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Author: William Gillette
Publisher: Forgotten Books
ISBN: 9780331971200
Category : Self-Help
Languages : en
Pages : 76
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Book Description
Excerpt from The Illusion of the First Time in Acting But is he a bad actor merely because he adopts his own methods and knows nothing about the art of other people? Well, I think perhaps he is. Altho he amuses me, I'm afraid he is a bad actor. But he is not as bad as he would be if that other type, who really knows the rules, took him in hand and tried to make him a good actor. Then he would be atrocious. As a matter of fact, he is an actor who can play only one kind of part. But he plays that better than any good actor living. Therefore the public, for whom the theater is run, gets the advantage. His reign lasts just as long as there are plays which require that type. If his part is a prominent one and he makes a very great success, so much the worse for him. He isthen placed in an exalted position from which he is bound to fall when the authors have worn themselves out in their frantic endeavor to hold him there; and he will automatically pass from the public ken, des tined merely to bob up now and then in a small part that lends itself to his personal ity - and destined to become a disappointed man for the rest of his life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William Gillette
Publisher: Forgotten Books
ISBN: 9780331971200
Category : Self-Help
Languages : en
Pages : 76
Get Book Here
Book Description
Excerpt from The Illusion of the First Time in Acting But is he a bad actor merely because he adopts his own methods and knows nothing about the art of other people? Well, I think perhaps he is. Altho he amuses me, I'm afraid he is a bad actor. But he is not as bad as he would be if that other type, who really knows the rules, took him in hand and tried to make him a good actor. Then he would be atrocious. As a matter of fact, he is an actor who can play only one kind of part. But he plays that better than any good actor living. Therefore the public, for whom the theater is run, gets the advantage. His reign lasts just as long as there are plays which require that type. If his part is a prominent one and he makes a very great success, so much the worse for him. He isthen placed in an exalted position from which he is bound to fall when the authors have worn themselves out in their frantic endeavor to hold him there; and he will automatically pass from the public ken, des tined merely to bob up now and then in a small part that lends itself to his personal ity - and destined to become a disappointed man for the rest of his life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Konstantin Sergeevič Stanislavskij
Publisher:
ISBN:
Category :
Languages : en
Pages : 295
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Book Description
Author: Charles Tranberg
Publisher: BearManor Media
ISBN: 9781593938710
Category : Biography & Autobiography
Languages : en
Pages : 436
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Book Description
This is the HARDBACK version. Lovers of old-time radio hold a special place in their heart for Agnes Moorehead. She was one of the busiest and most definitive actresses of that medium. The bottom line is that Agnes Moorehead is one of the few actresses who succeeded in every realm of show business: stage, radio, film, and television. The respect of her peers can be summed up in these statistics: four Academy Award nominations, seven Emmy nominations - with one win - two Golden Globe nominations - with two wins - and the Best Actress award from the New York Film Critics. This impressive, 400+ page biography, complete with filmography and radiography, proves to readers and scholars alike that she was much more than the witch of Endor! *This is the 2nd edition of the bestselling book, with new material and cover!*
Author: Allen A. Brown Collection (Boston Public Library)
Publisher: Boston : The Trustees
ISBN:
Category : Drama
Languages : en
Pages : 976
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Book Description
Author: Clive Barker
Publisher: A&C Black
ISBN: 1408125196
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
A practical guide to using theatre games for actor training which includes a DVD with original footage of the author putting the techniques into action.
Author:
Publisher:
ISBN:
Category : Holmes, Sherlock (Fictitious character)
Languages : en
Pages : 560
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Book Description
Author: Phillip B. Zarrilli
Publisher: Routledge
ISBN: 1134575432
Category : Performing Arts
Languages : en
Pages : 416
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Book Description
Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
Author: Tom Savini
Publisher: Imagine (PA)
ISBN:
Category : Film makeup
Languages : en
Pages : 146
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Book Description
Author: Gary Taylor
Publisher: OUP Oxford
ISBN: 0191568554
Category : Literary Criticism
Languages : en
Pages : 1184
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Book Description
Thomas Middleton and Early Modern Textual Culture is not only a companion to The Collected Works of Thomas Middleton, which every scholar of Renaissance literature will find indispensable. It is also essential reading for anyone interested in the history of the book in early modern Europe. The book is divided into two parts. The first part, on 'The Culture', situates Middleton within an historical and theoretical overview of early modern textual production, reproduction, circulation, and reception. An introductory essay by Gary Taylor ('The Order of Persons') surveys lists of persons written by or connected to Middleton, using the complex relationship between textual and social orders to trace the evolution of textual culture in England during the 'Middleton century' (1580-1679). Ten original essays then focus on Middleton's connections to different aspects of textual culture in that century: authorship (by MacD. P. Jackson), manuscripts (Harold Love), legal texts (Edward Geiskes), censorship (Richard Burt), printing (Adrian Weiss), visual texts (John Astington), music (Andrew Sabol), stationers and living authors (Cyndia Clegg), posthumous publishing (Maureen Bell), and early readers (John Jowett). The second part, 'The Texts', supplies the documentation for claims made in the first part. This includes detailed evidence for the canon and chronology of Middleton's works in all genres, greatly extending previous scholarship, and using the latest corpus-based attribution techniques. A full editorial apparatus is supplied for each item in The Collected Works: an Introduction, which summarizes and extends previous scholarship, is followed by textual notes, recording substantive departures from the control-text, variants between early texts, press-variants, discussions of emendations, and (for plays) an exact transcription of all original stage directions. Cross-references make it easy to move between the two volumes. This authoritative account of the early texts includes some extraordinarily complicated cases, which have never before been systematically collated: 'Hence, all you vain delights' (the most popular song lyric from the Renaissance stage), The Two Gates of Salvation, The Peacemaker, and A Game at Chess (the most complex editorial problem in early modern drama, with eight extant texts and numerous reports of the early performances).
Author: Bruce McConachie
Publisher: Routledge
ISBN: 113504113X
Category : Performing Arts
Languages : en
Pages : 657
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Book Description
This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.