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Author: Paul Scheerbart
Publisher: Mit Press
ISBN: 9780262692960
Category : Architecture
Languages : en
Pages : 136
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Book Description
The Victorian-era German cult novel, set in the mid-twentieth century, serves up a utopian vision of a future of glass architecture, as the protagonist, Swiss architect Edgar Krug, circumnavigates the globe by airship with his wife, constructing a wild variety of colored-glass buildings in various locales.
Author: Paul Scheerbart
Publisher: Mit Press
ISBN: 9780262692960
Category : Architecture
Languages : en
Pages : 136
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Book Description
The Victorian-era German cult novel, set in the mid-twentieth century, serves up a utopian vision of a future of glass architecture, as the protagonist, Swiss architect Edgar Krug, circumnavigates the globe by airship with his wife, constructing a wild variety of colored-glass buildings in various locales.
Author: Paul Scheerbart
Publisher: New York : Praeger
ISBN:
Category : Glass construction
Languages : en
Pages : 136
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Book Description
Author: Csb Bibles By Holman
Publisher: Holman Bible Publishers
ISBN: 9781087730233
Category : Bibles
Languages : en
Pages : 1520
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Book Description
In the CSB Men of Character Bible, renowned Bible teacher Dr. Gene Getz guides men through Scripture by exploring the lives of men of character found throughout the Bible.
Author:
Publisher:
ISBN:
Category : Tariff
Languages : en
Pages : 184
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Book Description
Author: Todd Gray
Publisher:
ISBN: 9780901853639
Category :
Languages : en
Pages : 240
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Book Description
A richly illustrated exploration of the national and international importance of the early modern Exeter cloth trade.
Author: United States Tariff Commission
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 1316
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Book Description
Author: Foster Hendrickson Benjamin
Publisher:
ISBN:
Category : Tephritidae
Languages : en
Pages : 1480
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Book Description
Author: United States. Congress
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1072
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Book Description
Author:
Publisher:
ISBN:
Category : Celebrities
Languages : en
Pages : 971
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Book Description
Author: Deborah Ascher Barnstone
Publisher: Bloomsbury Publishing
ISBN: 1350228761
Category : Art
Languages : en
Pages : 289
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Book Description
Material Modernity explores creative innovation in German art, design, and architecture during the Weimar Republic, charting both the rise of new media and the re-fashioning of old media. Weimar became famous for the explosion of creative ingenuity across the arts in Germany, due to experiments with new techniques (including the move towards abstraction in painting and sculpture) and inventive work in such new media as paper and plastic, which utilized both new and old methods of art production. Individual chapters in this book consider inventions such as the camera and materials like celluloid, examine the role of new materials including concrete composites in opening up fresh avenues in the plastic arts, and relate advances in the understanding of color perception and psychology to an increased interest in visual perception and the latent potential of color as both architectural ornament and carrier of emotional force in space. While art historians usually argue that experimentation in the Weimar Republic was the result of an intentional rejection of traditional modes of expression in the conscious attempt to invent a modern art and architecture unshackled from historic media and methods, this volume shows that the drivers for innovation were often far more complex and nuanced. It first of all describes how the material shortages precipitated by the First World War, along with the devastation to industrial infrastructure and disruption of historic trade routes, affected art, as did a spirit of experimentation that permeated interwar German culture. It then analyzes new challenges in the 1920s to artistic conventions in traditional art modes like painting, sculpture, drawing, architecture, textiles, and print-making and simultaneously probes the likely causes of innovative new methods of artistic production that appeared, such as photomontage, assemblage, mechanical art, and multi-media art. In doing so, Material Modernity fills a significant gap in Weimar scholarship and art history literature.
