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Author: Lotte H. Eisner
Publisher: Univ of California Press
ISBN: 9780520257900
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.'
Author: Lotte H. Eisner
Publisher: Univ of California Press
ISBN: 9780520257900
Category : Performing Arts
Languages : en
Pages : 364
Get Book Here
Book Description
The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.'
Author: J. M. Tyree
Publisher: Deep Vellum Publishing
ISBN: 1646053613
Category : Fiction
Languages : en
Pages : 87
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Book Description
Informed by the eerie paranoia of horror film, J. M. Tyree's uncanny novella follows a couple transplanted to Germany. While in the throes of writing a book on Hitchcock’s Vertigo, a film scholar believes he’s being followed by a strange presence. Is this a supernatural force emanating from the prehistoric caves in the region, one captured in lost footage from horror movies filmed in the area in the 1920s? Or is he being stalked by his ex, a mentor, former lover, and brilliant but problematic critic who claims to have discovered the secret history of a supernatural camera used in films by Murnau and Hitchcock? When our scholar's wife disappears and the local police start investigating him, he attempts to unravel a mystery that takes him to Berlin, to Prague, and into the haunted heart of movies whose scenes appear to be recurring in the present. Moving between the double- life of professional networking and obsessive unease, The Haunted Screen blends the madness and obsession of academia with a dark, thrilling current of psychological mystery.
Author: Lee Kovacs
Publisher: McFarland
ISBN: 0786426055
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
While ghosts often inhabit films and literature devoted to the horror genre, a group of literature-based films from the 1930s and 1940s presents more human and romantic apparitions. These films provide the underpinnings for many of the gentle supernatural films of the 1990s. Tracing the links between specters as diverse as Rex Harrison's Captain Gregg and Patrick Swazye's Sam Wheat, the text presents the evolution of the cinematic-literary ghost from classic Gothic to the psychological, sociological, and political ideologies of today. Included are analyses of the literary and film versions of classic ghost stories--Wuthering Heights, The Ghost and Mrs. Muir, Portrait of Jennie, Letter from an Unknown Woman, The Uninvited, Liliom, and Our Town--as well as interpretations of modern films not based on literary works that show the influence of these predecessors--Ghost and Truly, Madly, Deeply. The text includes stills, a bibliography, and an index.
Author: Lotte H. Eisner
Publisher: Univ of California Press
ISBN: 9780520024793
Category : Performing Arts
Languages : en
Pages : 364
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Book Description
Book on expressionism in German motion pictures.
Author: Patrice Petro
Publisher: Rutgers University Press
ISBN: 1978829949
Category : Art
Languages : en
Pages : 239
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Book Description
Introduction: Uncanny histories / Patrice Petro -- Pt. 1. The disciplinary uncanny -- Film and media in the double take of history / Priya Jaikumar -- Haunted by the body: cleanliness in colonial Manila's film culture / Jasmine Trice -- Reimagining the history of media studies through games, play and the uncanny valley / Alenda Chang -- Pt. 2. Uncanny films -- Flickering lights and mischievous stars: the uncanny feminism of my twentieth century / Hanna Goodwin -- The sublime body under the sign of developmentalism: the Wolf of Wall Street (2013), Malaysian politics and global markets / Peter J. Bloom -- Uncanny histories of transnational cinematic receptions: Eisenstein in Cuba / Masha Salazkina -- Pt. 3. Uncanny figures -- Julia García Espinosa and the fight for a critical culture in Cuba / Cristina Venegas -- The case for (re)collecting Lotte Eisner's work / Naomi DeCelles -- A widow's work: archives and the construction of Russian film history / Maria N. Corrigan -- Fiendish devices: the uncanny history of Almena Davis / Ellen C. Scott.
Author: Paul Meehan
Publisher: McFarland
ISBN: 1476674582
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.
Author: Barry Curtis
Publisher: Reaktion Books
ISBN: 1861895755
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Horror films revel in taking viewers into shadowy places where the evil resides, whether it is a house, a graveyard or a dark forest. These mysterious spaces foment the terror at the heart of horror movies, empowering the ghastly creatures that emerge to kill and torment. With Dark Places, Barry Curtis leads us deep inside these haunted spaces to explore them – and the monstrous antagonists who dwell there. In this wide-ranging and compelling study, Curtis demonstrates how the claustrophobic interiors of haunted spaces in films connect to the ‘dark places’ of the human psyche. He examines diverse topics such as the special effects – ranging from crude to state-of-the-art – used in movies to evoke supernatural creatures; the structures, projections and architecture of horror movie sets; and ghosts as symbols of loss, amnesia, injustice and vengeance. Dark Places also examines the reconfiguration of the haunted house in film as a motel, an apartment, a road or a spaceship, and how these re-imagined spaces thematically connect to Gothic fictions. Curtis draws his examples from numerous iconic films – including Nosferatu, Psycho, The Texas Chainsaw Massacre and The Shining – as well as lesser-known international works, which allow him to consider different cultural ideas of ‘haunting’. Japanese horror films and their Hollywood remakes – such as Ringu and The Ring, or Juon and The Grudge – come under particular scrutiny, as he explores Japanese cinema’s preoccupation with malevolent forces from the past. Whether you love the splatter of blood or prefer to hide under the couch, Dark Places cuts to the heart of why we are drawn to carnage.
Author: Eric Rentschler
Publisher: Routledge
ISBN: 1136368809
Category : Social Science
Languages : en
Pages : 440
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Book Description
First Published in 1986. This collection of essays by an international team of scholars is the first sustained investigation in any language of the historical interactions between German film and literature. It is a book about adaptations and transformations, about why filmmakers adapt certain material at certain times. The major impetus at work is the desire to expand the field of adaptation study to include sociological, theoretical and historical dimensions, and to bring a livelier regard for intertextuality to the studies of German film and literature. It is concerned with the ways in which filmmakers in Germany- from Pabst and von Sternberg to Fassbinder, Herzog and Sanders-Brahms- have engaged and been engaged by, literary history.
Author: Jerry Palmer
Publisher: Psychology Press
ISBN: 0415009774
Category : American fiction
Languages : en
Pages : 224
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Book Description
Examines the debate about popular fiction in the last two decades and its position within popular culture, with reference to crime fiction, soap opera, romance and TV sitcoms.
Author: Ryan Jay Friedman
Publisher: Rutgers University Press
ISBN: 0813550483
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspapers celebrated a "vogue" for "Negro films." "Hollywood's African American Films" argues that the movie business turned to black musical performance to both resolve technological and aesthetic problems introduced by the medium of "talking pictures" and, at the same time, to appeal to the white "Broadway" audience that patronized their most lucrative first-run theaters. Capitalizing on highbrow associations with white "slumming" in African American cabarets and on the cultural linkage between popular black musical styles and "natural" acoustics, studios produced a series of African American-cast and white-cast films featuring African American sequences. Ryan Jay Friedman asserts that these transitional films reflect contradictions within prevailing racial ideologies--arising most clearly in the movies' treatment of African American characters' decisions to migrate. Regardless of how the films represent these choices, they all prompt elaborate visual and narrative structures of containment that tend to highlight rather than suppress historical tensions surrounding African American social mobility, Jim Crow codes, and white exploitation of black labor.
