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Author: Thomas E. Crow
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107130
Category : ART
Languages : en
Pages : 0
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Book Description
"Searching for the young soul rebels" -- Front cover.
Author: Thomas E. Crow
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107130
Category : ART
Languages : en
Pages : 0
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Book Description
"Searching for the young soul rebels" -- Front cover.
Author: Mona Hadler
Publisher: Bloomsbury Publishing
ISBN: 1350197548
Category : Art
Languages : en
Pages : 409
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Book Description
Pop Art and Beyond foregrounds the roles of gender, race, and class in encounters with Pop during the Long Sixties. Exploring the work of over 20 artists from 5 continents, it offers new perspectives on Pop's heterogeneity. Featuring an array of rigorous chapters written by both acclaimed experts and emerging scholars, this anthology transcends the borders of individual and national contexts, and suspends hierarchies creating a space for the work of artists like Andy Warhol and the women of the Black Arts Movement to converse. It casts an inclusive look at the intersectional complexities of difference in Pop at a moment that gave rise to a plethora of radical social movements and identity politics. While this book introduces revelatory non-canonical artists into the Pop context or amplifies the careers of others, it is not limited to the confines of fine art. Chapters explore the intersecting variables of oppression and liberation in rituals of youth subcultures as well as practices across media with Pop sources and parallels ranging from Native American objects, Harlem advertisements, and Cordel literature, to stand-up comedy, music, fashion, and design. Pop Art and Beyond thus widens the conversation about what Pop was and what it can be for current art in its struggle for social justice and critiques of power.
Author: Serge Guilbaut
Publisher: University of Chicago Press
ISBN: 022679184X
Category : Art
Languages : en
Pages : 305
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Book Description
"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."—New York Times Book Review
Author: Beatrice Lampariello
Publisher: Actar D, Inc.
ISBN: 163840805X
Category : Architecture
Languages : en
Pages : 388
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Book Description
The first monographic publication focused on the Florentine UFO group (1968-1978), that conducts a historical analysis of its work, reveals its close relationship with the contemporary artistic, literary and architectural avant-garde and, finally, investigates its legacy for the contemporary project. The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new “stone monuments” capable of indicating new perspectives for both research and design. Placing UFO group, one of the authors of those still poorly known “monuments”, at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom. The collaboration between Beatrice Lampariello, an architecture historian specialized in the 1960s and 1970s, and False Mirror Office, a group of historians and designers engaged in the rediscovery of UFO group, lead to a monograph focused on the UFO’s work and an evaluation of their legacy relative to contemporary architecture. This monograph is composed of three sections: 1) History, a first-ever study of UFO by False Mirror Office via analysis of all archival and bibliographic sources, as well as a series of interviews with UFO members and a collection of its writings (published and unpublished), for the first time translated into English; 2) Context, composed of essays by historians and architectural theorists (Beatrice Lampariello, Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti) intended to place UFO’s work in the context of the avant-garde that influenced its work, from the experience of Florentine Radical Architecture to Umberto Eco’s theories on semiotics and the American experiences between Pop Art, Video Art and Happening; 3) Legacy, articulated through graphic contribution and essays by young designers, as False Mirror Office, Parasite 2.0, Point Supreme, Jimenez Lai, Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal and Peter Behrbohm, to investigate UFO’s legacy relative to the contemporary revival of the most distinguishing creative processes and obsessions that shaped the so-called Radical Architecture. Contributions by: Beatrice Lampariello, Boris Hamzeian and Andrea Anselmo (False Mirror Office), Gloria Castellini (False Mirror Office), Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti, Filippo Fanciotti and Giovanni Glorialanza (False Mirror Office), Parasite 2.0, Point Supreme, Jimenez Lai (Bureau Spectacular), Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal, Peter Behrbohm
Author: Nancy J. Troy
Publisher: MIT Press
ISBN: 0262048353
Category : Art
Languages : en
Pages : 193
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Book Description
An extraordinary look at how the style of Piet Mondrian’s abstract paintings was posthumously appropriated by 1960s fashion, Pop art, and consumer culture. Yves Saint Laurent’s 1965 Mondrian dresses are among the twentieth century’s most celebrated and recognizable fashions, but the context of their creation involves much more than meets the eye. In Mondrian’s Dress, Nancy J. Troy and Ann Marguerite Tartsinis offer a fresh approach to the coupling of Piet Mondrian’s interwar paintings with Saint Laurent’s couture designs by exposing the rampant merchandising and commodification that these works experienced in the 1960s. The authors situate the consolidation of Saint Laurent’s fashion brand alongside the work of such Pop artists as Roy Lichtenstein, Andy Warhol, and Tom Wesselmann, and show how conventional understandings of Mondrian’s avant-garde abstractions were transformed by the mass circulation of his signature style. Beyond its attention to 1960s fashion, Pop art, and consumer culture, Mondrian’s Dress offers critical assessments of Saint Laurent’s so-called dialogue with art, the remarkable art collection that he built with his partner Pierre Berge, and the crucial role that photography plays in the marketing of couture. The first book-length study of its kind, Mondrian’s Dress is a provocative reevaluation of how art, commerce, and fashion became fundamentally intertwined in the postwar period.
Author: Lisa Tickner
Publisher: Paul Mellon Centre BA
ISBN: 1913107108
Category : Art
Languages : en
Pages : 426
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Book Description
A groundbreaking and extensively researched account of the 1960s London art scene In the 1960s, London became a vibrant hub of artistic production. Postwar reconstruction, jet air travel, television arts programs, new color supplements, a generation of young artists, dealers, and curators, the influx of international film companies, the projection of “creative Britain” as a national brand—all nurtured and promoted the emergence of London as “a new capital of art.” Extensively illustrated and researched, this book offers an unprecedented, rich account of the social field that constituted the lively London scene of the 1960s. In clear, fluent prose, Tickner presents an innovative sequence of critical case studies, each of which explores a particular institution or event in the cultural life of London between 1962 and 1968. The result is a kaleidoscopic view of an exuberant decade in the history of British art.
Author: Francesco Dimitri
Publisher: Titan Books (US, CA)
ISBN: 1785657089
Category : Fiction
Languages : en
Pages : 484
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Book Description
From "one of the most significant figures of the last generation of fantasy", comes Francesco Dimitri's debut novel in English, an enthralling and seductive fantasy following four old friends and the secrets they keep. Four old school friends have a pact: to meet up every year in the small town in Puglia they grew up in. Art, the charismatic leader of the group and creator of the pact, insists that the agreement must remain unshakable and enduring. But this year, he never shows up. A visit to his house increases the friends' worry; Art is farming marijuana. In Southern Italy doing that kind of thing can be very dangerous. They can't go to the Carabinieri so must make enquiries of their own. This is how they come across the rumours about Art; bizarre and unbelievable rumours that he miraculously cured the local mafia boss's daughter of terminal leukaemia. And among the chaos of his house, they find a document written by Art, The Book of Hidden Things, that promises to reveal dark secrets and wonders beyond anything previously known. Francesco Dimitri's first novel written in English, following his career as one of the most significant fantasy writers in Italy, will entrance fans of Elena Ferrante, Neil Gaiman and Donna Tartt. Set in the beguiling and seductive landscape of Southern Italy, this story is about friendship and landscape, love and betrayal; above all it is about the nature of mystery itself.
Author: Richard Weight
Publisher: National Geographic Books
ISBN: 0099597888
Category : Design
Languages : en
Pages : 0
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Book Description
Welcome to the world of the sharp-suited ‘faces’. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.
Author: Lewis Mumford
Publisher: Univ of California Press
ISBN: 9780520258082
Category : Art
Languages : en
Pages : 290
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Book Description
"Superbly crafted little essays, Lewis Mumford's New Yorker pieces called 'The Art Galleries' well deserve this handsome republication. They offer supremely tasteful guided tours of the galleries and museums of Manhattan at the time when the canon of Western art, including modernism, was being secured, against a background of tension between abstraction and realism and between aestheticism and social commitment. The essays are a gift for our own troubled times from one of the great humane and versatile critics of the twentieth century; they offer the reassurance of urbanity, poise, and commitment to art as a primary social necessity."—Alan Trachtenberg, Neil Grey Emeritus Professor of English, Yale University
Author: Robert Bruegmann
Publisher: Yale University Press
ISBN: 0300229933
Category : Design
Languages : en
Pages : 413
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Book Description
An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century Frank Lloyd Wright’s lost Midway Gardens, the iconic Sunbeam Mixmaster, and Marshall Field’s famed window displays: despite the differences in scale and medium, each belongs to the broad current of an Art Deco style that developed in Chicago in the first half of the twentieth century. This ambitious overview of the city’s architectural, product, industrial, and graphic design between 1910 and 1950 offers a fresh perspective on a style that would come to represent the dominant mode of modernism for the American middle class. Lavishly illustrated with 325 images, the book narrates Art Deco’s evolution in 101 key works, carefully curated and chronologically organized to tell the story of not just a style but a set of sensibilities. Critical essays from leading figures in the field discuss the ways in which Art Deco created an entire visual universe that extended to architecture, advertising, household objects, clothing, and even food design. Through this comprehensive approach to one of the 20th century’s most pervasive modes of expression in America, Art Deco Chicago provides an essential overview of both this influential style and the metropolis that came to embody it.
