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Author: Luke Ferretter
Publisher: A&C Black
ISBN: 1441119396
Category : Literary Criticism
Languages : en
Pages : 146
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Book Description
D. H. Lawrence wrote in 1914, 'Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.' Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence's religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence's life. Covering the war years, Lawrence's American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.
Author: Luke Ferretter
Publisher: A&C Black
ISBN: 1441119396
Category : Literary Criticism
Languages : en
Pages : 146
Get Book Here
Book Description
D. H. Lawrence wrote in 1914, 'Primarily I am a passionately religious man, and my novels must be written from the depths of my religious experience.' Although he had broken with the Congregationalist faith of his childhood by his early twenties, Lawrence remained throughout his writing life a passionately religious man. There have been studies in the last twenty years of certain aspects of Lawrence's religious writing, but we lack a survey of the history of his developing religious thought and of his expressions of that thought in his literary works. This book provides that survey, from 1915 to the end of Lawrence's life. Covering the war years, Lawrence's American works, his time in Australia and Mexico, and the works of the last years of his life, this book provides readers with a complete analysis, during this period, of Lawrence as a religious man, thinker and artist.
Author: Bart D. Ehrman
Publisher: Simon and Schuster
ISBN: 1982148004
Category : Religion
Languages : en
Pages : 272
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Book Description
A “humane, thoughtful, and intelligent” (The New York Times Book Review) bestselling Biblical scholar reveals why our popular understanding of the Apocalypse is all wrong—and why that matters. You’ll find nearly everything the Bible says about the end in the Book of Revelation: a mystifying prophecy filled with bizarre symbolism, violent imagery, mangled syntax, confounding contradictions, and very firm ideas about the horrors that await us all. But no matter what you think Revelation reveals—whether you read it as a literal description of what will soon come to pass, interpret it as a metaphorical expression of hope for those suffering now, or only recognize its highlights from pop culture—you’re almost certainly wrong. In Armageddon, acclaimed New Testament authority Bart D. Ehrman delves into the most misunderstood—and possibly most dangerous—book of the Bible, on a “vigilantly persuasive” (The Washington Post) tour through three millennia of Judeo-Christian thinking about how our world will end. With wit and verve, he explores the alarming social and political consequences of expecting an imminent apocalypse, considers whether the message of Revelation may be at odds with the teachings of Jesus, and offers inspiring insight into how to live in the face of an uncertain future. By turns hilarious, moving, troubling, and provocative, Armageddon is nothing short of revelatory in its account of what the Bible really says about the end.
Author: Douglas Mao
Publisher: Cambridge University Press
ISBN: 1108487068
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
The first book specifically devoted to the history and prospects of the new modernist studies.
Author: Lesa Scholl
Publisher: Bloomsbury Publishing
ISBN: 1350256536
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
Through an interdisciplinary lens of theology, medicine, and literary criticism, this book examines the complicated intersections of food consumption, political economy, and religious conviction in nineteenth-century Britain. Scholarship on fasting is gendered. This book deliberately faces this gendering by looking at the way in which four Victorian women writers - Christina Rossetti, Alice Meynell, Elizabeth Gaskell and Josephine Butler - each engage with food restraint from ethical, social and theological perspectives. While many studies look at fasting as a form of spiritual discipline or punishment, or alternatively as anorexia nervosa, this book positions limiting food consumption as an ethical choice in response to the food insecurity of others. By examining their works in this way, this study repositions feminine religious practice and writing in relation to food consumption within broader contexts of ecocriticism, economics and social justice.
Author: Jessica Ann Hughes
Publisher: Bloomsbury Publishing
ISBN: 1350278165
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
This book tells the story of how nineteenth-century writers turned to the realist novel in order to reimagine Jesus during a century where traditional religious faith appeared increasingly untenable. Re-workings of the canonical Gospels and other projects to demythologize the story of Jesus are frequently treated as projects aiming to secularize and even discredit traditional Christian faith. The novels of Charles Kingsley, George Eliot, Eliza Lynn Linton, and Mary Augusta Ward, however, demonstrate that the work of bringing the Christian tradition of prophet, priest, and king into conversation with a rapidly changing world can at times be a form of authentic faith-even a faith that remains rooted in the Bible and historic Christianity, while simultaneously creating a space that allows traditional understandings of Jesus' identity to evolve.
Author: Peter Fifield
Publisher: Oxford University Press
ISBN: 0192559354
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
T. S. Eliot memorably said that separation of the man who suffers from the mind that creates is the root of good poetry. This book argues that this is wrong. Beginning from Virginia Woolf's 'On Being Ill', it demonstrates that modernism is, on the contrary, invested in physical illness as a subject, method, and stylizing force. Experience of physical ailments, from the fleeting to the fatal, the familiar to the unusual, structures the writing of the modernists, both as sufferers and onlookers. Illness reorients the relation to, and appearance of, the world, making it appear newly strange; it determines the character of human interactions and models of behaviour. As a topic, illness requires new ways of writing and thinking, altered ideas of the subject, and a re-examination of the roles of invalids and carers. This book reads the work five authors, who are also known for their illness, hypochondria, or medical work: D. H. Lawrence, Virginia Woolf, T. S. Eliot, Dorothy Richardson, and Winifred Holtby. It overturns the assumption that illness is a simple obstacle to creativity and instead argues that it is a subject of careful thought and cultural significance.
Author: Mark Eaton
Publisher: Bloomsbury Publishing
ISBN: 1350123765
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
From Flannery O'Connor and James Baldwin to the post-9/11 writings of Don DeLillo, imaginative writers have often been the most insightful chroniclers of the USA's changing religious life since the end of World War II. Exploring a wide range of writers from Protestant, Catholic, Jewish and secular faiths, this book is an in-depth study of contemporary fiction's engagement with religious belief, identity and practice. Through readings of major writers of our time like Saul Bellow, E. L. Doctorow, Philip Roth, Marilynne Robinson and John Updike, Mark Eaton discovers a more nuanced picture of the varieties of American religious experience: that they are more commonplace than cultural ideas of progressive secularisation or faith-based polarization might suggest.
Author: Helen Rydstrand
Publisher: Bloomsbury Publishing USA
ISBN: 1501343432
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
Contrary to the common view that cultural modernism is a broadly anti-mimetic movement, one which turned away from traditional artistic goals of representing the world, Rhythmic Modernism argues that rhythm and mimesis are central to modernist aesthetics. Through detailed close readings of non-fiction and short stories, Helen Rydstrand shows that textual rhythms comprised the substance of modernist mimesis. Rhythmic Modernism demonstrates how many modernist writers, such as D. H. Lawrence, Katherine Mansfield and Virginia Woolf, were profoundly invested in mimicking a substratum of existence that was conceived as rhythmic, each displaying a fascination with rhythm, both as a formal device and as a vital, protean concept that helped to make sense of the complex modern world.
Author: Charles Andrews
Publisher: Bloomsbury Publishing
ISBN: 1350362042
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Exploring novels by Virginia Woolf, D. H. Lawrence, Evelyn Waugh, and Sylvia Townsend Warner as political theology – works that imagine a resistance to the fusion of Christianity and patriotism which fuelled and supported the First World War – this book shows how we can gain valuable insights from their works for anti-militarist, anti-statist, and anti-nationalist efforts today. While none of the four novelists in this study were committed Christians during the 1920s, Andrews explores how their fiction written in the wake of the First World War operates theologically when it challenges English civil religion – the rituals of the nation that elevate the state to a form of divinity. Bringing these novels into a dialogue with recent political theologies by theorists and theologians including Giorgio Agamben, William Cavanaugh, Simon Critchley, Michel Foucault, Stanley Hauerwas and Jürgen Moltmann, this book shows the myriad ways that we can learn from the authors' theopolitical imaginations. Andrews demonstrates the many ways that these novelists issue a challenge to the problems with civil religion and the sacralized nation state and, in so doing, offer alternative visions to coordinate our inner lives with our public and collective actions.
Author: Matthew Smalley
Publisher: Bloomsbury Publishing
ISBN: 1350400076
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
With seemingly obsessive regularity, American authors, from the mid-nineteenth century to the present, evoke the sermon at culturally loaded moments in their works, deploying the form to underscore the cultural work they imagine their novels or poetry to perform. Examining this longstanding tradition of literary preaching, this book draws on literary applications of design theory to provide a nuanced account of American literature's complex, anxious, and persistent engagement with the Protestant sermon. Analyzing literary preaching as a transhistorical form that simultaneously attracts and repels authors, Smalley demonstrates how major US writersRalph Waldo Emerson, Walt Whitman, Nathaniel Hawthorne, Rebecca Harding Davis, William Faulkner, Zora Neale Hurston, and Toni Morrisonhave subverted the sermon's predominantly religious content in order to reimagine profound moments of reform in a political, cultural, and aesthetic mode. This study elucidates new lines of literary kinship, offers fresh readings of familiar works, and establishes literary preaching as an undertheorized but significant tradition in American literature.
