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Author: David Luhrssen
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 304
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Book Description
This book presents the Great Depression through the lens of 13 films, beginning with movies made during the Depression and ending with films from the 21st century, and encourages readers to examine the various depictions of this period throughout history. The Great Depression on Film is a unique guide to how the Great Depression was represented and is remembered, making it an excellent resource for students or anyone interested in film history or U.S. history. Each film is set in a different sector of American life, focusing on such topics as white supremacy, political protest, segregation, environmental degradation, crime, religion, the class system, and popular culture in the U.S. during the 1930s. This book is indispensable for clearing away misconceptions fostered by the movies while acknowledging the power of film in shaping public memory. The book separates fact from fiction, detailing where the movies are accurate and where they depart from reality, and places them in the larger context of historical and social events. Eyewitness or journalistic accounts are referenced and quoted in the text to help readers differentiate between ideas, attitudes, and events presented in the films, as well as the historical facts which inspired those films.
Author: Iwan Morgan
Publisher: Edinburgh University Press
ISBN: 1474414028
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Author: David Luhrssen
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 304
Get Book
Book Description
This book presents the Great Depression through the lens of 13 films, beginning with movies made during the Depression and ending with films from the 21st century, and encourages readers to examine the various depictions of this period throughout history. The Great Depression on Film is a unique guide to how the Great Depression was represented and is remembered, making it an excellent resource for students or anyone interested in film history or U.S. history. Each film is set in a different sector of American life, focusing on such topics as white supremacy, political protest, segregation, environmental degradation, crime, religion, the class system, and popular culture in the U.S. during the 1930s. This book is indispensable for clearing away misconceptions fostered by the movies while acknowledging the power of film in shaping public memory. The book separates fact from fiction, detailing where the movies are accurate and where they depart from reality, and places them in the larger context of historical and social events. Eyewitness or journalistic accounts are referenced and quoted in the text to help readers differentiate between ideas, attitudes, and events presented in the films, as well as the historical facts which inspired those films.
Author: Iwan Morgan
Publisher: Edinburgh University Press
ISBN: 0748699937
Category : Performing Arts
Languages : en
Pages : 296
Get Book
Book Description
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
Author: John F. Kasson
Publisher: W. W. Norton & Company
ISBN: 0393244180
Category : Biography & Autobiography
Languages : en
Pages : 320
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Book Description
“[An] elucidating cultural history of Hollywood’s most popular child star . . . a must-read.”—Bill Desowitz, USA Today Her image appeared in periodicals and advertisements roughly twenty times daily; she rivaled FDR and Edward VIII as the most photographed person in the world. Her portrait brightened the homes of countless admirers: from a black laborer’s cabin in South Carolina and young Andy Warhol’s house in Pittsburgh to FBI Director J. Edgar Hoover’s recreation room in Washington, DC, and gangster “Bumpy” Johnson’s Harlem apartment. A few years later her smile cheered the secret bedchamber of Anne Frank in Amsterdam as young Anne hid from the Nazis. For four consecutive years Shirley Temple was the world’s box-office champion, a record never equaled. By early 1935 her mail was reported as four thousand letters a week, and hers was the second-most popular girl’s name in the country. What distinguished Shirley Temple from every other Hollywood star of the period—and everyone since—was how brilliantly she shone. Amid the deprivation and despair of the Great Depression, Shirley Temple radiated optimism and plucky good cheer that lifted the spirits of millions and shaped their collective character for generations to come. Distinguished cultural historian John F. Kasson shows how the most famous, adored, imitated, and commodified child in the world astonished movie goers, created a new international culture of celebrity, and revolutionized the role of children as consumers. Tap-dancing across racial boundaries with Bill “Bojangles” Robinson, foiling villains, and mending the hearts and troubles of the deserving, Shirley Temple personified the hopes and dreams of Americans. To do so, she worked virtually every day of her childhood, transforming her own family as well as the lives of her fans.
Author: William Hare
Publisher: McFarland
ISBN: 0786490292
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
During the Great Depression, pulp fiction writers created a new, distinctly American detective story, one that stressed the development of fascinating, often bizarre characters rather than the twists and turns of clever plots. This new crime fiction adapted brilliantly to the screen, birthing a cinematic genre that French cinema intellectuals following World War II christened "film noir." Set on dark streets late at night, in cheap hotels and bars, and populated by the dangerous people who frequented these locales, these films introduced a new antihero, a tough, brooding, rebellious loner, embodied by Humphrey Bogart as Sam Spade in The Maltese Falcon and Philip Marlowe in The Big Sleep. This volume provides a detailed exploration of film noir, tracing its evolution, the influence of such legendary writers as Dashiell Hammett and Raymond Chandler, and the films that propelled this dark genre to popularity in the mid-20th century.
Author: Morris Dickstein
Publisher: W. W. Norton & Company
ISBN: 0393338762
Category : Business & Economics
Languages : en
Pages : 625
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Book Description
A cultural history of the 1930s explores the anxiety, despair, and optimism of the period, exploring how the period culture provided a dynamic lift to the country's morale.
Author: Ina Rae Hark
Publisher: Rutgers University Press
ISBN: 0813543037
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes to Washington, and Stagecoach .
Author: Alasdair Roberts
Publisher: Cornell University Press
ISBN: 0801464676
Category : History
Languages : en
Pages : 265
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Book Description
For a while, it seemed impossible to lose money on real estate. But then the bubble burst. The financial sector was paralyzed and the economy contracted. State and federal governments struggled to pay their domestic and foreign creditors. Washington was incapable of decisive action. The country seethed with political and social unrest. In America's First Great Depression, Alasdair Roberts describes how the United States dealt with the economic and political crisis that followed the Panic of 1837. As Roberts shows, the two decades that preceded the Panic had marked a democratic surge in the United States. However, the nation’s commitment to democracy was tested severely during this crisis. Foreign lenders questioned whether American politicians could make the unpopular decisions needed on spending and taxing. State and local officials struggled to put down riots and rebellion. A few wondered whether this was the end of America’s democratic experiment. Roberts explains how the country’s woes were complicated by its dependence on foreign trade and investment, particularly with Britain. Aware of the contemporary relevance of this story, Roberts examines how the country responded to the political and cultural aftershocks of 1837, transforming its political institutions to strike a new balance between liberty and social order, and uneasily coming to terms with its place in the global economy.
Author: Philip Hanson
Publisher: Associated University Presse
ISBN: 9780838641293
Category : History
Languages : en
Pages : 256
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Book Description
During the Great Depression, economic, political, and social crises converge with a rapidly expanding movie industry to create a product that offers a unique history of the period. This text studies 1930s films as a unique and sometimes camouflaged record of the great crisis.
Author: Andrew Bergman
Publisher: Ivan R. Dee Publisher
ISBN: 9780929587851
Category : Business & Economics
Languages : en
Pages : 0
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Book Description
Looking at the figures for movie attendance in the 1930s, one might conclude that the America of the Great Depression was a land of Bijous, Gems, Orpheums, Strands, and Rivieras. Americans needed their movies, as Mr. Bergman notes, and they needed them not just for escape. In We're in the Money, Mr. Bergman looks at the films of the thirties (many of them which we now regard as classics) and shows how Hollywood helped prop up the nation's fundamental institutions during the gravest economic crisis in history. Movies, he demonstrates, kept alive the myth of a mobile and classless society, focused on the endless possibilities for individual success, turned social evil into personal evil, and made the New Deal into a veritable leading man. "The kind of book that both old film buffs and the new post-grads of Sesame Street' can really enjoy. It makes history fun, enables teachers and kids to test out their own assumptions about how the 30s turned out the gangsters, the hi-steppers, the FBI gurus, the zany anarchists and the mythical down-on-the-farm good guys who took on the whole punchy and reeling microcosm of America."--Robert Geller, Center for Understanding Media. "First rate. It should stand for a long time as a pioneer work in a field where all too little has been written."--Alfred B. Rollins, Jr.
