The Illustrated Beatus: The 10th and 11th centuries

The Illustrated Beatus: The 10th and 11th centuries PDF Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 404

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Book Description


The Illustrated Beatus: The 11th and 12th centuries

The Illustrated Beatus: The 11th and 12th centuries PDF Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 366

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Book Description


The Illustrated Beatus: The 9th and 10th centuries

The Illustrated Beatus: The 9th and 10th centuries PDF Author: John Williams
Publisher: Harvey Miller
ISBN:
Category : Bible
Languages : en
Pages : 326

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Book Description
The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.

The Illustrated Beatus: The ninth and tenth centuries

The Illustrated Beatus: The ninth and tenth centuries PDF Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 330

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Book Description


The Illustrated Beatus: Introduction

The Illustrated Beatus: Introduction PDF Author: John Williams
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 224

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Book Description
The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.

The Illustrated Beatus: The 12th and 13th centuries

The Illustrated Beatus: The 12th and 13th centuries PDF Author: John Williams
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 426

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Book Description


The Illustrated Beatus

The Illustrated Beatus PDF Author: John Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 424

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Book Description
The first of five volumes that will offer the entire corpus of extraordinary illuminations from 26 codices spanning the 9th to the 13th century, which contain portions of the Commentary on the Apocalypse, the Book of Revelation, compiled by the Asturian monk Beatus around the year 776. These illustrations represent the greatest single tradition of Apocalyptic imagery in the Middle Ages. The present introductory volume provides a general overview of the textual and visual tradition of all manuscripts containing Beatus' commentary. Includes 41 color plates and 100 monochrome illustrations. Distributed by Oxford U. Press. Annotation copyright by Book News, Inc., Portland, OR.

The Miniatures and Meters of the Old English Genesis, MS Junius 11

The Miniatures and Meters of the Old English Genesis, MS Junius 11 PDF Author: Seiichi Suzuki
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110788179
Category : History
Languages : en
Pages : 726

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Book Description
The Old English Genesis is the sole illustrated Anglo-Saxon poem. In full appreciation of this unique concurrent execution of visualization and versification in a single manuscript, this multidisciplinary work explores the pictorial (Vol. 1) and the metrical (Vol. 2) organization from both synchronic–structural and diachronic–comparative perspectives. Among the most significant findings of each volume are: The first twenty-two images in the Old English Genesis originated on the whole from the Touronian Bibles; and the underlying classical Old English and Old Saxon meters were interactively reshaped through mutual adaptation and recomposition aimed at their firm integration into a synthesized Old English Genesis. While each part is solidly embedded in the respective scholarly tradition and pursues its own disciplinary concerns and problematics, vigorous formal and cognitive reasoning and theorizing run commonly through both. By way of mutual corroboration and integration, the twin volumes eventually converge on the hypothesis that the earliest portion of the extant Old English Genesis (lines 1–966) derived from the corresponding episodes of an illustrated Touronian Old Saxon Genesis in both pictorial and metrical terms.

Dictionary of Women Artists: Introductory surveys ; Artists, A-I

Dictionary of Women Artists: Introductory surveys ; Artists, A-I PDF Author: Delia Gaze
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928

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Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

The Use of Models in Medieval Book Painting

The Use of Models in Medieval Book Painting PDF Author: Monika E. Müller
Publisher: Cambridge Scholars Publishing
ISBN: 1443861030
Category : Crafts & Hobbies
Languages : en
Pages : 235

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Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.