The History of the Harlequinade PDF Download
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Author: Maurice Sand
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 336
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Book Description
Author: Maurice Sand
Publisher:
ISBN:
Category : Comedy
Languages : en
Pages : 336
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Book Description
Author: Maurice Sand
Publisher: Рипол Классик
ISBN: 5877909088
Category : History
Languages : en
Pages : 653
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Book Description
Author: Dion Clayton Calthrop
Publisher:
ISBN:
Category : Harlequin
Languages : en
Pages : 108
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Book Description
Author: Dion Clayton Barker, Granville Calthrop
Publisher: BoD – Books on Demand
ISBN: 3734018218
Category : Fiction
Languages : en
Pages : 50
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Book Description
Reproduction of the original: The Harlequinade by Dion Clayton Calthrop, Granville Barker
Author: Dion Clayton Calthrop
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: Dion Clayton Barker, Granville Calthrop
Publisher: BoD – Books on Demand
ISBN: 373401820X
Category : Fiction
Languages : en
Pages : 50
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Book Description
Reproduction of the original: The Harlequinade by Dion Clayton Calthrop, Granville Barker
Author: Dion Clayton Calthrop
Publisher: BoD – Books on Demand
ISBN: 3387317794
Category : Fiction
Languages : en
Pages : 81
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Jill Sullivan
Publisher: Univ of Hertfordshire Press
ISBN: 1907396225
Category : Performing Arts
Languages : en
Pages : 351
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Book Description
Focuses on the variety and independence of pantomime in the provinces, especially Nottingham, Birmingham, and Manchester. Explores official and local censorship and the relationships between local theaters, managers, authors and audiences.
Author: Frank Scheide
Publisher: McFarland
ISBN: 0786424257
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Charles Spencer Chaplin was a stage performer before he was a filmmaker, and it was in English music hall that he learned the rudiments of his art. The last film he made in the United States, Limelight, was a tribute to the music hall days of his youth. As a parallel to Chaplin's past, the film was set in 1914, the year he left the stage for a Hollywood career. This collection of essays examines Limelight and the history of English music hall. Featuring contributions from the world's top Chaplin and music hall historians, as well as previously unpublished interviews with collaborators who worked on Limelight, the book offers new insight into one of Chaplin's most important pictures and the British form of entertainment that inspired it. Essays consider how and why Chaplin made Limelight, other artists who came out of English music hall, and the film's international appeal, among other topics. The book is filled with rare photographs, many published for the first time, sourced from the Chaplin archives and the private collections of other performers and co-stars.
Author: Jeffrey Richards
Publisher: Bloomsbury Publishing
ISBN: 085772472X
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
