The Horror Comic Never Dies PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Horror Comic Never Dies PDF full book. Access full book title The Horror Comic Never Dies by Michael Walton. Download full books in PDF and EPUB format.
Author: Michael Walton
Publisher: McFarland
ISBN: 1476675368
Category : Law
Languages : en
Pages : 179
Get Book
Book Description
Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
Author: Michael Walton
Publisher: McFarland
ISBN: 1476675368
Category : Law
Languages : en
Pages : 179
Get Book
Book Description
Horror comics were among the first comic books published--ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
Author: Michael Walton
Publisher: McFarland
ISBN: 1476635129
Category : Law
Languages : en
Pages : 178
Get Book
Book Description
Horror comics were among the first comic books published—ghastly tales that soon developed an avid young readership, along with a bad reputation. Parent groups, psychologists, even the United States government joined in a crusade to wipe out the —and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.
Author: Jim Trombetta
Publisher: Harry N. Abrams
ISBN: 9780810955950
Category : Comics & Graphic Novels
Languages : en
Pages : 176
Get Book
Book Description
Censored out of existence by Congress in the 1950s, rare comic book images--many of which have been rarely seen since they were first issued--are now revealed once again in all of their eye-popping inventive outrageousness. Original.
Author: John Darowski
Publisher: Taylor & Francis
ISBN: 1000628914
Category : Comics & Graphic Novels
Languages : en
Pages : 245
Get Book
Book Description
This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space. Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States. One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.
Author: Ed Brubaker
Publisher:
ISBN: 9781607065630
Category : Comic books, strips, etc
Languages : en
Pages :
Get Book
Book Description
Modern day reporter Nicolas Lash learns of a secret involving an ageless woman who has been on the run since the 1930s, while reporter Hank Raines meets the same woman in 1950s San Francisco.
Author: Julia Round
Publisher: Bloomsbury Publishing
ISBN: 1350336084
Category : Literary Criticism
Languages : en
Pages : 281
Get Book
Book Description
Providing an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades. Interdisciplinary and international in its scope, the critical approaches on offer spread across a wide range of strands, from the formal and the ideological to the historical, literary and cultural. Its concise chapters provide accessible introductions to comics methodologies, comics histories and cultures across the world, high-profile creators and titles, insights from audience and fan studies, and important themes and genres, such as autobiography and superheroes. It also surveys the alternative and small press alongside general reference works and textbooks on comics. Each chapter is complemented by list of key reference works.
Author: Cullen Bunn
Publisher: Vault Comics
ISBN: 1638491097
Category : Comics & Graphic Novels
Languages : en
Pages : 196
Get Book
Book Description
A supernatural horror thriller for readers of Chuck Palahniuk (Lullaby and Haunted: A Novel), Marisha Pessl,(Night Film), and Scarlett Thomas (The End of Mr. Y), The Last Book You’ll Ever Read tells the terrifying story of a woman who knows the horrific truth about the past – and future - of humankind, and, when captured in her book SATYR, it becomes the catalyst for worldwide, mind-numbing violence Read this book at your own peril. Olivia Kade wrote the book that ended the world. Now she needs someone who won't read it. Civilization is a lie. Hidden deep in our genes is the truth. And it is slowly clawing its way to the surface. Olivia Kade knows the truth, and she has become the prophet of the coming collapse. Her book, SATYR, is an international bestseller, and it is being blamed for acts of senseless violence and bloodshed all over the world. Olivia's own life is in danger from those who have read her work. Determined to conduct a book tour, she hires security professional Connor Wilson to act as her bodyguard. She only has one requirement: he cannot read her work. John Carpenter’s In the Mouth of Madness meets Chuck Palahniuk’s Lullaby in this terrifyingly dangerous tale of the descent of humankind where reality and fantasy collide. Collects the entire smash 8-issue series. For fans of Stephen Graham Jones, Stephen King, Chuck Palahniuk, Alma Katsu, The Ring, and The Ninth Gate. "I truly hope this terrific horror comic is in no way prescient or timely." - Patton Oswalt “…perfectly disturbing and mysterious.” – The Beat
Author: Michael Goodrum
Publisher: Manchester University Press
ISBN: 1526135949
Category : Literary Criticism
Languages : en
Pages : 445
Get Book
Book Description
Printing Terror places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America’s changing sociological landscape. It examines two eras: the pre-CCA period of the 1940s up to 1954, and the post-CCA era to 1975. The book examines each of these periods through the lenses of war, gender, and race, demonstrating that horror comics at this time were centered on white male victimhood and the monstrosity of the gendered and/or racialised other. It is of interest to scholars of horror, comics studies, and American history.
Author: Greg Sadowski
Publisher: Fantagraphics Books
ISBN: 1606993437
Category : Comics & Graphic Novels
Languages : en
Pages : 320
Get Book
Book Description
A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.
Author: Terrence R. Wandtke
Publisher: Univ. Press of Mississippi
ISBN: 1496834836
Category : Biography & Autobiography
Languages : en
Pages : 235
Get Book
Book Description
Robert Kirkman (b. 1978) is probably best known as the creator of The Walking Dead. The comic book and its television adaptation have reinvented the zombie horror story, transforming it from cult curiosity and parody to mainstream popularity and critical acclaim. In some ways, this would be enough to justify this career-spanning collection of interviews. Yet Kirkman represents much more than this single comic book title. Kirkman’s story is a fanboy’s dream that begins with him financing his irreverent, independent comic book Battle Pope with credit cards. After writing major titles with Marvel comics (Spider-Man, Captain America, and X-Men), Kirkman rejected companies like DC and Marvel and publicly advocated for creator ownership as the future of the comics industry. As a partner at Image, Kirkman wrote not only The Walking Dead but also Invincible, a radical reinvention of the superhero genre. Robert Kirkman: Conversations gives insight to his journey and explores technique, creativity, collaboration, and the business of comics as a multimedia phenomenon. For instance, while continuing to write genre-based comics in titles like Outcast and Oblivion Song, Kirkman explains his writerly bias for complex characters over traditional plot development. As a fan-turned-creator, Kirkman reveals a creator’s complex relationship with fans in a comic-con era that breaks down the consumer/producer dichotomy. And after rejecting company-ownership practices, Kirkman articulates a vision of the creator-ownership model and his goal of organic creativity at Skybound, his multimedia company. While Stan Lee was the most prominent comic book everyman of the previous era of comics production, Kirkman is the most prominent comic book everyman of this dynamic, evolving new era.
