The Function and Status of Carved Ivory in Carolingian Culture PDF Download
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Author: Melanie Holcomb
Publisher:
ISBN:
Category :
Languages : en
Pages : 367
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Book Description
Author: Melanie Holcomb
Publisher:
ISBN:
Category :
Languages : en
Pages : 367
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Book Description
Author: Melanie Elaine Holcomb
Publisher:
ISBN:
Category : Ivories, Carolingian
Languages : en
Pages : 396
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Book Description
Author: Kathleen Bickford Berzock
Publisher: Princeton University Press
ISBN: 069118268X
Category : Art
Languages : en
Pages : 313
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Book Description
Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.
Author: Sarah M. Guerin
Publisher: Cambridge University Press
ISBN: 1009041622
Category : Art
Languages : en
Pages : 1078
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Book Description
This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.
Author:
Publisher: BRILL
ISBN: 9004527494
Category : History
Languages : en
Pages : 497
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Book Description
Quedlinburg Abbey was one of the oldest and most prestigious women's religious communities in medieval Germany. This essay collection conveys the abbey’s illustrious history, political importance, and cultural significance through studies on, among others, its architecture, rich treasury, and its abbatial effigies.
Author: Nina Rowe
Publisher: Cambridge University Press
ISBN: 1107375851
Category : Art
Languages : en
Pages : 345
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Book Description
In the thirteenth century, sculptures of Synagoga and Ecclesia - paired female personifications of the Synagogue defeated and the Church triumphant - became a favoured motif on cathedral façades in France and Germany. Throughout the preceding centuries, the Jews of northern Europe prospered financially and intellectually, a trend that ran counter to the long-standing Christian conception of Jews as relics of the prehistory of the Church. In this book, Nina Rowe examines the sculptures as defining elements in the urban Jewish-Christian encounter. She locates the roots of the Synagoga-Ecclesia motif in antiquity and explores the theme's public manifestations at the cathedrals of Reims, Bamberg, and Strasbourg, considering each example in relation to local politics and culture. Ultimately, she demonstrates that royal and ecclesiastical policies to restrain the religious, social, and economic lives of Jews in the early thirteenth century found a material analog in lovely renderings of a downtrodden Synagoga, placed in the public arena of the city square.
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 680
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Author: Paul Williamson
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 484
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Book Description
This authoritative, accessible survey is the first since 1927 devoted entirely to ivories of the Middle Ages. Color photographs display the V&A's significant collection, which is especially strong in Carolingian, Anglo-Saxon, and English Romanesque examples. Following an essay on the V&A's collecting and study of these masterpieces, the book features major works from every era of the period: the Symmachi Panel from late antiquity; the front cover of the Lorsch Gospels from the Carolingian era; the Ottonian Basilewsky Situla; the Veroli Casket from 10th-century Byzantium; the St Nicholas Crozier; the enigmatic whalebone carving of the Adoration of the Magi from the Romanesque 12th century; and numerous others. Each entry provides a full physical and scholarly discussion, synthesizing the exist-ing literature and incorporating new research. Praise for MEDIEVAL IVORY CARVINGS: "A summation of a lifetime's involvement with the study of medieval ivories and a triumph of scholarship - one of the defining publications in the field." The Art Newspaper "The end result is the nearest thing to perfection attained in any catalogue of ivories today." West 86th: A Journal of Decorative Arts, Design History, and Material Culture (Bard Graduate Center) "The volume is, in sum, not simply a catalogue of ivories but a fundamental contribution to the history of medieval art." The Burlington Magazine "A superlative achievement, setting a high standard for all future catalogues and making an immense contribution to scholarship." Speculum: Journal of Medieval Studies
Author: Paul Williamson
Publisher:
ISBN:
Category : Ivories, Medieval
Languages : en
Pages : 56
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Book Description
Author: Elizabeth Sears
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
What is it that art historians do when they approach works of art? What kind of language do they use to descibe what they see? How do they construct arguments using visual evidence? What sorts of arguments do they make? In this unusual anthology, eighteen prominent art historians specializing in the medieval field (European, Byzantine, and Islamic) provide answers to these fundamental questions, not directly but by way of example. Each author, responding to invitation, has chosen for study a single image or object and has submitted it to sustained analysis. The collection of essays, accompanied by statements on methodology by the editors, offers an accessible introduction to current art-historical practice.Elizabeth L. Sears is Associate Professor of the History of Art, University of Michigan.Thelma K. Thomas is Associate Professor of the History of Art and Associate Curator of the Kelsey Museum, University of Michigan.
