Author: Derrick E Carey
Publisher: Team Double Edge Publishing Company
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 14
Book Description
THE GAME: THE ORIGIN STORY OF THE REAL LIFE CLOWN PRINCE
Author: Derrick E Carey
Publisher: Team Double Edge Publishing Company
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 14
Book Description
Publisher: Team Double Edge Publishing Company
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 14
Book Description
The Joker
Author: Matthew Manning
Publisher: Universe
ISBN: 0789322471
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Explores the character of the Joker and his significance as the quintessential villain.
Publisher: Universe
ISBN: 0789322471
Category : Literary Criticism
Languages : en
Pages : 210
Book Description
Explores the character of the Joker and his significance as the quintessential villain.
Joe E. Brown
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 0786483512
Category : Sports & Recreation
Languages : en
Pages : 229
Book Description
As a young boy in the depths of the 1890s depression, Joe E. Brown had a job: making faces at the firemen on passing coal-burning trains so they would throw coal at him. As a child he also worked as a circus acrobat and newsboy. His inventiveness and spunk helped his family get through hard times but also fueled his fascination with entertainment, and he built up a repertoire of rubber-faced expressions and funny antics that would make his stage and screen work memorable. Baseball was a favorite pursuit in his life and thus a recurring theme in his films and skits. In this biography--the first on one of the top film comedians of the 1930s--the reader learns of Joe's challenging childhood and how it prepared him for later screen roles, and how his love of baseball translated into screen successes. His early career in vaudeville is discussed, his work as a Broadway comedian in the Roaring Twenties, his road to movie stardom, and how he parlayed his love of sports into big hits like 1930's Elmer the Great. The year 1935 gets its own chapter; its films are considered the pinnacle of Brown's career, including Alibi Ike, Bright Lights and A Midsummer Night's Dream. The final chapters reveal what happened after he left Warner Bros., including the bittersweet 1940s, when he entertained troops around the globe while mourning a son lost to the war. The book concludes with a comprehensive filmography of his features from 1928 to 1963.
Publisher: McFarland
ISBN: 0786483512
Category : Sports & Recreation
Languages : en
Pages : 229
Book Description
As a young boy in the depths of the 1890s depression, Joe E. Brown had a job: making faces at the firemen on passing coal-burning trains so they would throw coal at him. As a child he also worked as a circus acrobat and newsboy. His inventiveness and spunk helped his family get through hard times but also fueled his fascination with entertainment, and he built up a repertoire of rubber-faced expressions and funny antics that would make his stage and screen work memorable. Baseball was a favorite pursuit in his life and thus a recurring theme in his films and skits. In this biography--the first on one of the top film comedians of the 1930s--the reader learns of Joe's challenging childhood and how it prepared him for later screen roles, and how his love of baseball translated into screen successes. His early career in vaudeville is discussed, his work as a Broadway comedian in the Roaring Twenties, his road to movie stardom, and how he parlayed his love of sports into big hits like 1930's Elmer the Great. The year 1935 gets its own chapter; its films are considered the pinnacle of Brown's career, including Alibi Ike, Bright Lights and A Midsummer Night's Dream. The final chapters reveal what happened after he left Warner Bros., including the bittersweet 1940s, when he entertained troops around the globe while mourning a son lost to the war. The book concludes with a comprehensive filmography of his features from 1928 to 1963.
The Joker (2021-) #6
Author: James Tynion IV
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 36
Book Description
After barely surviving in the jungles of Belize, The Joker flees to Europe! Jim Gordon pursues the madman, but the seeds of doubt begin to sprout...if The Joker didn’t gas Arkham Asylum, who did? And what’s the next move for Vengeance, daughter of Bane? Backup: Punchline’s takeover of Blackgate Penitentiary continues as her most insidious goal becomes clear: find a woman she used to call her friend in her college days and make her pay for her betrayal. On the outside, Harper Row tries to pull her brother, Cullen, back from the brink of Jokerized radicalization!
Publisher: DC Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 36
Book Description
After barely surviving in the jungles of Belize, The Joker flees to Europe! Jim Gordon pursues the madman, but the seeds of doubt begin to sprout...if The Joker didn’t gas Arkham Asylum, who did? And what’s the next move for Vengeance, daughter of Bane? Backup: Punchline’s takeover of Blackgate Penitentiary continues as her most insidious goal becomes clear: find a woman she used to call her friend in her college days and make her pay for her betrayal. On the outside, Harper Row tries to pull her brother, Cullen, back from the brink of Jokerized radicalization!
Film Clowns of the Depression
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 0786483520
Category : Performing Arts
Languages : en
Pages : 217
Book Description
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
Publisher: McFarland
ISBN: 0786483520
Category : Performing Arts
Languages : en
Pages : 217
Book Description
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
The Joker
Author: Robert Moses Peaslee
Publisher: Univ. Press of Mississippi
ISBN: 1626746796
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.
Publisher: Univ. Press of Mississippi
ISBN: 1626746796
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman's foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.
Terrace Heroes
Author: Graham Kelly
Publisher: Psychology Press
ISBN: 9780714653594
Category : Sports & Recreation
Languages : en
Pages : 200
Book Description
This original book examines 1930s football in England in its social, economic and political context by focusing on ten of the top players of the era. It sheds light on the decade that saw players taking on a public persona as 'terrace heroes'.
Publisher: Psychology Press
ISBN: 9780714653594
Category : Sports & Recreation
Languages : en
Pages : 200
Book Description
This original book examines 1930s football in England in its social, economic and political context by focusing on ten of the top players of the era. It sheds light on the decade that saw players taking on a public persona as 'terrace heroes'.
Hub Perdue
Author: John A. Simpson
Publisher: McFarland
ISBN: 0786472251
Category : Sports & Recreation
Languages : en
Pages : 293
Book Description
A strong-armed devastating spitball pitcher from rural Tennessee who once won 16 games with the Boston Braves, Hub Perdue is better remembered today as one of the clown princes of the Deadball Era. Often compared with fellow player-comedians Germany Schaefer, Nick Altrock, and Rabbit Maranville, Perdue had a quick wit and a rebellious streak that amused teammates but sometimes led to conflicts with management and umpires. ("Mix 'em up!" manager George Stallings had told him, encouraging the weak-hitting pitcher to take his at-bats more seriously; Perdue, a right-hander, dutifully took his strikeouts from alternating sides of the plate.) His penchant for the subversive--he was also a players' union representative who freely dispensed advice on contracts and negotiation--might in fact have curtailed what had been a promising big league career. But his antics in the majors and minors became the stuff of legend, known as "Hublore."
Publisher: McFarland
ISBN: 0786472251
Category : Sports & Recreation
Languages : en
Pages : 293
Book Description
A strong-armed devastating spitball pitcher from rural Tennessee who once won 16 games with the Boston Braves, Hub Perdue is better remembered today as one of the clown princes of the Deadball Era. Often compared with fellow player-comedians Germany Schaefer, Nick Altrock, and Rabbit Maranville, Perdue had a quick wit and a rebellious streak that amused teammates but sometimes led to conflicts with management and umpires. ("Mix 'em up!" manager George Stallings had told him, encouraging the weak-hitting pitcher to take his at-bats more seriously; Perdue, a right-hander, dutifully took his strikeouts from alternating sides of the plate.) His penchant for the subversive--he was also a players' union representative who freely dispensed advice on contracts and negotiation--might in fact have curtailed what had been a promising big league career. But his antics in the majors and minors became the stuff of legend, known as "Hublore."
Clown Prince of Hollywood
Author: Bob Thomas
Publisher: McGraw-Hill Companies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 362
Book Description
Traces the life and career of the influential producer, shares the impressions of those who worked with him, and surveys Warner Brothers films.
Publisher: McGraw-Hill Companies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 362
Book Description
Traces the life and career of the influential producer, shares the impressions of those who worked with him, and surveys Warner Brothers films.
The Kentucky African American Encyclopedia
Author: Gerald L. Smith
Publisher: University Press of Kentucky
ISBN: 0813160669
Category : History
Languages : en
Pages : 625
Book Description
The story of African Americans in Kentucky is as diverse and vibrant as the state's general history. The work of more than 150 writers, The Kentucky African American Encyclopedia is an essential guide to the black experience in the Commonwealth. The encyclopedia includes biographical sketches of politicians and community leaders as well as pioneers in art, science, and industry. Kentucky's impact on the national scene is registered in an array of notable figures, such as writers William Wells Brown and bell hooks, reformers Bessie Lucas Allen and Shelby Lanier Jr., sports icons Muhammad Ali and Isaac Murphy, civil rights leaders Whitney Young Jr. and Georgia Powers, and entertainers Ernest Hogan, Helen Humes, and the Nappy Roots. Featuring entries on the individuals, events, places, organizations, movements, and institutions that have shaped the state's history since its origins, the volume also includes topical essays on the civil rights movement, Eastern Kentucky coalfields, business, education, and women. For researchers, students, and all who cherish local history, The Kentucky African American Encyclopedia is an indispensable reference that highlights the diversity of the state's culture and history.
Publisher: University Press of Kentucky
ISBN: 0813160669
Category : History
Languages : en
Pages : 625
Book Description
The story of African Americans in Kentucky is as diverse and vibrant as the state's general history. The work of more than 150 writers, The Kentucky African American Encyclopedia is an essential guide to the black experience in the Commonwealth. The encyclopedia includes biographical sketches of politicians and community leaders as well as pioneers in art, science, and industry. Kentucky's impact on the national scene is registered in an array of notable figures, such as writers William Wells Brown and bell hooks, reformers Bessie Lucas Allen and Shelby Lanier Jr., sports icons Muhammad Ali and Isaac Murphy, civil rights leaders Whitney Young Jr. and Georgia Powers, and entertainers Ernest Hogan, Helen Humes, and the Nappy Roots. Featuring entries on the individuals, events, places, organizations, movements, and institutions that have shaped the state's history since its origins, the volume also includes topical essays on the civil rights movement, Eastern Kentucky coalfields, business, education, and women. For researchers, students, and all who cherish local history, The Kentucky African American Encyclopedia is an indispensable reference that highlights the diversity of the state's culture and history.