The Global Reception of Heinrich Wölfflin's Principles of Art History PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Global Reception of Heinrich Wölfflin's Principles of Art History PDF full book. Access full book title The Global Reception of Heinrich Wölfflin's Principles of Art History by Evonne Levy. Download full books in PDF and EPUB format.
Author: Evonne Levy
Publisher: Studies in the History of Art
ISBN: 9780300250473
Category : Art
Languages : en
Pages : 314
Get Book Here
Book Description
Perspectives on a book that changed ways of thinking and writing about art around the world
Author: Evonne Levy
Publisher: Studies in the History of Art
ISBN: 9780300250473
Category : Art
Languages : en
Pages : 314
Get Book Here
Book Description
Perspectives on a book that changed ways of thinking and writing about art around the world
Author: Zeynep Çelik Alexander
Publisher: University of Chicago Press
ISBN: 022648520X
Category : Architecture
Languages : en
Pages : 328
Get Book Here
Book Description
Introduction: a peculiar experiment -- Kinaesthetic knowing: the nineteenth-century biography of another kind of knowledge -- Looking: Wölfflin's comparative vision -- Affecting: Endell's mathematics of living feeling -- Drawing: the Debschitz school and formalism's subject -- Designing: discipline and introspection at the Bauhaus -- Epilogue
Author: Heinrich Wölfflin
Publisher:
ISBN: 9780713510515
Category :
Languages : en
Pages : 237
Get Book Here
Book Description
Author: Heinrich Wolfflin
Publisher: Getty Publications
ISBN: 1606064525
Category : Art
Languages : en
Pages : 370
Get Book Here
Book Description
Principles of Art History by Heinrich Wölfflin (1864–1945), a revolutionary attempt to construct a science of art through the study of the development of style, has been a foundational work of formalist art history since it was first published in 1915. At once systematic and subjective, and remarkable for its compelling descriptions of works of art, Wölfflin’s text has endured as an accessible yet rigorous approach to the study of style. Although Wölfflin applied his analysis to objects of early modern European art, Principles of Art History has been a fixture in the theoretical and methodological debates of the discipline of art history and has found a global audience. With translations in twenty-four languages and many reprints, Wölfflin’s work may be the most widely read and translated book of art history ever. This new English translation, appearing one hundred years after the original publication, returns readers to Wölfflin’s 1915 text and images. It also includes the first English translations of the prefaces and afterword that Wölfflin himself added to later editions. Introductory essays provide a historical and critical framework, referencing debates engendered byPrinciples in the twentieth century for a renewed reading of the text in the twenty-first.
Author: Evonne Levy
Publisher: Routledge
ISBN: 1317099486
Category : Art
Languages : en
Pages : 430
Get Book Here
Book Description
Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed.
Author: Heinrich Hubsch
Publisher: Getty Publications
ISBN: 0892361999
Category : Architecture
Languages : en
Pages : 216
Get Book Here
Book Description
Hubsch's argument that the technical progress and changed living habits of the nineteenth century rendered neoclassical principles antiquated is presented here along with responses to his essay by architects, historians, and critics over two decades.
Author: Monica Juneja
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311121706X
Category : Art
Languages : en
Pages : 352
Get Book Here
Book Description
The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Author: Gillian Perry
Publisher: Yale University Press
ISBN: 9780300077438
Category : Art
Languages : en
Pages : 278
Get Book Here
Book Description
"This is the first of six books in the series Art and its Histories, which form the main texts of an Open University second-level course of the same name"--Preface.
Author: Richard Shone
Publisher: Thames & Hudson
ISBN: 0500771499
Category : Art
Languages : en
Pages : 432
Get Book Here
Book Description
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Author: Margaret Iversen
Publisher: University of Chicago Press
ISBN: 0226388263
Category : Art
Languages : en
Pages : 256
Get Book Here
Book Description
Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
