The Gothic Image

The Gothic Image PDF Author: Emile Male
Publisher: Routledge
ISBN: 042997244X
Category : Art
Languages : en
Pages : 752

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Book Description
Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.

The Gothic Image

The Gothic Image PDF Author: Emile Male
Publisher: Routledge
ISBN: 042997244X
Category : Art
Languages : en
Pages : 752

Get Book Here

Book Description
Emile Male's book aids understanding of medieval art and medieval symbolism, and of the vision of the world which presided over the building of the French cathedrals. It looks at French religious art in the Middle Ages, its forms, and especially the Eastern sources of sculptural iconography used in the cathedrals of France. Fully illustrated with many footnotes it acts as a useful guide for the student of Western culture.

The Gothic Image

The Gothic Image PDF Author: Emile Mâle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 414

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Book Description


The Gothic Image

The Gothic Image PDF Author: Emile Mâle
Publisher:
ISBN: 9780006306016
Category : Art
Languages : en
Pages : 414

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Book Description


The Gothic Idol

The Gothic Idol PDF Author: Michael Camille
Publisher:
ISBN: 9780521340403
Category : Art
Languages : en
Pages : 407

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Book Description
By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues, and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds new light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the new Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.

Gothic Images of Race in Nineteenth-Century England

Gothic Images of Race in Nineteenth-Century England PDF Author: Howard L. Malchow
Publisher: Stanford University Press
ISBN: 9780804726641
Category : Literary Criticism
Languages : en
Pages : 364

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Book Description
In pursuing the sources for late-eighteenth and nineteenth-century “demonization” of racial and cultural difference, this book moves back and forth between the imagined world of literature and the “real” world of historical experience, between fictional romance and what has been called the “parallel fictions” of the human sciences of anthropology and biology. The author argues that the gothic genre and its various permutations offered a language that could be appropriated, consciously or not, by racists in a powerful and obsessively reiterated evocation of terror, disgust, and alienation. But he shows that the gothic itself also evolved in the context of the brutal progress of European nationalism and imperialism, and absorbed much from them. This book explores both the gothicization of race and the racialization of the gothic as inseparable processes.

The Gothic image: religious art in france of the thirteenth century, tr

The Gothic image: religious art in france of the thirteenth century, tr PDF Author: Emile Mâle
Publisher:
ISBN:
Category : Art
Languages : en
Pages :

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Book Description


The Gothic Image

The Gothic Image PDF Author: Émile Mâle
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description


The Art of Gothic

The Art of Gothic PDF Author: Natasha Scharf
Publisher:
ISBN: 9781783052639
Category : Art, Modern
Languages : en
Pages : 224

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Book Description
Dressed head-to-toe in black, often with extreme make-up, the gothic look has been a popular once since the 1980s. Gothic art is about more than just album covers and ephemera; it's about fashion, book jackets, cinematography, computer graphics and fine arts. And its influence frequently seeps through into mainstream culture.The first ever English language collection of gothic images available. Features 224 pages of gothic photography and artwork. Contains up to date references that encompass the modern gothic movement as well as the original movement that came from punk. Gathers imagery from around the world, including previously unpublished photographs and artwork. Each chapter includes two special features, including profiles of influential artists or styles. Features articles on the work of well-known artists such as Anne Sudworth and Roman Dirge as well as graphic design teams Parched Art, Leisure Process and 23 Envelope.

The Gothic image

The Gothic image PDF Author: Emile M ale
Publisher:
ISBN:
Category : Art, Gothic
Languages : en
Pages : 415

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Book Description


The Absent Image

The Absent Image PDF Author: Elina Gertsman
Publisher: Penn State Press
ISBN: 0271089016
Category : Art
Languages : en
Pages : 599

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Book Description
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.