The iconography of the facade of Saint-Gilles-du-Gard PDF Download
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Author: Carra Ferguson O'Meara
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author: Carra Ferguson O'Meara
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Carra Ferguson
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 572
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Author: Carra Ferguson
Publisher:
ISBN:
Category :
Languages : en
Pages : 221
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Author: Carra Ferguson O'Meara
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 328
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Author: Whitney S. Stoddard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 382
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Author: Judy F. Scott
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Architecture
Languages : de
Pages : 172
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Book Description
The west facade of St.-Gilles presents one of the most important sculptural programs of Gaul, but its date remains problematic. Unresolved questions of style are aggravated by physical irregularities in the facade, particularly the figured frieze, that have been attributed to a change of plan. Inconsistencies in individual frieze reliefs have been ignored or interpreted solely according to that theory. The scope of these inconsistencies and their import to the frieze and facade chronology are studied.
Author: Cathleen A. Fleck
Publisher: BRILL
ISBN: 9004525890
Category : History
Languages : en
Pages : 420
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Book Description
This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.
Author: Pamela Berger
Publisher: BRILL
ISBN: 9004230343
Category : Art
Languages : en
Pages : 393
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Book Description
"The Crescent on the Temple" by Pamela Berger elucidates an obscured tradition—how the Dome of the Rock came to stand for the Temple of Solomon in Christian, Muslim, and Jewish art. The crusaders called the Dome of the Rock the “Temple of the Lord,” while Muslim imagery depicted Solomon enthroned within the domed structure. Jews knew that the ancient Temple had been destroyed. Nevertheless, in their imagery, they commonly labeled the Muslim shrine “The Temple.” That domed “Temple” was often represented with a crescent on top. This iconography, long hidden in plain sight, reflects one aspect of an historical affinity between Jews and Muslims.
Author: Millard Fillmore Hearn
Publisher: Cornell University Press
ISBN: 9780801493041
Category : Architecture
Languages : en
Pages : 244
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Book Description
