Author: Bonnie Kime Scott
Publisher: University of Illinois Press
ISBN: 0252074181
Category : American literature
Languages : en
Pages : 896
Book Description
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.
Gender in Modernism
Author: Bonnie Kime Scott
Publisher: University of Illinois Press
ISBN: 0252074181
Category : American literature
Languages : en
Pages : 896
Book Description
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.
Publisher: University of Illinois Press
ISBN: 0252074181
Category : American literature
Languages : en
Pages : 896
Book Description
Grouped into 21 thematic sections, this collection provides theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in different directions. It provides an understanding of the complex intersections of gender with an array of social identifications.
The Gender of Modernism
Author: Mary Lynn Broe
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 740
Book Description
"This is the book we've been waiting for: a distinguished collection that demonstrates how revisions of Modernist definitions might proceed. . . . The Gender of Modernism . . . will be nothing less than an absolutely necessary text for Modernist studies." —Shari Benstock "Scott and her contributing editors . . . effectively [bring] together the issues of gender and modernism into a volume recommended for reference and classroom use." —James Joyce Literary Supplement " . . . a treasure trove for anyone interested in the literature and history of modern times." —Susan Gubar Authors included are: Djuna Barnes, Willa Cather, Nancy Cunard, H.D., T.S. Eliot, Jessie Redmond Fauset, Zora Neale Hurston, James Joyce, Nella Larsen, D.H. Lawrence, Mina Loy, Rose Macaulay, Hugh MacDiarmid, Katherine Mansfield, Charlotte Mew, Marianne Moore, Ezra Pound, Jean Rhys, Dorothy Richardson, May Sinclair, Gertrude Stein, Sylvia Townsend Warner, Rebecca West, Antonia White, Anna Wickham, and Virginia Woolf.
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 740
Book Description
"This is the book we've been waiting for: a distinguished collection that demonstrates how revisions of Modernist definitions might proceed. . . . The Gender of Modernism . . . will be nothing less than an absolutely necessary text for Modernist studies." —Shari Benstock "Scott and her contributing editors . . . effectively [bring] together the issues of gender and modernism into a volume recommended for reference and classroom use." —James Joyce Literary Supplement " . . . a treasure trove for anyone interested in the literature and history of modern times." —Susan Gubar Authors included are: Djuna Barnes, Willa Cather, Nancy Cunard, H.D., T.S. Eliot, Jessie Redmond Fauset, Zora Neale Hurston, James Joyce, Nella Larsen, D.H. Lawrence, Mina Loy, Rose Macaulay, Hugh MacDiarmid, Katherine Mansfield, Charlotte Mew, Marianne Moore, Ezra Pound, Jean Rhys, Dorothy Richardson, May Sinclair, Gertrude Stein, Sylvia Townsend Warner, Rebecca West, Antonia White, Anna Wickham, and Virginia Woolf.
The Gender of Modernity
Author: Rita FELSKI
Publisher: Harvard University Press
ISBN: 0674036794
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.
Publisher: Harvard University Press
ISBN: 0674036794
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.
Rich and Strange
Author: Marianne DeKoven
Publisher: Princeton University Press
ISBN: 9780691014968
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.
Publisher: Princeton University Press
ISBN: 9780691014968
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.
Women Making Modernism
Author: Erica Gene Delsandro
Publisher: University Press of Florida
ISBN: 0813057302
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies.
Publisher: University Press of Florida
ISBN: 0813057302
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies.
Feminist Aesthetics and the Politics of Modernism
Author: Ewa Płonowska Ziarek
Publisher: Columbia University Press
ISBN: 0231161492
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.
Publisher: Columbia University Press
ISBN: 0231161492
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Ewa Ziarek fully articulates a feminist aesthetics, focusing on the struggle for freedom in women's literary and political modernism and the devastating impact of racist violence and sexism. She examines the contradiction between women's transformative literary and political practices and the oppressive realities of racist violence and sexism, and she situates these tensions within the entrenched opposition between revolt and melancholia in studies of modernity and within the friction between material injuries and experimental aesthetic forms. Ziarek's political and aesthetic investigations concern the exclusion and destruction of women in politics and literary production and the transformation of this oppression into the inaugural possibilities of writing and action. Her study is one of the first to combine an in-depth engagement with philosophical aesthetics, especially the work of Theodor W. Adorno, with women's literary modernism, particularly the writing of Virginia Woolf and Nella Larsen, along with feminist theories on the politics of race and gender. By bringing seemingly apolitical, gender-neutral debates about modernism's experimental forms together with an analysis of violence and destroyed materialities, Ziarek challenges both the anti-aesthetic subordination of modern literature to its political uses and the appreciation of art's emancipatory potential at the expense of feminist and anti-racist political struggles.
Djuna Barnes, T. S. Eliot and the Gender Dynamics of Modernism
Author: Monika Lee
Publisher: Routledge
ISBN: 1136919104
Category : Literary Criticism
Languages : en
Pages : 501
Book Description
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
Publisher: Routledge
ISBN: 1136919104
Category : Literary Criticism
Languages : en
Pages : 501
Book Description
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
Modernism, Gender, and Culture
Author: Lisa Rado
Publisher: Routledge
ISBN: 1136515607
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Focusing on cultural practices, and gender issues during a period of the early 20th-century that witnessed radical transformations in sex roles, this anthology of original (and one classic) essays will generate a greater understanding of women's contributions to modernist culture, and explore how that culture was affected by gender issues. The essays provide a wealth of insights into literature, painting, architecture, design, anthropology, sociology, religion, science, popular culture, music, issues of race and ethnicity, and the influence of 20th-century women and sexual politics.
Publisher: Routledge
ISBN: 1136515607
Category : Literary Criticism
Languages : en
Pages : 408
Book Description
Focusing on cultural practices, and gender issues during a period of the early 20th-century that witnessed radical transformations in sex roles, this anthology of original (and one classic) essays will generate a greater understanding of women's contributions to modernist culture, and explore how that culture was affected by gender issues. The essays provide a wealth of insights into literature, painting, architecture, design, anthropology, sociology, religion, science, popular culture, music, issues of race and ethnicity, and the influence of 20th-century women and sexual politics.
Gender, Race, and Mourning in American Modernism
Author: Greg Forter
Publisher: Cambridge University Press
ISBN: 1139501240
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States.
Publisher: Cambridge University Press
ISBN: 1139501240
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold reading of canonical modernism in the United States.
Modernism and the Architecture of Private Life
Author: Victoria Rosner
Publisher: Columbia University Press
ISBN: 0231133057
Category : Architecture
Languages : en
Pages : 241
Book Description
In the late 19th century the conventions of domesticity came under scrutiny by British writers & others intent on bringing a modern spirit into the home. Rosner reveals the connections between those who elegantly synthesized modernist literature with architetcural plans, room designs, & decorative art.
Publisher: Columbia University Press
ISBN: 0231133057
Category : Architecture
Languages : en
Pages : 241
Book Description
In the late 19th century the conventions of domesticity came under scrutiny by British writers & others intent on bringing a modern spirit into the home. Rosner reveals the connections between those who elegantly synthesized modernist literature with architetcural plans, room designs, & decorative art.