Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
The History of Art in Wei, Jin, Southern and Northern Dynasty
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
The History of Customs in Wei, Jin, Southern and Northern Dynasty
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 214
Book Description
The book is the volume of “The History of Customs in Wei, Jin, Southern and Northern Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 214
Book Description
The book is the volume of “The History of Customs in Wei, Jin, Southern and Northern Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
The History of Art in Sui, Tang and Five Dynasties
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 230
Book Description
The book is the volume of “The History of Art in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 230
Book Description
The book is the volume of “The History of Art in Sui, Tang and Five Dynasties” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
The Cambridge History of China: Volume 2, The Six Dynasties, 220-589
Author: Albert E. Dien
Publisher: Cambridge University Press
ISBN: 9781107020771
Category : History
Languages : en
Pages : 0
Book Description
The Six Dynasties Period (220-589 CE) is one of the most complex in Chinese history. Written by leading scholars from across the globe, the essays in this volume cover nearly every aspect of the period, including politics, foreign relations, warfare, agriculture, gender, art, philosophy, material culture, local society, and music. While acknowledging the era's political chaos, these essays indicate that this was a transformative period when Chinese culture was significantly changed and enriched by foreign peoples and ideas. It was also a time when history and literature became recognized as independent subjects and religion was transformed by the domestication of Buddhism and the formation of organized Daoism. Many of the trends that shaped the rest of imperial China's history have their origins in this era, such as the commercial vibrancy of southern China, the separation of history and literature from classical studies, and the growing importance of women in politics and religion.
Publisher: Cambridge University Press
ISBN: 9781107020771
Category : History
Languages : en
Pages : 0
Book Description
The Six Dynasties Period (220-589 CE) is one of the most complex in Chinese history. Written by leading scholars from across the globe, the essays in this volume cover nearly every aspect of the period, including politics, foreign relations, warfare, agriculture, gender, art, philosophy, material culture, local society, and music. While acknowledging the era's political chaos, these essays indicate that this was a transformative period when Chinese culture was significantly changed and enriched by foreign peoples and ideas. It was also a time when history and literature became recognized as independent subjects and religion was transformed by the domestication of Buddhism and the formation of organized Daoism. Many of the trends that shaped the rest of imperial China's history have their origins in this era, such as the commercial vibrancy of southern China, the separation of history and literature from classical studies, and the growing importance of women in politics and religion.
A HISTORY OF FINE ARTS ECONOMY OF CHINA
Author: Li Xiangmin
Publisher: American Academic Press
ISBN: 1631814702
Category : Art
Languages : en
Pages : 556
Book Description
A History of Fine Arts Economy of China is a groundbreaking book that offers a fresh perspective on the economic aspects of Chinese fine arts. It explores how economic activities related to art have influenced art history, introducing new methods and ideas to the field of art history research. The book provides a detailed analysis of the production, exchange, and consumption of various art forms in China, including calligraphy, paintings, crafts, and architecture. It examines the evolution of art markets, the driving forces behind them, and how they were shaped by social, political, economic, and cultural factors throughout Chinese history. This work uniquely combines art history with economic aspects. It looks at the economic origins of art and identifies three main types of art sponsorship in China: royal, private, and public. The history of art economics in China is divided into three phases, each marked by different sponsorship trends. The book highlights the significance of art marketization, showing its impact not just on the economy, but also on cultural and artistic standards in society. A History of Fine Arts Economy of China is an important contribution to academic literature, offering a comprehensive view of the intersection between art and economics in Chinese history.
Publisher: American Academic Press
ISBN: 1631814702
Category : Art
Languages : en
Pages : 556
Book Description
A History of Fine Arts Economy of China is a groundbreaking book that offers a fresh perspective on the economic aspects of Chinese fine arts. It explores how economic activities related to art have influenced art history, introducing new methods and ideas to the field of art history research. The book provides a detailed analysis of the production, exchange, and consumption of various art forms in China, including calligraphy, paintings, crafts, and architecture. It examines the evolution of art markets, the driving forces behind them, and how they were shaped by social, political, economic, and cultural factors throughout Chinese history. This work uniquely combines art history with economic aspects. It looks at the economic origins of art and identifies three main types of art sponsorship in China: royal, private, and public. The history of art economics in China is divided into three phases, each marked by different sponsorship trends. The book highlights the significance of art marketization, showing its impact not just on the economy, but also on cultural and artistic standards in society. A History of Fine Arts Economy of China is an important contribution to academic literature, offering a comprehensive view of the intersection between art and economics in Chinese history.
Ancient Chinese Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870994832
Category : Art
Languages : en
Pages : 97
Book Description
The History of Chinese Ceramics
Author: Lili Fang
Publisher: Springer Nature
ISBN: 9811990948
Category : Social Science
Languages : en
Pages : 1184
Book Description
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.
Publisher: Springer Nature
ISBN: 9811990948
Category : Social Science
Languages : en
Pages : 1184
Book Description
Adopting the perspective of anthropology of art and combining it with global academic insights, this book helps the readers to recognize that “history is, in great measure, the record of human activity which spreads from the local to the regional, from the regional to the global, and from the global to the universal.” Readers will learn that China was not only the first country to create porcelain, but also the first to export it to the world, both the products and its techniques. Therefore, the history of Chinese ceramics reflects the history of Chinese foreign trade on the one hand and depicts the expansion of Chinese ceramic techniques and cultures on the other. In addition to ceramics types, molds, decoration, and techniques, the book analyzes the spiritual impacts and aesthetic conceptions embodied in the utensils of daily use by the Chinese literati. Therefore, it reaches the conclusion that ideological systems and not technological systems are what bring about social revolutions. In addition, the book is richly illustrated with pictures of earthenware and finely glazed pieces from later periods.
CHINESE PAINTING
Author: Deng Qiaobin
Publisher: American Academic Press
ISBN: 1631816519
Category : Art
Languages : en
Pages : 451
Book Description
Chinese Painting: An Intellectual History provides a panorama of Chinese painting from primitive times to the Qing Dynasty. But it is not a mere list of various theories, paintings, and painters in chronological order. Much space of the book is devoted to describing the political, cultural, and economic situations as well as the philosophical, literary, and academic elements that have influenced Chinese painting. In its presentation of painters, painting theories, schools, and genres, the book combines general introduction with case studies, and in so doing maintains an objective and unbiased stance. To controversial topics such as the role of Buddhism and Taoism and the division of Northern School and Southern School in landscape painting, the book analyzes political and cultural causes, but gives no definite answer, thus allowing interpretation by the readers. As the title suggests, the book is not an exclusive discussion on painting theories; otherwise, a more appropriate title would be “Chinese Painting Theories,” or “A History of Chinese Painting.” By “intellectual,” the author meant to include not only systematic painting theories and fragmented commentaries that are written in words, but also the implicit and intangible message or thoughts underlying the creation of Chinese painting. Therefore, reading this book is not only a way of appreciating Chinese painting, but also helps in understanding Chinese culture.
Publisher: American Academic Press
ISBN: 1631816519
Category : Art
Languages : en
Pages : 451
Book Description
Chinese Painting: An Intellectual History provides a panorama of Chinese painting from primitive times to the Qing Dynasty. But it is not a mere list of various theories, paintings, and painters in chronological order. Much space of the book is devoted to describing the political, cultural, and economic situations as well as the philosophical, literary, and academic elements that have influenced Chinese painting. In its presentation of painters, painting theories, schools, and genres, the book combines general introduction with case studies, and in so doing maintains an objective and unbiased stance. To controversial topics such as the role of Buddhism and Taoism and the division of Northern School and Southern School in landscape painting, the book analyzes political and cultural causes, but gives no definite answer, thus allowing interpretation by the readers. As the title suggests, the book is not an exclusive discussion on painting theories; otherwise, a more appropriate title would be “Chinese Painting Theories,” or “A History of Chinese Painting.” By “intellectual,” the author meant to include not only systematic painting theories and fragmented commentaries that are written in words, but also the implicit and intangible message or thoughts underlying the creation of Chinese painting. Therefore, reading this book is not only a way of appreciating Chinese painting, but also helps in understanding Chinese culture.
DESIGN-DECODED 2021
Author: Juaini Jamaludin
Publisher: European Alliance for Innovation
ISBN: 1631903454
Category : Social Science
Languages : en
Pages : 840
Book Description
It is a pleasure to welcome you to the proceedings of the 2nd International Conference on Design Industries and Creative Culture (Design Decoded 2021) which has been organised by the College of Creative Arts (previously renown as Faculty of Art & Design), Universiti Teknologi MARA, Kedah Branch. Design Decoded 2021 analysed and discussed how art, design and education may have an influence, create a societal difference, and contribute to the economy, as well as how we think, live, work and learn. The main topic of this proceeding was “Decrypt Your Visual Creativity” which consisted of 65 articles about design thinking, interior design, art and design management, industrial design, education in design creativity and innovation, sustainable art and design, visual communication, new media, graphic and digital media, visual culture, design practice, art history, art and creative community, and methodology in design creativity. We are truly thanking you to our four keynote speakers Emeritus Prof. Dr. T.W. Allan Whitfield, Prof. Dr. Khairul Aidil Azlin Abdul Rahman, Dr. Nurul ‘Ayn Ahmad Sayuti and Mr. Firdaus Khalid for their constant support and guidance. Finally, we would like to express our heartfelt gratitude to all colleagues in the steering and organising committee for their cooperation in administering and organising the conference, as well as reviewers for their intellectual effort and dedication to reviewing papers.
Publisher: European Alliance for Innovation
ISBN: 1631903454
Category : Social Science
Languages : en
Pages : 840
Book Description
It is a pleasure to welcome you to the proceedings of the 2nd International Conference on Design Industries and Creative Culture (Design Decoded 2021) which has been organised by the College of Creative Arts (previously renown as Faculty of Art & Design), Universiti Teknologi MARA, Kedah Branch. Design Decoded 2021 analysed and discussed how art, design and education may have an influence, create a societal difference, and contribute to the economy, as well as how we think, live, work and learn. The main topic of this proceeding was “Decrypt Your Visual Creativity” which consisted of 65 articles about design thinking, interior design, art and design management, industrial design, education in design creativity and innovation, sustainable art and design, visual communication, new media, graphic and digital media, visual culture, design practice, art history, art and creative community, and methodology in design creativity. We are truly thanking you to our four keynote speakers Emeritus Prof. Dr. T.W. Allan Whitfield, Prof. Dr. Khairul Aidil Azlin Abdul Rahman, Dr. Nurul ‘Ayn Ahmad Sayuti and Mr. Firdaus Khalid for their constant support and guidance. Finally, we would like to express our heartfelt gratitude to all colleagues in the steering and organising committee for their cooperation in administering and organising the conference, as well as reviewers for their intellectual effort and dedication to reviewing papers.
A History of Books in Ancient China
Author: Li Chen
Publisher: Springer Nature
ISBN: 981998940X
Category :
Languages : en
Pages : 470
Book Description
Publisher: Springer Nature
ISBN: 981998940X
Category :
Languages : en
Pages : 470
Book Description