Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 766
Book Description
The Gentleman's and Connoisseur's Dictionary of Painters
Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 766
Book Description
The Gentleman's and Connosseur's Dictionary of Painters, Containing a Complete Collection and Account of the Most Distinguished Artists who Have Flourished ... from 1250 ... 1767 ... To which are Added Two Catalogues; the One ... of the Disciples of the Most Famous Masters ... The Other ... of Those Painters who Imitated the Works of the Eminent Masters So Exactly, as to Have Their Copies Frequently Taken for Originals, Etc
Author: Matthew PILKINGTON (Vicar of Donabate, Dublin.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 772
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 550
Book Description
Catalogue of Book on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library
Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 178
Book Description
Catalogue of Books on Archæology and Art and Cognate Works belonging to the Preedy Memorial Library and other collections in the University Library. [Compiled by Reginald A. Rye.] (Supplement.).
Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 232
Book Description
Catalogue of Books on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library
Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 170
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 170
Book Description
Pictures and Tears
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Six Centuries of Painting
Author: Randall Davies
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526
Book Description
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526
Book Description
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Origins, Imitation, Conventions
Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356
Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356
Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.