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Author: Gertrude Dix
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Author: Gertrude Dix
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Author: Gertrude Dix
Publisher:
ISBN:
Category : England
Languages : en
Pages :
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Author: Joseph Leo Koerner
Publisher: University of Chicago Press
ISBN: 9780226450063
Category : Art
Languages : en
Pages : 508
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With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not priestly ritual and saintly iconography. But if words—not iconic images—showed the way to salvation, why didn't religious imagery during the Reformation disappear along with indulgences? The answer, according to Joseph Leo Koerner, lies in the paradoxical nature of Protestant religious imagery itself, which is at once both iconic and iconoclastic. Koerner masterfully demonstrates this point not only with a multitude of Lutheran images, many never before published, but also with a close reading of a single pivotal work—Lucas Cranach the Elder's altarpiece for the City Church in Wittenberg (Luther's parish). As Koerner shows, Cranach, breaking all the conventions of traditional Catholic iconography, created an entirely new aesthetic for the new Protestant ethos. In the Crucifixion scene of the altarpiece, for instance, Christ is alone and stripped of all his usual attendants—no Virgin Mary, no John the Baptist, no Mary Magdalene—with nothing separating him from Luther (preaching the Word) and his parishioners. And while the Holy Spirit is nowhere to be seen—representation of the divine being impossible—it is nonetheless dramatically present as the force animating Christ's drapery. According to Koerner, it is this "iconoclash" that animates the best Reformation art. Insightful and breathtakingly original, The Reformation of the Image compellingly shows how visual art became indispensable to a religious movement built on words.
![The Rise and Fall of the Heresy of Iconoclasts; Or, Image-breakers. Being a Brief Relation of the Lives and Deaths of Those Emperors of the East, who First Set it Up ... Or ... Oppos'd ... It. From the Year 717 to 867. Collected by R[obert] M[anning]. PDF](https://books.google.com/books/content/images/frontcover/uiJdAAAAcAAJ?fife=w80-h100)
Author: Robert MANNING (Professor in the English College at Douai.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Author: Stacy Boldrick
Publisher: Routledge
ISBN: 0429767242
Category : Art
Languages : en
Pages : 248
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Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.
Author: John Eleazer Remsburg
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Ashley Dukes
Publisher: London : E. Benn
ISBN:
Category : English drama
Languages : en
Pages : 114
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Author:
Publisher:
ISBN:
Category : Lay preaching
Languages : en
Pages : 350
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Author: Saint John of Damascus
Publisher: Aeterna Press
ISBN:
Category : Religion
Languages : en
Pages : 126
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A Treatise on Images will not be out of place in a public, which is confusing the making of images with the making of idols. A great Christian of the eighth century found himself called upon to face an imperial Iconoclast. He would willingly have remained silent, but he would not bury his talent of eloquence. He brought it forth and witnessed to the teaching of the Church in language which present ‘exciting scenes’ in Anglican churches brings home in the most forcible way. Our English image breakers are in the camp of Leo the Isaurian, who in the eighth century waged war against holy images, on the plausible pretext that they withdrew honour from God. The seventh General Council condemned his assault, and it determined the different kinds of worship, using the Greek terms of latreia and douleia. Aeterna Press
Author: Robert Manning (hydraulic engineer)
Publisher:
ISBN:
Category : Iconoclasm
Languages : en
Pages : 125
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