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Author: Kai Hammermeister
Publisher:
ISBN: 9780511068980
Category : Aesthetics, German
Languages : en
Pages : 259
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Book Description
This is the only available systematic overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow. It offers a clear, non-technical exposition of ideas, placing these in a wider philosophical context where necessary.
Author: Kai Hammermeister
Publisher:
ISBN: 9780511068980
Category : Aesthetics, German
Languages : en
Pages : 259
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Book Description
This is the only available systematic overview of German aesthetics from 1750 to the present. It begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow. It offers a clear, non-technical exposition of ideas, placing these in a wider philosophical context where necessary.
Author: Kai Hammermeister
Publisher: Cambridge University Press
ISBN: 9780521785549
Category : Philosophy
Languages : en
Pages : 284
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Book Description
Publisher Description
Author: J. D. Mininger
Publisher: Bloomsbury Publishing USA
ISBN: 1501321501
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
Author: Timothy M. Costelloe
Publisher: Cambridge University Press
ISBN: 052151830X
Category : History
Languages : en
Pages : 361
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Book Description
Offers a comprehensive account of British aesthetics from the early eighteenth century to the late twentieth century in Britain and beyond.
Author: J. D. Mininger
Publisher: Bloomsbury Publishing USA
ISBN: 1501321501
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
Author: Stefanie Buchenau
Publisher: Cambridge University Press
ISBN: 1107027136
Category : History
Languages : en
Pages : 281
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Book Description
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Author: Frederick C. Beiser
Publisher: Oxford University Press on Demand
ISBN: 0199573018
Category : History
Languages : en
Pages : 306
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Book Description
Diotima's Children is the first comprehensive re-examination of the rationalist tradition of aesthetics as it prevailed in Germany in the late seventeenth and early eighteenth centuries. This tradition is of the greatest historical importance because it gave birth to modern aesthetics, art criticism, and art history.
Author: Ayon Maharaj
Publisher: A&C Black
ISBN: 1441140840
Category : Philosophy
Languages : en
Pages : 241
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Book Description
This study examines how key figures in the German aesthetic tradition — Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno — attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of "aesthetic agency"— art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
Author: Jennifer A. Herdt
Publisher: University of Chicago Press
ISBN: 022661851X
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
Now in paperback, Forming Humanity reveals bildung, or ethical formation, as the key to post-Kantian thought. Kant’s proclamation of humankind’s emergence from “self-incurred immaturity” left his contemporaries with a puzzle: What models should we use to sculpt ourselves if we no longer look to divine grace or received authorities? Deftly uncovering the roots of this question in Rhineland mysticism, Pietist introspection, and the rise of the bildungsroman, Jennifer A. Herdt reveals bildung, or ethical formation, as the key to post-Kantian thought. This was no simple process of secularization, in which human beings took responsibility for something they had earlier left in the hands of God. Rather, theorists of bildung, from Herder through Goethe to Hegel, championed human agency in self-determination while working out the social and political implications of our creation in the image of God. While bildung was invoked to justify racism and colonialism by stigmatizing those deemed resistant to self-cultivation, it also nourished ideals of dialogical encounter and mutual recognition. Herdt reveals how the project of forming humanity lives on in our ongoing efforts to grapple with this complicated legacy.
Author: Eva Geulen
Publisher: Stanford University Press
ISBN: 9780804744249
Category : Philosophy
Languages : en
Pages : 220
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Book Description
Since Hegel, the idea of an end of art has become a staple of aesthetic theory. This book analyzes its role and its rhetoric in Hegel, Nietzsche, Benjamin, Adorno, and Heidegger in order to account for the topic's enduring persistence. In addition to providing a general overview of the main thinkers of post-Idealist German aesthetics, the book explores the relationship between tradition and modernity. For despite the differences that distinguish one philosopher's end of art from another's, all authors treated here turn the end of art into an occasion to thematize and to reflect on the very thing that modernism cannot or should not be: tradition. As a discourse, the end of art is one of our modern traditions.