The great actors of the eighteenth century

The great actors of the eighteenth century PDF Author: Karl Mantzius
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 508

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Actors, Audiences, and Emotions in the Eighteenth Century

Actors, Audiences, and Emotions in the Eighteenth Century PDF Author: Glen McGillivray
Publisher: Springer Nature
ISBN: 3031228995
Category : History
Languages : en
Pages : 231

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Book Description
This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.

The Art of Gesture

The Art of Gesture PDF Author: Dene Barnett
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 516

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Book Review Digest

Book Review Digest PDF Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 522

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Critical History of English Literature

Critical History of English Literature PDF Author: David Daiches
Publisher: Allied Publishers
ISBN: 9788170230410
Category : English literature
Languages : en
Pages : 356

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The Dial

The Dial PDF Author: Francis Fisher Browne
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 568

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French Comic Drama from the Sixteenth to the Eighteenth Century

French Comic Drama from the Sixteenth to the Eighteenth Century PDF Author: Geoffrey Brereton
Publisher: Routledge
ISBN: 100057900X
Category : Literary Criticism
Languages : en
Pages : 270

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Book Description
In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are seen in the context of the theatrical conventions that helped to shape them. Different types of comedy are analysed, including comedy of character and of manners, as well as the romantic, burlesque and bourgeois forms and the development of the opéra-comique. At the same time Dr Brereton examines the influences on French comedy – influences as varied as those of the farce, the Italian commedia dell’arte, the Spanish comedia and the eighteenth century drame – and the way in which these were absorbed and exploited by French comic dramatists. Since comedy, more than any other kind of drama, reflects the contemporary social scene, attention is drawn to social conditions and attitudes, and some of the more striking parallels with modern social preoccupations are pointed out. Written in a very lively and readable style, and containing much stimulating and original comment, as well as providing the basic facts, it gives a considerable insight into the nature of French comedy during its most formative and fruitful period. A substantial bibliography and other reference material increase the usefulness of this book to the student of French drama.

The Purpose of Playing

The Purpose of Playing PDF Author: Robert Gordon
Publisher: University of Michigan Press
ISBN: 9780472068876
Category : Performing Arts
Languages : en
Pages : 430

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Book Description
A comparative survey of the major approaches to Western acting since the 19th century

A Study Guide for William Shakespeare's Hamlet

A Study Guide for William Shakespeare's Hamlet PDF Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 141033693X
Category : Literary Criticism
Languages : en
Pages : 47

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Book Description
A Study Guide for William Shakespeare's "Hamlet," excerpted from Gale's acclaimed Shakespeare for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Shakespeare for Students for all of your research needs.

Our Stage and Its Critics

Our Stage and Its Critics PDF Author: Edward Fordham Spence
Publisher: DigiCat
ISBN:
Category : Drama
Languages : en
Pages : 232

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Book Description
DigiCat Publishing presents to you this special edition of "Our Stage and Its Critics" (By "E.F.S." of "The Westminster Gazette") by Edward Fordham Spence. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

European Theatre Performance Practice, 1750–1900

European Theatre Performance Practice, 1750–1900 PDF Author: Jim Davis
Publisher: Routledge
ISBN: 1351938304
Category : Performing Arts
Languages : en
Pages : 539

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Book Description
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.