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Author: Evonne Levy
Publisher: Studies in the History of Art
ISBN: 9780300250473
Category : Art
Languages : en
Pages : 314
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Book Description
Perspectives on a book that changed ways of thinking and writing about art around the world
Author: Evonne Levy
Publisher: Studies in the History of Art
ISBN: 9780300250473
Category : Art
Languages : en
Pages : 314
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Book Description
Perspectives on a book that changed ways of thinking and writing about art around the world
Author: Heinrich Wolfflin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Heinrich Wölfflin
Publisher: Courier Corporation
ISBN: 0486141764
Category : Art
Languages : en
Pages : 255
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Book Description
Originally published in Germany during the 1920s, this now-classic study surveys the works of 64 major artists in terms of style, quality, and mode of representation. A brilliant contribution to the methodology or art criticism, it features 120 black-and-white illustrations of works by Botticelli, Durer, Holbein, Rembrandt, Velasquez, Vermeer, and others.
Author: Zeynep Çelik Alexander
Publisher: University of Chicago Press
ISBN: 022648520X
Category : Architecture
Languages : en
Pages : 328
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Book Description
Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue
Author: Heinrich Wolfflin
Publisher: Getty Publications
ISBN: 1606064525
Category : Art
Languages : en
Pages : 370
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Book Description
Principles of Art History by Heinrich Wölfflin (1864–1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wölfflin’s text has endured as an accessible yet rigorous approach to the study of style. Although Wölfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wölfflin’s work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wölfflin’s 1915 text and images. It also includes the first English translations of the prefaces and afterword that Wölfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered byPrinciples in the twentieth century for a renewed reading of the text in the twenty-first.
Author: Heinrich Hubsch
Publisher: Getty Publications
ISBN: 0892361999
Category : Architecture
Languages : en
Pages : 216
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Book Description
Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.
Author: Heinrich Wolfflin
Publisher:
ISBN:
Category :
Languages : en
Pages : 253
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Book Description
Author: Gillian Perry
Publisher: Yale University Press
ISBN: 9780300077438
Category : Art
Languages : en
Pages : 278
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Book Description
"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Author: David M. Lubin
Publisher: Yale University Press
ISBN: 9780300057324
Category : Art
Languages : en
Pages : 400
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Book Description
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.
Author: George Kubler
Publisher: Yale University Press
ISBN: 0300196377
Category : Art
Languages : en
Pages : 165
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Book Description
When it was first released in 1962, The Shape of Time presented a radically new approach to the study of art history. Drawing upon new insights in fields such as anthropology and linguistics, George Kubler replaced the notion of style as the basis for histories of art with the concept of historical sequence and continuous change across time. Kubler’s classic work is now made available in a freshly designed edition. “The Shape of Time is as relevant now as it was in 1962. This book, a sober, deeply introspective, and quietly thrilling meditation on the flow of time and space and the place of objects within a larger continuum, adumbrates so many of the critical and theoretical concerns of the late twentieth and early twenty-first century. It is both appropriate and necessary that it re-appear in our consciousness at this time.”—Edward J. Sullivan, New York University This book will be of interest to all students of art history and to those concerned with the nature and theory of history in general. In a study of formal and symbolic durations the author presents a radically new approach to the problem of historical change. Using new ideas in anthropology and linguistics, he pursues such questions as the nature of time, the nature of change, and the meaning of invention. The result is a view of historical sequence aligned on continuous change more than upon the static notion of style—the usual basis for conventional histories of art. A carefully reasoned and brilliantly suggestive essay in defense of the view that the history of art can be the study of formal relationships, as against the view that it should concentrate on ideas of symbols or biography.—Harper's.It is a most important achievement, and I am sure that it will be studies for many years in many fields. I hope the book upsets people and makes them reformulate.—James Ackerman.In this brief and important essay, George Kubler questions the soundness of the stylistic basis of art historical studies. . . . The Shape of Time ably states a significant position on one of the most complex questions of modern art historical scholarship.—Virginia Quarterly Review.
