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Author: Richard Knolles
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 1316
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Book Description
Author: Richard Knolles
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 1316
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Book Description
Author: Richard Knolles
Publisher:
ISBN:
Category : Illustrated books
Languages : en
Pages : 1400
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Book Description
Author: Richard KNOLLES
Publisher:
ISBN:
Category :
Languages : en
Pages : 1214
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Book Description
Author: Geoffrey Bullough
Publisher: Columbia University Press
ISBN: 9780231088978
Category :
Languages : en
Pages : 584
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Book Description
Author: Richmond Tyler Barbour
Publisher: Cambridge University Press
ISBN: 9780521650472
Category : Drama
Languages : en
Pages : 274
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Book Description
Table of contents
Author: Philip Massinger
Publisher: Bloomsbury Publishing
ISBN: 1408139006
Category : Drama
Languages : en
Pages : 273
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Book Description
The Renegado is one of the most shamelessly entertaining plays of its age, fetching its inspiration from a number of works by Cervantes, based on his own experiences as a captive in Algiers. Introducing the eroticized captivity narrative to the English stage, Massinger's tragicomedy combines it with the long-popular romance motif of a Christian hero's conquest of an exotic princess. But even as it indulges in romantic fantasy, The Renegado engages with contentious issues of national and international politics, offering a provocative response to the sectarian feuds dividing England in the 1620s, while exploiting wider European fears of the expansionist Muslim empire of the Ottomans. Through its treatment of religious confrontation and conversion, Massinger's play offers important insights into early modern constructions of the Islamic world, and emerges as a piece with unexpected resonances for our own time. This is the first major single-volume edition of The Renegado, making it properly available to all students and teachers of early modern drama. With detailed on-page commentary notes and an illustrated introduction assessing its impact on the Renaissance stage as well as its particular relevance to our contemporary multi-cultural society, it is a stimulating and original teaching edition. An extract from Cervantes' The Prisons of Algiers, a key source for the play, is given in an appendix and the whole Cervantes text is available on the Arden website as an additional resource.
Author: Matthew Dimmock
Publisher: Routledge
ISBN: 1351872745
Category : History
Languages : en
Pages : 363
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Book Description
William Percy's Mahomet and His Heaven (1601) is extraordinary. Not only is it the only early modern play purportedly based upon the Qur'an, but it is also the first to place the Prophet Muhammad on the stage. While there existed a remarkable range of texts concerning Islamic characters and themes in Renaissance England, from chronicles and pamphlets to popular drama, the publication of this edition of Mahomet and His Heaven represents a major step forward in the study of Islam on the early modern stage. Roughly contemporary with Shakespeare's Othello, William Percy makes the remarkable and potentially highly provocative gesture of locating the Prophet as its central character, presiding over an apocalyptic drought to chastise the sins of mankind. The play takes place in around the mosques of 'Medina' and the action mirrors early Christian 'translations' of the Qur'an, the Islamic holy text that was rarely available in England at the time. Furthermore, the play provides a fascinating insight into the way that Islamic characters were portrayed on the early modern stage, containing as it does remarkably detailed stage directions, stipulating for example that the Prophet wears 'all greene and greene his Turban' and that his Angels are 'rainbow powdered'. Such details offer an entirely new perspective upon this aspect of early modern stagecraft. Matthew Dimmock presents here the play in its entirety, with a critical introduction which introduces some of its key themes, and places it in a textual and social context. A section of detailed explanatory scholarly notes follow the play, containing a full translation of the short Latin sections and references to the many political and literary parallels. This book should be required reading for historians, literary scholars and students dealing with notions of race, religion, magic, astrology and stagecraft in early modern England.
Author: Richard Knolles
Publisher:
ISBN:
Category : Sultans
Languages : en
Pages : 1152
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Book Description
Author: Anders Ingram
Publisher: Springer
ISBN: 1137401532
Category : Social Science
Languages : en
Pages : 200
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Book Description
Histories of the Turks were a central means through which English authors engaged in intellectual and cultural terms with the Ottoman Empire, its advance into Europe following the capture of Constantinople (1454), and its continuing central European power up to the treaty of Karlowitz (1699). Writing the Ottomans examines historical writing on the Turks in England from 1480-1700. It explores the evolution of this discourse from its continental roots, and its development in response to moments of military crisis such as the Long War of 1593-1606 and the War of the Holy League 1683-1699, as well as Anglo-Ottoman trade and diplomacy throughout the seventeenth century. From the writing of central authors such as Richard Knolles and Paul Rycaut, to lesser known names, it reads English histories of the Turks in their intellectual, religious, political, economic and print contexts, and analyses their influence on English perceptions of the Ottoman world.
Author: Öz Öktem
Publisher: Rowman & Littlefield
ISBN: 1793625239
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
Early modern scholarship often reads the dramatic representations of the Muslim woman in the light of postcolonial identity politics, which sees an organic relationship between the West’s historical domination of the East and the Western discourse on the East. This book problematizes the above trajectory by arguing that the assumption of a power relation between a dominating West and a subordinate East cannot be sustained within the context of the political and historical realities of early modern Europe. The Ottoman Empire remained as a dominant superpower throughout the sixteenth and seventeenth centuries and was perceived by Protestant England both as a military and religious threat and as a possible ally against Catholic Spain. Reading a series of early modern plays from Marlowe to Beaumont and Fletcher alongside a number of historical sources and documents, this book re-interprets the image of Islamic femininity in the period’s drama to reflect this overturn in the world’s power balances, as well as the intricate dynamics of England’s intensified contact with Islam in the Mediterranean.
