The Gentleman's and Connoisseur's Dictionary of Painters

The Gentleman's and Connoisseur's Dictionary of Painters PDF Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 766

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The Gentleman's and Connoisseur's Dictionary of Painters

The Gentleman's and Connoisseur's Dictionary of Painters PDF Author: Matthew Pilkington
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 766

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Book Description


The Gentleman's and Connosseur's Dictionary of Painters, Containing a Complete Collection and Account of the Most Distinguished Artists who Have Flourished ... from 1250 ... 1767 ... To which are Added Two Catalogues; the One ... of the Disciples of the Most Famous Masters ... The Other ... of Those Painters who Imitated the Works of the Eminent Masters So Exactly, as to Have Their Copies Frequently Taken for Originals, Etc

The Gentleman's and Connosseur's Dictionary of Painters, Containing a Complete Collection and Account of the Most Distinguished Artists who Have Flourished ... from 1250 ... 1767 ... To which are Added Two Catalogues; the One ... of the Disciples of the Most Famous Masters ... The Other ... of Those Painters who Imitated the Works of the Eminent Masters So Exactly, as to Have Their Copies Frequently Taken for Originals, Etc PDF Author: Matthew PILKINGTON (Vicar of Donabate, Dublin.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 772

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British Museum Catalogue of printed Books

British Museum Catalogue of printed Books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 550

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Catalogue of Book on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library

Catalogue of Book on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library PDF Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 178

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Catalogue of Books on Archæology and Art and Cognate Works belonging to the Preedy Memorial Library and other collections in the University Library. [Compiled by Reginald A. Rye.] (Supplement.).

Catalogue of Books on Archæology and Art and Cognate Works belonging to the Preedy Memorial Library and other collections in the University Library. [Compiled by Reginald A. Rye.] (Supplement.). PDF Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 232

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Catalogue of Books on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library

Catalogue of Books on Archaeology and Art and Cognate Works Belonging to the Preedy Memorial Library and Other Collections in the University Library PDF Author: University of London. Library
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 170

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Pictures and Tears

Pictures and Tears PDF Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218

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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.

Six Centuries of Painting

Six Centuries of Painting PDF Author: Randall Davies
Publisher: Library of Alexandria
ISBN: 1465547924
Category : Fiction
Languages : en
Pages : 526

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The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190

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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.

Origins, Imitation, Conventions

Origins, Imitation, Conventions PDF Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356

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Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.