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Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
Author: James Francis, Jr.
Publisher: McFarland
ISBN: 1476600147
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
This book chronicles the American horror film genre in its development of remakes from the 1930s into the 21st century. Gus Van Sant’s 1998 remake of Alfred Hitchcock’s Psycho (1960) is investigated as the watershed moment when the genre opened its doors to the possibility that any horror movie—classic, modern, B-movie, and more—might be remade for contemporary audiences. Staple horror franchises—Halloween (1978), Friday the 13th (1980), and A Nightmare on Elm Street (1984)—are highlighted along with their remake counterparts in order to illustrate how the genre has embraced a phenomenon of remake productions and what the future of horror holds for American cinema. More than 25 original films, their remakes, and the movies they influenced are presented in detailed discussions throughout the text.
Author: Audrey Niffenegger
Publisher: Solaris
ISBN: 1849979537
Category : Fiction
Languages : en
Pages : 915
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Book Description
This is the future of horror! Editor Jonathan Oliver, fast becoming the most exciting new anthologist of the weird and horrific, here brings together three of his award-winning anthologies for Solaris. Here are House of Fear, Magic and End of the Road, showcasing forty-nine stories by the most important and ground-breaking names in genre fiction, including AUDREY NIFFENEGGER ? CHRISTOPHER PRIEST ? CHRISTOPHER FOWLER ? SARAH PINBOROUGH ? ZEN CHO ? ADAM NEVILL ? LISA TUTTLE ? LAVIE TIDHAR ? ROCHITA LOENEN-RUIZ ? GAIL Z. MARTIN ? DAN ABNETT ? SARAH LOTZ ? STEVE RASNIC AND MELANIE TEM and many more! House of Fear The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Bring horror home with a collection of haunted house stories by some of the finest writers working in the horror genre. Magic: An Anthology of the Esoteric and Arcane They gather in darkness, sharing ancient and arcane knowledge as they manipulate the very matter of reality itself. Spells and conjuration; legerdemain and prestidigitation ? these are the mistresses and masters of the esoteric arts. From otherworldly visions to diabolical political machinations, here you will find a spell for every occasion. End of the Road Each step leads you closer to your destination, but who, or what, can you expect to meet along the way? Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. Strap on your seatbelt, or shoulder your backpack, and wait for that next ride... into darkness.
Author: Chasity Nicole
Publisher:
ISBN: 9781518612893
Category : Horror stories
Languages : en
Pages : 252
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Book Description
Sixteen horror stories of the world yet to come.
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231556152
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes. Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience—and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined. Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
Author: Fernando Gabriel Pagnoni Berns
Publisher: Rowman & Littlefield
ISBN: 1793647062
Category : Social Science
Languages : en
Pages : 243
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Book Description
Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike throughout the world have been keen to observe and analyze the popularity and roots of the phenomenon that took the horror scene by storm, producing a corpus of cultural artefacts that still resonate today. Further, Japanese horror is symptomatic of its social and cultural context, celebrating the fantastic through female ghosts, mutated lizards, posthuman bodies, and other figures. Encompassing a range of genres and media including cinema, manga, video games, and anime, this book investigates and analyzes Japanese horror in relation with trauma studies (including the figure of Godzilla), the non-human (via grotesque bodies), and hybridity with Western narratives (including the linkages with Hollywood), thus illuminating overlooked aspects of this cultural phenomenon.
Author: Mathias Clasen
Publisher: Oxford University Press
ISBN: 0190666536
Category : Performing Arts
Languages : en
Pages : 201
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Book Description
From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captivate us so? What is the drive to be frightened, and why is it so perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences. Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the sciences of human nature, the book claims that horror entertainment works by targeting humans' adaptive tendency to find pleasure in make-believe, allowing a high intensity experience within a safe context. Through analyses of well-known and popular modern American works of horror--Rosemary's Baby; The Shining; I Am Legend; Jaws; and several others--author Mathias Clasen illustrates how these works target evolved cognitive and emotional mechanisms; we are attracted to horrifying entertainment because we have an adaptive tendency to find pleasure in make-believe that allows us to experience negative emotions at high levels of intensity within a safe context. Organized into three parts identifying fictional works by evolutionary mode--the evolution of horror; evolutionary interpretations of horror; the future of horror--Why Horror Seduces succinctly explores the cognitive processes behind spectators' need to scream.
Author: William Meikle
Publisher: Grey Matter Press
ISBN:
Category : Fiction
Languages : en
Pages : 355
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Book Description
We don't know what the future might hold. Until now. Offering a collection of terrifying stories of science fiction and speculative fiction horrors, Ominous Realities is a dark thrill ride to explore what might be in store for mankind. This wicked journey isn't limited by time or gravity. It takes you on an exploration of futuristic and post-Apocalyptic worlds, to experience societies where dark corporations rule, where humanity must consider terrifying alternatives, and to the dangerous realities that may be in store, dragging you through horrifying speculative scenarios that pose dire consequences for the existence of mankind. FEATURING: "How to Make a Human" by Martin Rose A race of robots with the ability to resurrect humanity after the apocalypse has dire consequences. "Angie" by John F.D. Taff A divorced couple fights for survival after society collapses and realize the horror of true devotion. "On the Threshold" by William Meikle Two scientists aiming to prove we are not alone find the danger that exists beyond the threshold. "Doyoshota" by Ken Altabef Residents of a Nevada town are suffering the debilitating effects of a strange hum and believe it's a black ops program, others are convinced of far darker origins. "Third Offense" by Gregory L. Norris In an oppressive society where advertising is all-pervasive, a factory worker attempts to escape enslavement with horrifying results. "Matamorphosis" by J. Daniel Stone Siblings discover the unique bond has the ability to affect humanity in the darkest of ways. "We are Hale, We are Whole" by Eric Del Carlo Global climate change has reshaped the world, and multi-national corporations control every aspect of life. To what horrifying lengths will they go in the struggle to maintain profit? "Pure Blood and Evergreen" by Bracken MacLeod Victims of ethnic cleansing, two boys struggle for survival only to put the lives of everyone they know in danger. "John, Paul, Xavier, Ironside and George (But not Vincent)" by Hugh A.D. Spencer Under attack by mysterious biomechanical entities, one man spends his last days with an enigmatic client who may holds the fate of Earth in his hands. "And the Hunter, Home From the Hill" by Edward Morris Are superheroes real? It could be that the old man living down the street is hiding his own dark secrets. "Born Bad" by Jonathan Balog Raised by the church, Lucien harbors a frightening secret that may have dire circumstances for mankind. "The Last Bastion of Space" by Ewan C. Forbes Privatization has run amok and simple pleasures come at a premium. For one young couple the only option is to turn their minds over to insidious corporate control. "Every Soul is a Grimoire" by Allen Griffin A shadowy government official is responsible for a man with dangerous skill that blurs reality and opens the door to terrifying evil. "From the East" by Alice Goldfuss Driven by conviction, a scientist struggles to determine the cause of a global cataclysm and finds herself in a struggle for the existence of humanity. "Deciding Identity" by Paul Williams Faced with the collision of two worlds, the citizens of each are offered the choice to decide who will live or die. "The Last Elf" by T. Fox Dunham Having spent a lifetime chasing the enemies of Nazi Germany, a sociopathic concentration camp commanderfinds himself on the verge of his crowning achievement: ultimate extermination. Proudly presented by Grey Matter Press, the multiple Bram Stoker Award-nominated independent publisher. Grey Matter Press: Where Dark Thoughts Thrive
Author: Mathias F. Clasen
Publisher: Oxford University Press
ISBN: 019066651X
Category : Art
Languages : en
Pages : 201
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Book Description
Why do humans feel the need to scream at horror films? In Why Horror Seduces, author Matthias Clasen looks to evolutionary social science to show how the horror genre is a product of human nature.
Author: Paul Wells
Publisher: Wallflower Press
ISBN: 9781903364000
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
A comprehensive introduction to the history and key themes of the genre. The main issues and debates raised by horror, and the approaches and theories that have been applied to horror texts are all featured. In addressing the evolution of the horror film in social and historical context, Paul Wells explores how it has reflected and commented upon particular historical periods, and asks how it may respond to the new millennium by citing recent innovations in the genre's development, such as the "urban myth" narrative underpinning Candyman and The Blair Witch Project. Over 300 films are treated, all of which are featured in the filmography.
Author: Mark
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
