The Glory of the Renaissance through Its Paintings : History 5th Grade | Children's Renaissance Books PDF Download
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Author: Baby Professor
Publisher: Speedy Publishing LLC
ISBN: 1541921674
Category : History
Languages : en
Pages : 64
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Book Description
Have you ever been to museums? If you enjoy looking at paintings there, then you will also enjoy this book filled with the most wondrous arts from the Renaissance era. Just think of this book as your personal museum on the go. In addition to pictures of paintings, you will also learn facts about the Renaissance. This sure is a wonderful read. Secure a copy today!
Author: Baby Professor
Publisher: Speedy Publishing LLC
ISBN: 1541921674
Category : History
Languages : en
Pages : 64
Get Book Here
Book Description
Have you ever been to museums? If you enjoy looking at paintings there, then you will also enjoy this book filled with the most wondrous arts from the Renaissance era. Just think of this book as your personal museum on the go. In addition to pictures of paintings, you will also learn facts about the Renaissance. This sure is a wonderful read. Secure a copy today!
Author: Alison Wright
Publisher: Yale University Press
ISBN: 0300238843
Category : Art
Languages : en
Pages : 354
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Book Description
Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Simonetta Nava
Publisher: Rizzoli International Publications
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Beginning with Florence in the first half of the fifteenth century, Painting in Renaissance Italy travels through the regions of Italy and the different periods of the Renaissance, explaining the different physical and intellectual milieus in which the artists worked. By placing the artists and their work in context, this volume offers a more complete understanding and appreciation of the paintings of the Renaissance."--BOOK JACKET.
Author: Laurence B. Kanter
Publisher: Metropolitan Museum of Art
ISBN: 0870997254
Category : Illumination of books and manuscripts, Italian
Languages : en
Pages : 406
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Book Description
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Author: Angelica Daneo
Publisher:
ISBN: 9780914738329
Category : Art, Italian
Languages : en
Pages : 118
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Book Description
Author: Paula Nuttall
Publisher: Huntington Library Press
ISBN: 9780873282581
Category : Painting, Flemish
Languages : en
Pages : 0
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Book Description
Published in conjunction with the exhibition held at the Huntington Library, Art Collections, and Botanical Gardens from September 28, 2013, to January 13, 2014.
Author: Miguel Ángel De Bunes Ibarra
Publisher: Hudson Hills Press
ISBN: 9781555953751
Category : Pastrana tapestries
Languages : en
Pages : 0
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Book Description
Commissioned in the 1470s most likely by Afonso V, king of Portugal, the Pastrana Tapestries are a group of four towering (12 by 36 feet each) tapestries memorializing his conquest of the Moroccan cities of Asilah and Tangier, near the entrance to the Strait of Gibraltar. An impressive rendition in wool and silk woven by Flemish weavers, the tapestries display multicolored scenes of the day: military, royalty, and maritime life. The images are an anomaly in that they portray current experiences and not ancient or Biblical events. Since the seventeenth century the Pastrana tapestries have been the property of the Collegiate Church of Our Lady of the Assumption in Pastrana, Spain. The tapestries recently underwent total conservation in Belgium after deterioration and damage. Now entirely restored, they are an outstanding discovery for both scholars and the general public. SELLING POINTS: * This beautiful exhibition highlights the recently restored Pastrana tapestries, among the finest medieval examples * An impressive rendition in wool and silk woven by Flemish weavers, the tapestries (a group of four, 12 by 36 feet each) display multicolored scenes of the day: military, royalty, and maritime life ILLUSTRATIONS: 70 colour
Author: Hugo Chapman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
This sumptuously illustrated catalogue charts the history of drawing in Italy from 1400, just prior to the emergence in Florence of the classically inspired naturalism of the Renaissance style, to around 1510 when Michelangelo, Raphael and Titian were on the verge of taking the innovations of earlier masters, such as Leonardo and Pollaiuolo, in a new direction. The book highlights the key role played by drawing in artistic teaching and in how artists studied the human body and the natural world. Aspects of regional difference, the development of new drawing techniques and classes of graphic work, such as finished presentation pieces to impress patrons, are also explored. An extended introduction focusing on how and why artists made drawings, with a special emphasis on the pivotal role of Leonardo, is richly illustrated with examples from the two collections that elucidate the technique and function of the works. This is followed by catalogue entries for just over 100 drawings where discussion of their function and significance is supported by comparative illustrations of related works, such as paintings.
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
