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Author: Margaret Stutley
Publisher: Routledge & Kegan Paul Books
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Illustrations: Numerous B/w Illustrations Description: Indian art is becoming increasingly popular in the West, but it cannot be appreciated fully without some knowledge of the religious and philosophical background. Margaret Stutley covers all aspects of Hindu iconography, and explains that its roots lie far back in the style of prehistoric art which has remained part of a living tradition for 7,000 years and which resembles the folk murals of many Indian houses today. The dictionary demonstrates the rich profusion of cults, divinities, symbols, sects, and philosophical views encompassed by the Hindu religious tradition. It shows how Hinduism is a synthesis of three, originally separate, religious traditions: the Dravidian (from before the third millennium), the Aryan, and the aboriginal. It makes clear that every part of an icon has some symbolic significance: the material used, the height and shape of the plinths, the type of sculptural relief, the size and position of the figure or figures, the garments, headdress, ornaments, colours, emblems, attributes and weapons, as well as any accompanying minor deities, associated animals, birds or plants. Contents Introduction English Subjects and Sanskrit Equivalents Dictionary
Author: Margaret Stutley
Publisher: Routledge & Kegan Paul Books
ISBN:
Category : Art
Languages : en
Pages : 216
Get Book Here
Book Description
Illustrations: Numerous B/w Illustrations Description: Indian art is becoming increasingly popular in the West, but it cannot be appreciated fully without some knowledge of the religious and philosophical background. Margaret Stutley covers all aspects of Hindu iconography, and explains that its roots lie far back in the style of prehistoric art which has remained part of a living tradition for 7,000 years and which resembles the folk murals of many Indian houses today. The dictionary demonstrates the rich profusion of cults, divinities, symbols, sects, and philosophical views encompassed by the Hindu religious tradition. It shows how Hinduism is a synthesis of three, originally separate, religious traditions: the Dravidian (from before the third millennium), the Aryan, and the aboriginal. It makes clear that every part of an icon has some symbolic significance: the material used, the height and shape of the plinths, the type of sculptural relief, the size and position of the figure or figures, the garments, headdress, ornaments, colours, emblems, attributes and weapons, as well as any accompanying minor deities, associated animals, birds or plants. Contents Introduction English Subjects and Sanskrit Equivalents Dictionary
Author: Margaret Stutley
Publisher: Routledge
ISBN: 0429624255
Category : Religion
Languages : en
Pages : 401
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Book Description
Indian art, increasingly popular in the west, cannot be fully appreciated without some knowledge of the religious and philosophical background. This book, first published in 1985, covers all aspects of Hindu iconography, and explains that its roots lie far back in the style of prehistoric art. The dictionary demonstrates the rich profusion of cults, divinities, symbols, sects and philosophical views encompassed by the Hindu religious tradition.
Author: Anna L. Dallapiccola
Publisher: Thames & Hudson
ISBN: 0500770670
Category : Religion
Languages : en
Pages : 492
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Book Description
Provides over 1,000 accessible, informative and authoritative entries that answer any major question about Hinduism, it's mythology, practices, customs and laws India is so vast that each of its regions is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. Hinduism is the main religion of India, and this new dictionary provides an unrivaled insight to all aspects of Hindu life, past and present. Some thousand illustrated entries elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. The development of Hinduism is presented from its ancient manifestations in local cults and epic poems to modern-day festivals and customs worldwide. The complex relationship between the multitude of gods, goddesses, and semi-divine beings is brought to light in the articles on religion and mythology, while its rich imagery is revealed in the entries on architecture, sculpture, painting, dance, and theater, including works of art illustrated here for the first time. Food and etiquette, the caste system, Ayurvedic medicine, love and marriage, and contemporary practices are just a few of the topics explored. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and indispensable guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 275 b/w illustrations.
Author: Shrikala Warrier
Publisher: MAYUR University
ISBN: 0953567974
Category : Nature
Languages : en
Pages : 297
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Book Description
Hindu theology views rivers as goddesses who confer blessings and spiritual purification and their release from the grip of the demon of drought is a recurring theme in the mythology. India is a country blessed with many rivers, but of these, seven are considered to be particularly important. Known collectively as Saptaganga, Sapta Sindhu or Saptapunyanadi, the Ganges, Yamuna, Sindhu, Sarasvati, Godavari, Narmada and Kaveri rivers are invoked at the start of every ritual. They weave through sacred narratives about gods, sages and heroes and define the physical, spiritual and cultural landscape of Bharatavarsha.
Author: Nanditha Krishna
Publisher: Penguin UK
ISBN: 9351186911
Category : Literary Collections
Languages : en
Pages : 385
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Book Description
Plants personify the divine— The Rig Veda (X.97) Trees and plants have long been held sacred to communities the world over. In India, we have a whole variety of flora that feature in our myths, our epics, our rituals, our worship and our daily life. There is the pipal, under which the Buddha meditated on the path to enlightenment; the banyan, in whose branches hide spirits; the ashoka, in a grove of which Sita sheltered when she was Ravana’s prisoner; the tulsi, without which no Hindu house is considered complete; the bilva, with whose leaves it is possible to inadvertently worship Shiva. Before temples were constructed, trees were open-air shrines sheltering the deity, and many were symbolic of the Buddha himself. Sacred Plants of India systematically lays out the sociocultural roots of the various plants found in the Indian subcontinent, while also asserting their ecological importance to our survival. Informative, thought-provoking and meticulously researched, this book draws on mythology and botany and the ancient religious traditions of India to assemble a detailed and fascinating account of India’s flora.
Author: Christine Vial Kayser
Publisher: Vernon Press
ISBN: 1648898416
Category : Art
Languages : en
Pages : 793
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Book Description
This book analyses the dynamic relationship between art and subjective consciousness, following a phenomenological, pragmatist and enactive approach. It brings out a new approach to the role of the body in art, not as a speculative object or symbolic material but as the living source of the imaginary. It contains theoretical contributions and case studies taken from various artistic practices (visual art, theatre, literature and music), Western and Eastern, the latter concerning China, India and Japan. These contributions allow us to nourish the debate on embodied cognition and aesthetics, using theory–philosophy, art history, neuroscience–and the authors’ personal experience as artists or spectators. According to the Husserlian method of “reduction” and pragmatist introspection, they postulate that listening to bodily sensations–cramps, heartbeats, impulsive movements, eye orientation–can unravel the thread of subconscious experience, both active and affective, that emerge in the encounter between a subject and an artwork, an encounter which, following John Dewey, we deem to be a case study for life in general. Ce livre analyse la relation dynamique entre l’art et la conscience subjective, selon une approche phénoménologique, pragmatiste et enactive. Il vise à faire émerger une nouvelle approche du rôle du corps dans l’art, non pas comme objet spéculatif ou matériau symbolique, mais comme source vivante de l’imaginaire. Les contributions théoriques et les études de cas sont prises à diverses pratiques artistiques (arts visuels, théâtre, littérature et musique), occidentales et orientales, ces dernières concernant la Chine, l’Inde et le Japon. Selon la méthode husserlienne de « réduction », en écho à l’introspection pragmatiste, les textes témoignent que l’écoute des sensations corporelles – crampes, battements de cœur, mouvements pulsionnels, orientation des yeux – mises en jeu par l’œuvre, permet de dénouer le fil de l’expérience inconsciente, à la fois kinesthésique et affective, qui émerge dans la rencontre entre un sujet et une œuvre d’art, une rencontre comprise, à la manière de Dewey, comme un cas d’école de la vie en général.
Author: Gail Hinich Sutherland
Publisher: SUNY Press
ISBN: 9780791406229
Category : Religion
Languages : en
Pages : 260
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Book Description
Among the most ancient deities of South Asia, the yaksha straddle the boundaries between popular and textual traditions in both Hinduism and Buddhism and both benevolent and malevolent facets. As a figure of material plenty, the yaksis epitomized as Kubera, god of wealth and king of the yaks In demonic guise, the yaksis related to a large family of demonic and quasi-demonic beings, such as nagas, gandharvas, raks, and the man-eating pisaacas. Translating and interpreting texts and passages from the Vedic literature, the Hindu epics, the Puranas, Kālidāsa's Meghadūta, and the Buddhist Jātaka Tales, Sutherland traces the development and transformation of the elusive yaksfrom an early identification with the impersonal absolute itself to a progressively more demonic and diminished terrestrial characterization. Her investigation is set within the framework of a larger inquiry into the nature of evil, misfortune, and causation in Indian myth and religion.
Author: Mukunda Stiles
Publisher: Weiser Books
ISBN: 1609252349
Category : Health & Fitness
Languages : en
Pages : 362
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Book Description
Once you have learned the basics of yoga, where do you go? This book has been written for teachers and serious practitioners who want to use yoga to bring complete balance to the body. Stiles provides a comprehensive overview of the spiritual philosophy of yoga and its many branches, and discusses everything that a beginning student needs to consider when choosing a practice, including how to find a yoga teacher. Then he shares his solid understanding of anatomy and kinesiology (how specific muscles and bones react during movement) so that you can understand how each asana affects your body.
Author: Patricia Harpring
Publisher: Getty Publications
ISBN: 160606018X
Category : Art
Languages : en
Pages : 259
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Book Description
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
Author: Michael York
Publisher: NYU Press
ISBN: 0814797083
Category : History
Languages : en
Pages : 251
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Book Description
In Pagan Theology, Michael York situates Paganism—one of the fastest-growing spiritual orientations in the West—as a world religion. He provides an introduction to, and expansion of, the concept of Paganism and provides an overview of Paganism's theological perspective and practice. He demonstrates it to be a viable and distinguishable spiritual perspective found around the world today in such forms as Chinese folk religion, Shinto, tribal religions, and neo-Paganism in the West. While adherents to many of these traditions do not use the word “pagan” to describe their beliefs or practices, York contends that there is an identifiable position possessing characteristics and understandings in common for which the label “pagan” is appropriate. After outlining these characteristics, he examines many of the world's major religions to explore religious behaviors in other religions which are not themselves pagan, but which have pagan elements. In the course of examining such behavior, York provides rich and lively descriptions of religions in action, including Buddhism and Hinduism. Pagan Theology claims Paganism’s place as a world religion, situating it as a religion, a behavior, and a theology.
