The Genius of the German Theatre

The Genius of the German Theatre PDF Author: Brenda Jackson
Publisher: Signet
ISBN: 9780451607454
Category :
Languages : en
Pages :

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Book Description

The Genius of the German Theatre

The Genius of the German Theatre PDF Author: Brenda Jackson
Publisher: Signet
ISBN: 9780451607454
Category :
Languages : en
Pages :

Get Book

Book Description


The Genius of the German Theater

The Genius of the German Theater PDF Author: Martin Esslin
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 646

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Book Description
German plays from the mid-20th century.

German Expressionist Theatre

German Expressionist Theatre PDF Author: David F. Kuhns
Publisher: Cambridge University Press
ISBN: 0521583403
Category : Drama
Languages : en
Pages : 325

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Book Description
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.

The Use of Asian Theatre for Modern Western Theatre

The Use of Asian Theatre for Modern Western Theatre PDF Author: Min Tian
Publisher: Springer
ISBN: 3319971786
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
This book is a historical study of the use of Asian theatre for modern Western theatre as practiced by its founding fathers, including Aurélien Lugné-Poe, Adolphe Appia, Gordon Craig, W. B. Yeats, Jacques Copeau, Charles Dullin, Antonin Artaud, V. E. Meyerhold, Sergei Eisenstein, and Bertolt Brecht. It investigates the theories and practices of these leading figures in their transnational and cross-cultural relationship with Asian theatrical traditions and their interpretations and appropriations of the Asian traditions in their reactional struggles against the dominance of commercialism and naturalism. From the historical and aesthetic perspectives of traditional Asian theatres, it approaches this intercultural phenomenon as a (Euro)centred process of displacement of the aesthetically and culturally differentiated Asian theatrical traditions and of their historical differences and identities. Looking into the displaced and distorted mirror of Asian theatre, the founding fathers of modern Western theatre saw, in their imagination of the 'ghostly' Other, nothing but a (self-)reflection or, more precisely, a (self-)projection and emplacement, of their competing ideas and theories preconceived for the construction, and the future development, of modern Western theatre.

The Genius of Shakespeare

The Genius of Shakespeare PDF Author: Jonathan Bate
Publisher: Oxford University Press, USA
ISBN: 9780195128239
Category : Drama
Languages : en
Pages : 420

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Book Description
The Genius of Shakespeare is a new kind of biography: a biography of Shakespeare's talent and reputation, beyond the limits of his actual life. Part One explores the origins and development of his works, Part Two traces their effects on succeeding generations, and demonstrates how Shakespeare came to be regarded as the supreme dramatist.

Actors and singers

Actors and singers PDF Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 416

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Book Description


Theatre, Drama and Audience in Goethe's Germany

Theatre, Drama and Audience in Goethe's Germany PDF Author: W. H. Bruford
Publisher: Routledge
ISBN: 0429774915
Category : History
Languages : en
Pages : 398

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Book Description
First published in 1950. This present work examines the political, economic and social condition of Germany on literature, particular drama, in the late eighteenth- and early nineteenth-centuries. The author explores drama both in its passive and active relations with the life of the time and with the theatre, the medium without the aid of which the possibilities of the drama as an art form remain only half realised. This title will be of interest to students of literature, drama, and theatre studies.

Germany

Germany PDF Author: Madame de Staël (Anne-Louise-Germaine)
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 428

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Book Description


The First German Theatre (Routledge Revivals)

The First German Theatre (Routledge Revivals) PDF Author: Michael Patterson
Publisher: Routledge
ISBN: 1317266846
Category : Drama
Languages : en
Pages : 188

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Book Description
First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as ‘theatre poet’ at Mannheim, Goethe’s work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Büchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller’s The Robbers, Goethe’s Iphigenia on Tauris, Kleist’s The Prince of Homburg, and Büchner’s Woyzeck. This title will be of interest to students of theatre and German literature.

Shakespeare on the German Stage: Volume 2, The Twentieth Century

Shakespeare on the German Stage: Volume 2, The Twentieth Century PDF Author: Wilhelm Hortmann
Publisher: Cambridge University Press
ISBN: 9780521343862
Category : Drama
Languages : en
Pages : 532

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Book Description
Shakespeare has been a central figure in German literature and theatre. This book tells the story of Shakespeare in the German-speaking theatre against the background of German culture and politics in the twentieth century. It follows the earlier volume by Simon Williams on the reception of Shakespeare during the previous 300 years (Shakespeare on the German Stage, 1586-1914). Hortmann concentrates on the two most important and fruitful periods: the years of the Weimar Republic (1919-1933) and the turbulent decades of the sixties and seventies, when the German theatre was revitalised by a stormy marriage of avant-garde art and revolutionary politics. A section by Maik Hamburger covers developments in the theatres of the German Democratic Republic. Hortmann focuses on the most representative and colourful directors and actors, describing and illustrating individual productions as examples of particular trends or movements.