languages : en
Pages : 264
Book Description
Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.