Author: Thomas SHOEL
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
The Harmonic Preceptor; Or, Young Composer's Guide ... to which are Added, Some Sketches on Thorough Bass
Author: Thomas SHOEL
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Nineteenth Century Short-title Catalogue: phase 1. 1801-1815
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 892
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 892
Book Description
Dwight's Journal of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 438
Book Description
Dwight's Journal of Music
Author: John Sullivan Dwight
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 222
Book Description
Miller's London Librarian, and Book-buyers Gazette, Jan. 1852-Dec. 1853; Appended [1853] Fly Leaves; Or, Scraps and Sketches, Literary, Bibliographical, and Miscellaneous
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 514
Book Description
The Pianist's Resource Guide
Author: Joseph Rezits
Publisher: Park Ridge, Ill. : Pallma Music Corporation N. A. Kjos
ISBN:
Category : Piano
Languages : en
Pages : 1016
Book Description
Publisher: Park Ridge, Ill. : Pallma Music Corporation N. A. Kjos
ISBN:
Category : Piano
Languages : en
Pages : 1016
Book Description
Guide to Microforms in Print
Author:
Publisher:
ISBN:
Category : Microforms
Languages : en
Pages : 744
Book Description
Publisher:
ISBN:
Category : Microforms
Languages : en
Pages : 744
Book Description
The Oxford Handbook of Topic Theory
Author: Danuta Mirka PhD
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Publisher: Oxford University Press
ISBN: 0199841586
Category : Music
Languages : en
Pages : 713
Book Description
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
Dwight's Journal of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
Book Description
The Early Flute
Author: Rachel Brown
Publisher: Cambridge University Press
ISBN: 9780521890809
Category : Music
Languages : en
Pages : 204
Book Description
This practical guide for flautists provides a survey of the instrument - its development, its technique, its repertoire and its literature - between 1700 and 1900. Each issue is set in a musical context and technical and stylistic matters such as fingering, tone production, articulation, ornamentation, vibrato, expression and delivery are examined in depth, applying evidence from historical sources to the standard flute repertoire. A series of case studies offers detailed interpretations of music by Hotteterre, Handel, Bach, Gluck, Mozart and Boehm. As an internationally recognised soloist, orchestral player and teacher of modern and historical flutes, Rachel Brown brings a wealth of experience to amateurs and professionals alike, encouraging stylistic awareness through an understanding of the way in which composers and flautists approached instruments of the past. Copious music examples, illustrations, fingering charts and bibliographies make this a standard reference book for both 'period' and modern flautists.
Publisher: Cambridge University Press
ISBN: 9780521890809
Category : Music
Languages : en
Pages : 204
Book Description
This practical guide for flautists provides a survey of the instrument - its development, its technique, its repertoire and its literature - between 1700 and 1900. Each issue is set in a musical context and technical and stylistic matters such as fingering, tone production, articulation, ornamentation, vibrato, expression and delivery are examined in depth, applying evidence from historical sources to the standard flute repertoire. A series of case studies offers detailed interpretations of music by Hotteterre, Handel, Bach, Gluck, Mozart and Boehm. As an internationally recognised soloist, orchestral player and teacher of modern and historical flutes, Rachel Brown brings a wealth of experience to amateurs and professionals alike, encouraging stylistic awareness through an understanding of the way in which composers and flautists approached instruments of the past. Copious music examples, illustrations, fingering charts and bibliographies make this a standard reference book for both 'period' and modern flautists.