The Historical Experience in German Drama

The Historical Experience in German Drama PDF Author: Alan Menhennet
Publisher: Camden House
ISBN: 9781571132550
Category : History
Languages : en
Pages : 212

Get Book Here

Book Description
Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English."--BOOK JACKET.

The Historical Experience in German Drama

The Historical Experience in German Drama PDF Author: Alan Menhennet
Publisher: Camden House
ISBN: 9781571132550
Category : History
Languages : en
Pages : 212

Get Book Here

Book Description
Major figures treated include Gryphius, Lessing, Schiller, Goethe, Grillparzer, Hebbel, Schnitzler, and Brecht. There is no competing work in English."--BOOK JACKET.

The Burgtheater and Austrian Identity

The Burgtheater and Austrian Identity PDF Author: Robert Pyrah
Publisher: Routledge
ISBN: 135119609X
Category : Social Science
Languages : en
Pages : 318

Get Book Here

Book Description
"The collapse of the Habsburg monarchy in 1918 galvanized discussion about national identity in the new Republic of Austria. As Robert Pyrah shows in this thoroughly documented study, the complex identity politics of interwar Austria were played out in the theatres of Vienna, which enjoyed a cultural prominence rarely matched in other countries. By 1934, productions across the city were being co-opted to serve the newly patriotic cause of the Dollfuss and Schuschnigg regimes, and the Burgtheater, once known as the first German stage, had been transformed into a national theatre for Austria. Using case studies of key productions and a wealth of previously unseen archival material, Pyrah sheds new light on artistic and ideological developments throughout the period, including the neglected earlier years. He documents previously unexplored overlaps in the cultural programmes of Left and Right, and unearths evidence that key institutions were subverted by the Right well before the suspension of parliamentary rule in 1933."

Friedrich Schiller

Friedrich Schiller PDF Author: Paul E. Kerry
Publisher: Peter Lang
ISBN: 9783039103072
Category : History
Languages : en
Pages : 360

Get Book Here

Book Description
Friedrich Schiller (1759-1805) absorbed the fertile ideas of the German Enlightenment, observed first-hand fresh developments in German Romanticism, and fostered one of Europe's last great Classical movements. His insights into the human condition have endured and are as valuable now as they were when he first wrote. His characterisations of human nature remain compelling and his stylistic achievements in language continue to be admired and studied. His writing spanned many genres - poetry, prose, drama, history, philosophy - and includes a rich correspondence with Goethe. In this volume, an interdisciplinary and international group of scholars examines the many sides that Schiller displays. The contributors illuminate key facets of his ideas by organising his writing around his various vocations: his medical training; work as a poet, young dramatist, and author of literary prose; his tenure as a university professor and historian; the mutually productive partnership with Goethe; his philosophical writings; and his final years as a mature playwright. His afterlife, what Schiller has meant to Germans for two centuries, is also considered.

The Turkish Turn in Contemporary German Literature

The Turkish Turn in Contemporary German Literature PDF Author: L. Adelson
Publisher: Springer
ISBN: 1403981868
Category : History
Languages : en
Pages : 273

Get Book Here

Book Description
Challenging the commonplace that suspends migrants between two worlds', this study turns a refreshingly curious eye to complex cultural relations and literary novelties wrought by Turkish migration to Germany. At interpretive and historic crossroads involving dialogue and storytelling, genocide and taboo, and capital and labour in the 1990s. This book illuminates far-reaching imaginative effects that literatures of migration can engender. In critical conversation with Arjun Appadurai, Seyla Benhabib, Homi Bhabha, Rey Chow, Andreas Huyssen, Dominick LaCapra, Doris Sommer, and many others, Adelson probes history and aesthetics as surprisingly twinned indices of national and global transformation at the millennial turn.

Truth and Experience

Truth and Experience PDF Author: Gaetano Chiurazzi
Publisher: Cambridge Scholars Publishing
ISBN: 1443887943
Category : Philosophy
Languages : en
Pages : 355

Get Book Here

Book Description
The spirit of this book is explorative. It meets the contemporary challenge posed by experience and truth with a critical openness that allows for the full complexity of these concepts to be investigated.The distinction between experience and truth has become subject to finitude; how then can these words and concepts be defined? What might be understood by experience and truth, when the distinction between them is not transformed once and for all (eternally), but once and again (historically)?The contributors to the book investigate a wide range of questions revolving around this challenge to the contemporary understanding of experience and truth. They do so through the perspectives of phenomenology and hermeneutics, while also shedding new light on phenomenological and hermeneutic thought as such – on the distinction between phenomenology and hermeneutics, as well as on the interrelation between such philosophical thought and other fields of thought and culture.

The German Sturm und Drang

The German Sturm und Drang PDF Author: Roy Pascal
Publisher: Manchester University Press
ISBN:
Category : German literature
Languages : en
Pages : 382

Get Book Here

Book Description


Essays on Twentieth-century German Drama and Theater

Essays on Twentieth-century German Drama and Theater PDF Author: Hellmut H. Rennert
Publisher: Peter Lang
ISBN: 9780820444031
Category : Drama
Languages : en
Pages : 340

Get Book Here

Book Description
This collection of articles by both German literature specialists and German theater experts grew out of the Comparative Drama Conference held annually between February and March from 1977 to 1999 in Gainesville, Florida. At the center of the contributors' work is the productive tension between the literary and the performance aspects of German drama and theater. At the same time, the reception is truly American, since the German playwrights, directors, theorists, and dramatists discussed have gone through creative filters in the researching, performing, and teaching of German drama and theater on various campuses across the United States during the last third of the twentieth century.

German Expressionist Theatre

German Expressionist Theatre PDF Author: David F. Kuhns
Publisher: Cambridge University Press
ISBN: 0521583403
Category : Drama
Languages : en
Pages : 325

Get Book Here

Book Description
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.

Jews and the Making of Modern German Theatre

Jews and the Making of Modern German Theatre PDF Author: Jeanette R. Malkin
Publisher: University of Iowa Press
ISBN: 1587299348
Category : Performing Arts
Languages : en
Pages : 322

Get Book Here

Book Description
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.

New Perspectives in German Literary Criticism

New Perspectives in German Literary Criticism PDF Author: Richard E. Amacher
Publisher: Princeton University Press
ISBN: 1400866987
Category : Literary Criticism
Languages : en
Pages : 496

Get Book Here

Book Description
Presented here are selected critical essays from five volumes of the Poetik und Hermeneutik series published in Germany by the Wilhelm Fink Verlag of Munich. These essays represent some of the newest and most advanced thinking of fifteen leading scholars in the German-American interdisciplinary school of literary criticism. Until now no single volume has provided such an extensive contemporary treatment of literatures, problems, and methodologies representative of European criticism. The book's significance rests in the potential this new interdisciplinary criticism has for increasing the interplay between the two major critical movements of our day, namely, the objective, pragmatic Anglo-American criticism and the more subjective, phenomenological Continental criticism. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.