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Author: Alexander J. Peden
Publisher: BRILL
ISBN: 9789004121126
Category : History
Languages : en
Pages : 392
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Book Description
This book is the first overall attempt to offer insight into more than 2800 years of ancient Egyptian and Nubian hieroglyphic and hieratic graffiti. "a valuable guide to normal life and society in Ancient Egypt."
Author: Alexander J. Peden
Publisher: BRILL
ISBN: 9789004121126
Category : History
Languages : en
Pages : 392
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Book Description
This book is the first overall attempt to offer insight into more than 2800 years of ancient Egyptian and Nubian hieroglyphic and hieratic graffiti. "a valuable guide to normal life and society in Ancient Egypt."
Author:
Publisher: BRILL
ISBN: 9004375279
Category : History
Languages : en
Pages : 160
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Book Description
The volume The Materiality of Texts from Ancient Egypt contains nine contributions from well-known papyrologists, Egyptologists, archaeologists and technical specialists. They discuss the materiality of ancient writing and writing supports in various ways through methodological considerations and through practical case studies from the early Pharaonic to the Late Antique periods in Egypt, including Greek and Egyptian papyri and ostraca, inscriptions and graffiti. The articles in this volume present new approaches to the study of textual material and scribal practice, especially in the light of the ongoing development of digital techniques that uncover new information from ancient writing materials. The aim of the book is to encourage researchers of ancient texts to consider the benefits of using these new methods and technological resources.
Author: James Ewing Cooley
Publisher:
ISBN:
Category : Arabian Peninsula
Languages : en
Pages : 668
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Book Description
Author: Khaled Hassan
Publisher: IFAO
ISBN: 2724709950
Category : History
Languages : en
Pages : 450
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Book Description
Graffiti, dipinti, rock-inscriptions and other additions to walls and rocks are integral to the landscape and writing practices of ancient Egypt. This book focuses on the margins of traditional ancient Egyptian epigraphic corpora. It aims to provide an all-encompassing view of graffiti practices and corpora in ancient Egypt, ranging from predynastic rock art in the Eastern Desert, to hieratic inscriptions in Middle Egyptian tombs, and demotic signatures in Karnak temple. A range of specialists present primary data from three different environments-deserts, tombs, and temples-following common lines of inquiry that aim to look beyond their textual or iconographic content and address graffiti's agency more closely. Accordingly, this book investigates the interplay between secondary inscriptions and images, the space in which they were embedded, and the audiences for whom they were intended. Despite the diversity inherent in the nature of graffiti, common paths and shared threads of discussion emerge once these inscriptions are considered as material objects and socio-cultural practices.
Author: Niv Allon
Publisher: Bloomsbury Publishing
ISBN: 1472583973
Category : History
Languages : en
Pages : 185
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Book Description
The modern view of the ancient Egyptian world is often through the lens of a scribe: the trained, schooled, literate individual who was present at many levels of Egyptian society, from a local accountant to the highest echelons of society. And yet, despite the wealth of information the scribes left us, we know relatively little about what underpinned their world, about their mentality and about their everyday life. Tracing ten key biographies, Ancient Egyptian Scribes examines how these figures kept both the administrative life and cultural memory of Egypt running. These are the Egyptians who ran the state and formed the supposedly meritocratic system of local administration and government. Case studies look at accountants, draughtsmen, scribes with military and dynastic roles, the authors of graffiti and literati who interacted in different ways with Pharaohs and other leaders. Assuming no previous knowledge of ancient Egypt, the various roles and identities of the scribes are presented in a concise and accessible way, offering structured information on their cultural identity and self-presentation, and providing readers with an insight into the making of Egyptian written culture.
Author: Jennifer Baird
Publisher: Routledge
ISBN: 1136894640
Category : Art
Languages : en
Pages : 260
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Book Description
Ancient Graffiti in Context brings together papers by historians and archaeologists using graffiti as evidence to explore the Greek and Roman worlds. Illuminating such varied topics as ancient emotions, Roman children, quarry workers, and military communities, this collection demonstrates the importance of this often undervalued form of evidence.
Author: Toby Wilkinson
Publisher: Routledge
ISBN: 1136753761
Category : History
Languages : en
Pages : 455
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Book Description
Authoritative and up-to-date, this key single-volume work is a thematic exploration of ancient Egyptian civilization and culture as it was expressed down the centuries.Including topics rarely covered elsewhere as well as new perspectives, this work comprises thirty-two original chapters written by international experts. Each chapter gives an overvi
Author: Edward F. Malkowski
Publisher: Simon and Schuster
ISBN: 1591439795
Category : Body, Mind & Spirit
Languages : en
Pages : 314
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Book Description
A view into the sophisticated and highly advanced civilization that preceded the world of the pharaohs • Presents historical evidence of the civilization ruled by the “gods” that the Egyptians claimed preceded their own • Explains who these prehistoric people were, what happened to them, and why they built a series of pyramids along the west bank of the Nile River Traditional Egyptologists have long resisted the notion that the architectural achievements of the Ancient Egyptians required the existence of a much more sophisticated technology than would have existed at that time. Yet, no records exist explaining how, why, or who built Egypt’s megalithic monuments and statues. The ancient Egyptians did, however, record that their civilization resided in the shadow of a kingdom of “gods” whose reign ended many thousands of years before their first dynasty. What was this Civilization X that antiquity’s most accomplished people revered as gods? The recent discovery of a large stone at one of Egypt’s oldest ruins presents physical evidence that clearly and distinctly shows the markings of a machining process far beyond the capabilities of the Ancient Egyptians. Likewise, experimental modeling of the Great Pyramid’s subterranean chambers and passageways gives scientific evidence to further support the theory that the civilization responsible for such magnificent monuments is much older than presently believed. Ancient Egypt 39,000 BCE examines this evidence from historical and technical points of view, explaining who these prehistoric people were, what happened to them, why they built their civilization out of granite, and why they built a series of pyramids along the west bank of the Nile River.
Author: Vanessa Davies
Publisher: Oxford University Press
ISBN: 0190083735
Category : Social Science
Languages : en
Pages : 721
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Book Description
The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.
Author: David Freedberg
Publisher: University of Chicago Press
ISBN: 022625903X
Category : Art
Languages : en
Pages : 561
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Book Description
"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement
