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Author: Thomas Dekker
Publisher:
ISBN: 9781409961123
Category : Drama
Languages : en
Pages : 156
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Book Description
The Honest Whore is an early Jacobean city comedy, written in two parts; Part 1 is a collaboration between Thomas Dekker and Thomas Middleton, while Part 2 is the work of Dekker alone. The plays were acted by the Admiral's Men.
Author: Thomas Dekker
Publisher:
ISBN: 9781409961123
Category : Drama
Languages : en
Pages : 156
Get Book Here
Book Description
The Honest Whore is an early Jacobean city comedy, written in two parts; Part 1 is a collaboration between Thomas Dekker and Thomas Middleton, while Part 2 is the work of Dekker alone. The plays were acted by the Admiral's Men.
Author: Thomas Dekker
Publisher: Routledge
ISBN: 1135862613
Category : Performing Arts
Languages : en
Pages : 147
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Book Description
The two plays included in this volume follow the lives of a princess and a whore. Although set in Italy, this passionate tale of paternal disapproval and sexual deceit savors more of the underworld of Jacobean London with its asylums and prisons, gambling and prostitution.
Author: Thomas Dekker
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 608
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Book Description
Author: Cyrus Hoy
Publisher: Cambridge University Press
ISBN: 9780521102995
Category : Literary Collections
Languages : en
Pages : 412
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Book Description
Companion guide to the second volume of Dekker's plays, with introductions and commentary on The Honest Whore Pt 1, The Honest Whore Pt 2, The Magnificent Entertainment Given to King James, Westward Ho, Northward Ho and The Whore of Babylon.
Author: Kaara L. Peterson
Publisher: Routledge
ISBN: 1317078225
Category : Literary Criticism
Languages : en
Pages : 230
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Book Description
Mining a series of previously uncharted conversations springing up in 16th- and 17th-century popular medicine and culture, this study explores early modern England's significant and sustained interest in the hysterical diseases of women. Kaara L. Peterson assembles a fascinating collection of medical materials to support her discussion of contemporary debates about varieties of uterine pathologies and the implications of these debates for our understanding of drama's representation of hysterica passio cases in particular, among other hysterical maladies. An important aspect of the author's approach is to restore, with all its nuances, the debates created by early modern medical writers over attempts to define the boundaries and resonances of hysterical ailments, which Peterson argues have been largely erased or elided by historicist criticism, including scholarship overly focused on melancholy. One of the main goals of the book is to stress the centrality of gendered concepts of disease for the period and to reveal a whole catalog of early modern literary strategies for representing women's illnesses. Among the medical works discussed are Edward Jorden's central text A Briefe Discourse of a Disease Called the Suffocation of the Mother (1603) and contemporary plays, including Shakespeare's Pericles, Othello, King Lear, and The Winter's Tale; Webster's The Duchess of Malfi; and Chapman's Bussy D'Ambois.
Author: Jillian Azevedo
Publisher: McFarland
ISBN: 1476668620
Category : History
Languages : en
Pages : 226
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Book Description
During the 17th century, England saw foreign foods made increasingly available to consumers and featured in recipe books, medical manuals, treatises, travel narratives, and even in plays. Yet the public's fascination with these foods went beyond just eating them. Through exotic presentations in popular culture, they were able to mentally partake of products for which they may not have had access. This book examines the "body and mind" consumerism of the early British Empire.
Author: David Pennington
Publisher: Routledge
ISBN: 1317126165
Category : History
Languages : en
Pages : 208
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Book Description
Going to Market rethinks women’s contributions to the early modern commercial economy. A number of previous studies have focused on whether or not the early modern period closed occupational opportunities for women. By attending to women’s everyday business practices, and not merely to their position on the occupational ladder, this book shows that they could take advantage of new commercial opportunities and exercise a surprising degree of economic agency. This has implications for early modern gender relations and commercial culture alike. For the evidence analyzed here suggests that male householders and town authorities alike accepted the necessity of women’s participation in the commercial economy, and that women’s assertiveness in marketplace dealings suggests how little influence patriarchal prescriptions had over the way in which men and women did business. The book also illuminates England’s departure from what we often think of as a traditional economic culture. Because women were usually in charge of provisioning the household, scholars have seen them as the most ardent supporters of an early-modern ’moral economy’, which placed the interests of poor consumers over the efficiency of markets. But the hard-headed, hard-nosed tactics of market women that emerge in this book suggests that a profit-oriented commercial culture, far from being the preserve of wealthy merchants and landowners, permeated early modern communities. Through an investigation of a broad range of primary sources-including popular literature, criminal records, and civil litigation depositions-the study reconstructs how women did business and negotiated with male householders, authorities, customers, and competitors. This analysis of the records shows women able to leverage their commercial roles and social contacts to defend the economic interests of their households and their neighborhoods.
Author: Andrew Repasky McElhinney
Publisher: McFarland
ISBN: 1476613400
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of "media." Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture. Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual. Close readings are presented of such works as popular favorites as Cronenberg's Crash, Disney's The Parent Trap, Ferrara's Bad Lieutenant, Hitchcock's Psycho, Kubrick's A Clockwork Orange, Lynch's Twin Peaks (the film) and Welles' The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol's Vinyl. Instructors considering this book for use in a course may request an examination copy here.
Author: Michael Earley
Publisher: Routledge
ISBN: 1136083162
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Neil Rhodes
Publisher: Routledge
ISBN: 1317620410
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The comic grotesque is a powerful element in a great deal of Elizabethan literature, but one which has attracted scant critical attention. In this study, first published in 1980, Neil Rhodes examines the nature of the grotesque in late sixteenth-century culture, and shows the part it played in the development of new styles of comic prose and drama in Elizabethan England. In defining ‘grotesque’, the author considers the stylistic techniques of Rabelais and Aretino, as well as the graphic arts. He discusses the use of the grotesque in Elizabethan pamphlet literature and the early satirical journalists such as Nashe, and argues that their work in turn stimulated the growth of satirical drama at the end of the century. The second part of the book explains the importance of Nashe’s achievement for Shakespeare and Jonson, concluding that the linguistic resources of English Renaissance comedy are peculiarly – and perhaps uniquely – physical.
