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Author: W. Gillette
Publisher: Рипол Классик
ISBN: 5870748712
Category : History
Languages : en
Pages : 65
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Book Description
Author: W. Gillette
Publisher: Рипол Классик
ISBN: 5870748712
Category : History
Languages : en
Pages : 65
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Book Description
Author: William Gillette
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 80
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Book Description
Author: Elizabeth Y. Kelly
Publisher:
ISBN:
Category : Child actors
Languages : en
Pages : 200
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Book Description
Author: Paul Binnerts
Publisher: University of Michigan Press
ISBN: 0472035037
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
A new theory of acting that tears down the theatrical "Fourth Wall"
Author: Steven Breese
Publisher: Hackett Publishing
ISBN: 1585106852
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
To support a new generation of actors/acting teachers by coupling fresh ideas and new approaches with the best proven methods and practices. On Acting is written primarily for the contemporary American actor. It strives to address the acting process with an eye toward the performance culture and requirements that exist today. It is a book for the new twenty-first century artist—the serious practical artist who seeks to pursue a career that is both fulfilling and viable. The text features a balance of philosophy, practical advice, anecdotal evidence/experiences and a wide variety of acting exercises/activities. Also included is the short Steven Breese play "Run. Run. Run Away" and an example of a scene score from that play.
Author: William Gillette
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 78
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Book Description
Author: Ed Hooks
Publisher:
ISBN: 9780415580236
Category : ART
Languages : en
Pages : 0
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Book Description
"A guide to acting theory written specifically for animators"--Provided by publisher.
Author: Michael W. Shurgot
Publisher: Routledge
ISBN: 1317056019
Category : Drama
Languages : en
Pages : 314
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Book Description
Making a unique intervention in an incipient but powerful resurgence of academic interest in character-based approaches to Shakespeare, this book brings scholars and theatre practitioners together to rethink why and how character continues to matter. Contributors seek in particular to expand our notions of what Shakespearean character is, and to extend the range of critical vocabularies in which character criticism can work. The return to character thus involves incorporating as well as contesting postmodern ideas that have radically revised our conceptions of subjectivity and selfhood. At the same time, by engaging theatre practitioners, this book promotes the kind of comprehensive dialogue that is necessary for the common endeavor of sustaining the vitality of Shakespeare's characters.
Author: Columbia University. Dramatic museum
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 84
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Book Description
Author: Meredith Conti
Publisher: Routledge
ISBN: 1351787705
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
Few life occurrences shaped individual and collective identities within Victorian-era society as critically as witnessing or suffering from illness. The prevalence of illness narratives within late nineteenth-century popular culture was made manifest on the period’s British and American stages, where theatrical embodiments of illness were indisputable staples of actors’ repertoires. Playing Sick: Performances of Illness in the Age of Victorian Medicine reconstructs how actors embodied three of the era’s most provocative illnesses: tuberculosis, drug addiction, and mental illness. In placing performances of illness within wider medicocultural contexts, Meredith Conti analyzes how such depictions confirmed or resisted salient constructions of diseases and the diseased. Conti’s case studies, which range from Eleonora Duse’s portrayal of the consumptive courtesan Marguerite Gautier to Henry Irving’s performance of senile dementia in King Lear, help to illuminate the interdependence of medical science and theatre in constructing nineteenth-century illness narratives. Through reconstructing these performances, Conti isolates from the period’s acting practices a lexicon of embodied illness: a flexible set of physical and vocal techniques that performers employed to theatricalize the sick body. In an age when medical science encouraged a gradual decentering of the patient from their own diagnosis and treatment, late nineteenth-century performances of illness symbolically restored the sick to positions of visibility and consequence.
