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Author: Constance Fenimore Woolson
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 249
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Book Description
DigiCat Publishing presents to you this special edition of "The Front Yard, and Other Italian Stories" by Constance Fenimore Woolson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Constance Fenimore Woolson
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 251
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Book Description
Constance Fenimore Woolson's 'The Front Yard, and Other Italian Stories' is a collection of tales that transports readers to the picturesque landscapes of Italy, capturing the essence of Italian culture and society. Woolson's descriptive prose and keen eye for detail bring each story to life, providing a vivid and immersive reading experience. Set against the backdrop of 19th-century Italy, the stories in this collection explore themes of love, loss, and the complexities of human relationships. Woolson's literary style is characterized by its lyrical beauty and nuanced character development, making each story a captivating and thought-provoking read. Constance Fenimore Woolson, known for her exploration of female characters and their social constraints, draws on her own experiences traveling in Italy to craft these engaging narratives. Her deep understanding of human nature and keen observations of society shine through in each story, making 'The Front Yard, and Other Italian Stories' a must-read for fans of classic literature and Italian culture enthusiasts. Woolson's ability to weave together richly textured narratives with complex characters makes this collection a timeless gem in American literature.
Author: Constance Woolson
Publisher: Litres
ISBN: 504051493X
Category : Fiction
Languages : en
Pages : 312
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Book Description
Author: Constance Fenimore Woolson
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 322
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Author: Constance Fenimore Woolson
Publisher: BoD – Books on Demand
ISBN: 3732664724
Category : Fiction
Languages : en
Pages : 194
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Book Description
Reproduction of the original: The Front Yard and Other Italian Stories by Constance Fenimore Woolson
Author: Constance Fenimore Woolson
Publisher: Library of America
ISBN: 1598536516
Category : Fiction
Languages : en
Pages : 710
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Book Description
A landmark of literary recovery: the first major edition of an overlooked genius who in her lifetime was considered 19th-century America's greatest woman writer In the eyes of her contemporaries, Constance Fenimore Woolson (1840-1894) ranked with George Eliot as one of the two greatest women writers of the English language. She wrote fiction of remarkable intellectual power that outsold those of her male contemporaries Henry James and Willian Dean Howells. James enshrined memories of his long, complicated friendship with Woolson in The Beast in the Jungle and The Wings of the Dove, and more recently Colm Tobin treated the relationship in his novel The Master. But Woolson's close association with James, and her likely suicide in Venice, have tended to overshadow her own literary accomplishments, pigeonholing her as a martyr to the male literary establishment. This volume, the most comprehensive gathering of Woolson's stories to date, represents the culmination of decades of recovery work done by scholars, and puts the focus back on the work, where it belongs. Set variously in the Great Lakes region, the post-Civil War South, and Europe, Woolson's short stories often concern outsiders of one kind or another--prophets and misfits living in remote landscapes, uneducated coal miners, impoverished spinsters, neglected nuns, a haunted caretaker of the dead, destitute southerners, and female artists driven to extreme behavior as they seek the admiration or approval of established (male) critics or writers. Woolson's minute realism captures both the social texture of her time and the inner emotional lives of these overlooked and marginalized characters. Most of all her writings startle us with their simmering intensity, their sensual descriptions of the environment, and refusal to smooth out the ambiguities and tensions that inevitably result from human efforts to communicate and connect. Her fiction is deeply human, resonating with a power across the centuries that makes them remarkably modern for today's readers.
Author: Constance Fenimore Woolson
Publisher: W. W. Norton & Company
ISBN: 0393352013
Category : Fiction
Languages : en
Pages : 320
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Book Description
To celebrate her forthcoming biography of Constance Fenimore Woolson, Anne Boyd Rioux has selected the best of this classic writer’s stories. Constance Fenimore Woolson (1840–1894) was one of the few nineteenth-century women writers considered the equal of her male peers. Harper & Brothers was so enamored of her work that the firm agreed to publish whatever she could write. In this gathering, Rioux has chosen fiction over the course of Woolson’s life, including “In Sloane Street,” never published since it first appeared in Harper’s Bazaar. Woolson’s stories travel from the rural Midwest to the deep South and then across the Atlantic to Italy and England. Her strong characters and indelible settings provide continuity throughout this collection as do her concerns with passion, creativity, imagination, and the demands of society. Whether portraying the keeper of a Union soldiers’ cemetery in the defeated South, a woman writer whose genius goes unrecognized, or the ex-pat denizens of Florence, Woolson’s deft characterization and subtlety create a broad landscape of Americans and their ways no matter where they lived.
Author: Constance Fenimore Woolson
Publisher: Library of Alexandria
ISBN: 1465509453
Category : Fiction
Languages : en
Pages : 338
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Book Description
AS it was Saturday, many visitors came to the villa, Giuseppe receiving them at the open door, and waving them across the court or up the stone stairway, according to their apparent inclination, murmuring as he did so: "To the garden; the Signora North!" "To the salon; the Signora Tracy!" with his most inviting smiles. Dorothy probably was with Mrs. North in the garden. And everybody knew that the tea and the comfortable chairs were up-stairs. The company therefore divided itself, the young people as far as possible, the men who like to appear young, and the mothers who have heavier cares than the effects of open-air light on a middle-aged complexion, crossing the paved quadrangle to the north hall, while the old ladies and the ladies (not so old) who detest gardens ascended the stairs, accompanied by, first, the contented husbands; second, the well-trained husbands; third, other men, bond or free, who cherish no fondness for damp belvederes, for grassy mounds, or for poising themselves on a parapet which has a yawning abyss below. Giuseppe was the gardener; he became a footman once a week, that is, on Saturday afternoons, when the American ladies of the Villa Dorio received those of their friends who cared to come to their hill-top above the Roman Gate of Florence—a hill-top bearing the appropriate name of Bellosguardo. For fair indeed is the outlook from that supremely blessed plateau, whether towards the north, south, east, or west, with perhaps an especial loveliness towards the west, where the Arno winds down to the sea. Enchanting as is this Occidental landscape, Mrs. Tracy had ended by escaping from it. "When each new person begins: 'Oh, what lovely shadows!' 'Oh, the Carrara Mountains!' we cannot look at each other, Laura and I," she explained; "it's like the two Roman what-do-you-call-ems—augurs. I'm incapable of saying another word about the Carrara Mountains, Laura; and so, after this, I shall leave them to you." This was the cause of Giuseppe's indicating the drawing-room, and not the garden, as Mrs. Tracy's domain. It was not difficult for Giuseppe to turn himself into a footman; Raffaello, the butler (or cameriere), could have turned himself into a coachman, a cook, a laundress, a gardener, or even a parlor-maid, if occasion had so required; for Italian servants can do anything. And if Mrs. Sebright sighed, "Ah, but so badly!" (which was partly true from the English point of view) the Americans at least could respond, "Yes, but so easily!" In truth, it was not precisely in accordance with the English standard to be welcomed by smiles of personal recognition from the footman at the door, nor to have the tea offered by the butler with an urgent hospitality which was almost tender. But Italy is not England; radiant smiles from the servants accord perhaps with radiant sunshine from the sky, both things being unknown at home. As for the American standard, it does not exist, save as a vacillating pennon. The Villa Dorio is a large, ancient structure of pale yellow hue; as is often the case in Tuscany, its façade rises directly from the roadway, so that any one can drive to the door, and knock by simply leaning from the carriage. But privacy is preserved all the same by the massive thickness of the stone walls, by the stern iron cages over the lofty lower windows, and by an entrance portal which resembles the gateway of a fortress. The villa, which, in the shape of a parallelogram, extends round an open court within, is large enough for five or six families; for in the old days, according to the patriarchal Italian custom, the married sons of the house, with their wives and children, were all gathered under its roof.
Author: Sharon L. Dean
Publisher: Univ. of Tennessee Press
ISBN: 9781572331945
Category : Architecture
Languages : en
Pages : 288
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Book Description
She argues that for both writers, the manner in which they saw and transcribed landscape informed their ways of seeing themselves as artists." "Full of fresh insights into the literary achievements of both Woolson and Wharton, Dean's book will also prompt readers to reconsider their own responses and obligations to landscape and how those responses are shaped by their experiences and by larger cultural forces."--BOOK JACKET.
Author: Robert William Chambers
Publisher:
ISBN:
Category : Short stories, American
Languages : en
Pages : 1250
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
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