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Author: Alexander Hutchison
Publisher: Blue Diode Press
ISBN: 1915108209
Category : Poetry
Languages : en
Pages : 160
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Book Description
The Fusslin Thrang gathers together Alexander Hutchison’s poems in Scots written between 1973 and 2015, with the majority being previously uncollected or unpublished. Included are a wide range of translations, featuring poets such as Catullus, Pierre de Ronsard, Pier Paolo Pasolini, Ernesto Cardenal, and Mikhail Lermontov. Of particular note is Hutchison’s Scots version of ‘Medea’, based on the extract in English by Robinson Jeffers, and published here for the first time. Every poem includes a glossary and contextual notes. ‘Hutchison has the ferocity, indignation and bite of the old flytings, even the mad word-hoard of the Admirable Urquhart of Cromarty; a Scots Martial, but with the unabashed tenderness and exactitude of John Clare … A mentor, a bristling master, and a total original.’ – August Kleinzahler ‘Alexander Hutchison’s poetry is elegant, flighty and absurdist by turns. The Fusslin Thrang displays the full scope of his talents: the experimental lyric, satires, ballads, Rabelaisian romps, like a medieval recipe book for everything. One of the most exciting poets of the Scots language of the past century.’ – David Kinloch ‘Sandy Hutchison’s Scots poetry exhibits a gleeful, acquisitive fascination with the language which, in his translations, becomes a means of enlivening how we read world literatures both past and present. These in turn mirror back new readings of Scottish literature itself. Although firmly based in his native Buchan dialect, his work is unconstrained by notions of authenticity, favouring expressionist wit and sheer verbal exuberance.’ – W.N. Herbert
Author: Alexander Hutchison
Publisher: Blue Diode Press
ISBN: 1915108209
Category : Poetry
Languages : en
Pages : 160
Get Book Here
Book Description
The Fusslin Thrang gathers together Alexander Hutchison’s poems in Scots written between 1973 and 2015, with the majority being previously uncollected or unpublished. Included are a wide range of translations, featuring poets such as Catullus, Pierre de Ronsard, Pier Paolo Pasolini, Ernesto Cardenal, and Mikhail Lermontov. Of particular note is Hutchison’s Scots version of ‘Medea’, based on the extract in English by Robinson Jeffers, and published here for the first time. Every poem includes a glossary and contextual notes. ‘Hutchison has the ferocity, indignation and bite of the old flytings, even the mad word-hoard of the Admirable Urquhart of Cromarty; a Scots Martial, but with the unabashed tenderness and exactitude of John Clare … A mentor, a bristling master, and a total original.’ – August Kleinzahler ‘Alexander Hutchison’s poetry is elegant, flighty and absurdist by turns. The Fusslin Thrang displays the full scope of his talents: the experimental lyric, satires, ballads, Rabelaisian romps, like a medieval recipe book for everything. One of the most exciting poets of the Scots language of the past century.’ – David Kinloch ‘Sandy Hutchison’s Scots poetry exhibits a gleeful, acquisitive fascination with the language which, in his translations, becomes a means of enlivening how we read world literatures both past and present. These in turn mirror back new readings of Scottish literature itself. Although firmly based in his native Buchan dialect, his work is unconstrained by notions of authenticity, favouring expressionist wit and sheer verbal exuberance.’ – W.N. Herbert
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
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Book Description
Author: Alexander Craig Gibson
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Alexander Hutchison
Publisher:
ISBN: 9781844719709
Category : Poetry
Languages : en
Pages : 96
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Book Description
People want pleasure from poetry, and in Bones & Breath – this masterly collection from Alexander Hutchison – they will find it in many forms and registers. Power and beauty, mischief and humour. Longer poems mix satire with tender affection. Others offer everything from solar loops to red-throated divers.The opening section of the book provides a scattering of poems in shorter forms, characteristically “elegant, humourous and deft by turns” as David Kinloch described elements of earlier work, and it contains several striking pieces, such as “Gavia Stellata” (“smallest/and brightest/and speckled/with stars”), a sharp catalogue of uncustomary characters in “Tabouleh” – and the informative and affecting “Parable of the Willow”.A longer piece in several short parts – “Camp Four” – is picked out next, where satire and wry speculation are combined, and in a typical positive twist at the end we get not only a hint to sort out what has gone before, but the possibility of something “reverberant/resounding”.Section 3 opens with “Out of Magma: the Moon, a Witness” a beautiful and startling account of something that happened on the slopes of Etna one winter recently – never to be forgotten by the observer, and surely affecting us all. There are, too, here several poems in Scots: building on a welcome extended in “Aye, Plenty, an Mair” in the opening section of the book. These are riddling, droll, foul, inventive and hilarious by turns, and the mix of native, demotic speech and sophisticated fancy takes us up and down some strange wynds and byways. There is also a longer sequence, “Matter and Moisture”, which sets out a view of the world – even proffering advice – in a fashion that is mischievous, focussed and beguiling all at once.Rounding things out in Section 3 are “Tod” – where a fox heads with real purpose into one of the Galleries off the Mound in Edinburgh – and “Everything” – a poem given a broad and popular endorsement from audiences of all sorts since its creation early in 2013.Section 4 is made up of a long poem “Setting the Time Aside” which is a tribute to and engagement with the shade of a great poet from the last century: encountered on his home patch, quizzed and reckoned with, sounded out and given tribute, before a memorable and moving rapprochement.One of the features of Bones & Breath as a collection is the range of personae – voices of birds, creatures, a tree, for example, as well as a mixed choir of accents and registers – and the oddest, and certainly the tiniest is saved for last. In Section 5, “Tardigrade” a real (oh, aye) microscopic animal sets out a description of itself in illuminating, if not always pleasant, detail, and in addition provides an appraisal of us: wondering, not unreasonably, how we compare and what we might become. Since it turns out the beastie has more than an edge on us in terms of its capacity to survive, what it recommends should not, perhaps, be lightly dismissed. In any event, “Tardigrade” offers scope – even vision – beyond our current perspectives.
Author: Alexander Hutchison
Publisher:
ISBN: 9781844715411
Category : Poetry
Languages : en
Pages : 148
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Book Description
When action is everything and thoughts little more than waste product, it’s hard to justify time spent revelling in thinking for it’s own sakeâe¦ The poems in this collection do, however, revel, and attempt to celebrate reflection and the ability to question, even if it’s often at a peculiarly guilt-ridden breakneck pace. The World, according to this poet, is moving too fast, and experiences gather meaning piecemeal, according to the time allowed or allotted. ‘Speed’ is a jerky ride passing through familiar states; love, rage, boredom and joy, all expressed in a gauche yet testy manner, which is equally playful and exhausted.Whether out of breath or seemingly interrupted, these poems are racing to keep up with time, which is up at the front and evidently winning. They hang on to a healthy sense of the absurd, even when dealing with loss, or perhaps because of it. The tone of the poems is deceptively simple, at times almost idiotic or banal, playing with ideas of ‘poetry’ in a knowing way, with nods and winks to literary theory, whilst never actually becoming partisan. The concerns tackled are ‘of the world’; rarely overtly political, more frequently engagingly individualised, but always relevant, surprising, and inclusive.It’s been suggested that every era of major social change brings with it a new malaise; adapting to the speed of 21st century living has brought with it an epidemic of constant tiredness and stress. ‘Speed’, if not exactly a manifesto, is a certain sign of the times.
Author: Alexander Hutchison
Publisher: Amherst : University of Massachusetts Press
ISBN:
Category : Fiction
Languages : en
Pages : 90
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Book Description
Author: Tim Allen
Publisher: Salt Pub
ISBN: 9781844710799
Category : Literary Criticism
Languages : en
Pages : 374
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Book Description
How unexpected - to try to find out about modern poetry by getting the poets, 20 of them, to talk about what they do. Special attention has been given to groups of poets sharing creative ideas with each other, and to regional scenes - much information will be found about poetic activity in Plymouth, Manchester, and Glasgow. Two generations of poets have their say, running down poetic matters from the Cuban Missile Crisis to the razing of Baghdad, from The English Intelligencer to Cul de Qui.
Author: Ted Hughes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 144
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Book Description
Fay Godwin is commonly regarded as this country's finest landscape photographer. Ted Hughes, who was born and brought up in the part of the world she has captured in these atmospheric studies, was inspired by them to provide a verse text, one of the most personal things he has written.
Author: Alexander Pushkin
Publisher: Alma Classics
ISBN: 9781847496898
Category : Poetry
Languages : en
Pages : 0
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Book Description
One of the many aspects of Alexander Pushkin's immense contribution to Russian language and literature, and perhaps the one he is most popular for, is his mastery of the love poem, a genre which he perfected like few others before or after him. This volume contains a selection of his most famous and enduring verse explorations of love, such as 'I Loved You', 'Night' and 'I Well Recall a Wondrous Meeting', pieces which are crowning achievements of the European canon and still have the same timeless emotional resonance today.
